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Isaimozhi
Lyrics & meaning

Mohana Punnagai

From Vanangamudi – 1957 Film · 1957

Lyricist
Thanjai N. Ramaiah Dass
Singers
T. M. Soundararajan, P. Susheela
Music director
G. Ramanathan
Movie name
Vanangamudi – 1957 Film
Movie release year
1957
Lyrics added on
24 Mar 2025

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Mohana punnagai
Seidhidum nilavae
Meghathilae nee maraiyaadhae
Paagudan thaenumae kalanthidum neram
Sagasamae nee puriyaadhae
Mohana punnagai
Seidhidum nilavae
Meghathilae nee maraiyaadhae
Paagudan thaenumae kalanthidum neram
Sagasamae nee puriyaadhae
Thiyagamum yoghamum serndhadhunaalae
Thendral neeyum piriyaadhae
Thaen malar thoovum neramidhae
En selvamae neeyum maraiyaadhae
Thaen idhazh melae
Sindhidum madhuvai
Thaediyae vaaraai innaalae…ye…
Thaen idhazh melae
Sindhidum madhuvai
Thaediyae vaaraai innaalae…..
Maan vizhiyaalae
Veesidum kanaiyae
Maaranum maraindhaan unnaalae…
Hoo o o o o haa..hoo o
Male :Maan vizhiyaalae
Veesidum kanaiyae
Maaranum maraindhaan unnaalae…
Haa….aaa…aaa…aa…aa…
Kaavinilae yaarumae
Thaediyae varuvaar
Kannaa neeyum paadaathae
Kaadhalin velaiyil
Sodhanai purivaar
Kannae neeyum aadathae
Hoo o o o o haa..hoo o
Male :Kaadhalin velaiyil
Sodhanai purivaar
Kannae neeyum aadathae
Female :Haa….aaa…aaa…aa…aa…
Smiling with an enchanting charm,
O glowing moon,
do not hide behind the clouds!
At this time when sweet syrup and honey blend together,
do not treat this moment so casually!
Smiling with an enchanting charm,
O glowing moon,
do not hide behind the clouds!
At this time when sweet syrup and honey blend together,
do not treat this moment so casually!
Since sacrifice and divine blessing have come together,
O gentle breeze, do not drift away!
This is the hour when sweet blossoms shower down,
my precious treasure, do not vanish from sight!
Upon these honeyed lips,
for the sweet nectar spilling over,
come seeking it this very day...
Upon these honeyed lips,
for the sweet nectar spilling over,
come seeking it this very day...
With your deer-like eyes,
from the sharp arrows you shoot,
even the God of Love hid away before you...
Hoo oh oh oh oh ha.. hoo oh
Male: With your deer-like eyes,
from the sharp arrows you shoot,
even the God of Love hid away before you...
Haa... aah... aah... ah... ah...
Someone into this garden grove
may come searching for us,
my beloved, do not sing!
In this tender hour of love,
they may test and trouble us,
my darling, do not dance!
Hoo oh oh oh oh ha.. hoo oh
Male: In this tender hour of love,
they may test and trouble us,
my darling, do not dance!
Female: Haa... aah... aah... ah... ah...
Female
Female
Male
Female
Male
Female
Female
Female
Male
Female

Beyond the translation

Overall song meaning

This romantic duet from the 1957 Tamil film Vanangamudi expresses tender passion, playful teasing, and deep affection between two lovers. The male singer addresses his beloved as a glowing moon hiding behind clouds and a sharp arrow shot from deer-like eyes, comparing their sweet union to honey blended with sugar syrup. The female singer affectionately cautions her lover not to sing or dance too openly in the garden grove, fearing that outsiders might intrude upon or test their tender love. Together, the song paints a rich picture of secret rendezvous, poetic beauty, and classic romantic devotion.

Writing craft

Poetic devices

Uruvagam (Metaphor)

Mohana punnagai seidhidum nilavae

Compares the beloved's radiant face to the glowing moon ('nilavae') and her captivating gaze to a sharp arrow ('kanaiyae').

Ethirukaai / Monai (Initial Alliteration & Rhyme)

Thiyagamum yoghamum serndhadhunaalae

Use of matching initial consonants 'Thiyagamum' and 'Thendral' across successive thoughts to create a rhythmic flow.

Hyperbole (Uyarvu Navitchi)

Maaranum maraindhaan unnaalae…

Exaggerates the beauty of her eyes by stating that even Kamadeva (Maaran), the god of love, hid in envy/defeat.

Did you know?

Trivia

Vanangamudi (1957) was a major hit starring Sivaji Ganesan and Savitri, directed by P. Pullaiah. The music score composed by maestro G. Ramanathan remains celebrated for blending classical Carnatic nuances with rich orchestration, featuring vocal dynamics by T. M. Soundararajan and P. Susheela.

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