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Mangala Nayagi album cover
Lyrics & meaning

Mappillai Mappillai

From Mangala Nayagi · 1980

Lyricist
Vaali
Singers
P. Susheela, T. M. Soundararajan
Music director
V. Kumar
Movie name
Mangala Nayagi
Movie release year
1980
Lyrics added on
28 May 2022

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Mappillai mappillai
Mannaangatti thoppula
Mappillai mappillai
Mannaangatti thoppula
Akka ponnu nenappulae
Aiyyo paavam sappidalae
Akka ponnu nenappulae
Aiyyo paavam sappidalae
Ettu kattalai ingundu
Istappattaal pennunduu
Ettu kattalai ingundu
Istappattaal pennunduu
Sammathamaa….sol…..sammathamaa
Aduppadi velai seithida maattaal ponnu
Aiyya idhuthaan engal kattalai onnu
Naan aduppoothuven
Naaan aduppoothuven sambhar rasam seiguven
Nalla parimaaruven naan beeman thambi
Innoru pennai paarththaal thandanaiyundu
Aiyyaa idhuthaan engal kattalai irandu
Enthan samsaarame rambai avathaaramae
Manam maaraathammaa naan raman thambi
: Mappillai mappilli
Mannaangatti thoppula
Akka ponnu nenappulae
Aiyyo paavam sappidalae
Ettu kattalai ingundu
Istappattaal pennunduu
Sammathamaa….sol…..sammathamaa
Manaiviyin selai thovuchchu podanum aanu
Aiyyaa idhuthaan engal kattalai moonu
Aahaa melaadaikal joli paavadaigal
Naanae thovaipenammaa
Aahaa melaadaikal joli paavadaigal
Naanae thovaipenammaa
Adhuthaanae inbam
Pillai piranthaal thottil aattura aalu
Needhaan aiyyaa idhuthaan kattalai naalu
Naan thaalaattuven
Naan thaalaattuven thottu seeraattuven
Putti paaloottuven naan aayaa aavaen
Mappillai mappilli
Mannaangatti thoppula
Akka ponnu nenappulae
Aiyyo paavam sappidalae
Ettu kattalai ingundu
Istappattaal pennunduu
Sammathamaa….sol…..sammathamaa
Kuttram sonnaal kothikkum akkaa nenju
Oththu poganum idhuthaan kattalai anju
Naan edhirvaadhamae vetti pidivaathamo
Summaa adhikaaramo siyya maattaenammaa
Aiyyaa idhuthaan aaru yaezhu ettu
Kattalai paakki kettu thaaliyai kattu
Adhu ettaagattum ettu nooraagattum
Solla thevaiyillai
Naan manaiviyin thaasan
Mappillai mappilli
Male :Oo ho
Female :Mannaangatti thoppula
Male :Aahaa
Akka ponnu nenappulae
Male :Oh ho
Female :Aiyyo paavam sappidalae
Ettu kattalai ingundu
Male :Aahaa
Female :Istappattaal pennunduu
Male :Oo ho
Female :Sammathamaa….sol…..sammathamaa
Male :Hmmm
Groom, oh groom!
In the Mannankatti grove,
Groom, oh groom!
In the Mannankatti grove,
Lost in thoughts of your sister's daughter,
Oh poor thing, you haven't eaten!
Lost in thoughts of your sister's daughter,
Oh poor thing, you haven't eaten!
We have eight conditions here;
If you agree, you can have the bride!
We have eight conditions here;
If you agree, you can have the bride!
Do you agree? Tell us... do you agree?
The bride will not do any kitchen work;
Sir, this is our condition number one!
I will light the hearth and cook,
I will cook the sambar and rasam,
And serve it well—I am like Bhima's brother!
If you look at another woman, you will be punished;
Sir, this is our condition number two!
My wife is like the divine beauty Rambha herself;
My heart will never stray—I am loyal like Rama's brother!
Groom, oh groom!
In the Mannankatti grove,
Lost in thoughts of your sister's daughter,
Oh poor thing, you haven't eaten!
We have eight conditions here;
If you agree, you can have the bride!
Do you agree? Tell us... do you agree?
The husband must wash and hang his wife's saris;
Sir, this is our condition number three!
Aha, her blouses, cholis, and skirts,
I will wash them all myself!
Aha, her blouses, cholis, and skirts,
I will wash them all myself!
Isn't that pure joy?
When a baby is born, the person to rock the cradle
Must be you, sir—this is condition number four!
I will sing lullabies,
I will sing lullabies and lovingly pamper the baby,
I will bottle-feed milk and happily be the nanny!
Groom, oh groom!
In the Mannankatti grove,
Lost in thoughts of your sister's daughter,
Oh poor thing, you haven't eaten!
We have eight conditions here;
If you agree, you can have the bride!
Do you agree? Tell us... do you agree?
If you find fault with her, my sister's heart will ache;
You must adjust and get along—this is condition number five!
I will never argue back or be stubborn,
Nor will I ever boss her around!
Sir, here are rules six, seven, and eight;
Listen to the remaining conditions and tie the wedding knot!
Whether it is eight or eight hundred,
You don't even need to say them—
I am already my wife's devoted servant!
Groom, oh groom!
Male: Oho!
Female: In the Mannankatti grove,
Male: Aha!
Lost in thoughts of your sister's daughter,
Male: Oho!
Female: Oh poor thing, you haven't eaten!
We have eight conditions here;
Male: Aha!
Female: If you agree, you can have the bride!
Male: Oho!
Female: Do you agree? Tell us... do you agree?
Male: Mmm!
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Beyond the translation

Overall song meaning

Mappillai Mappillai from the 1980 film Mangala Nayagi is a playful musical dialogue between the bride's side and the eager groom. The bride's family lays down eight strict conditions (kattalaigal) before agreeing to give the bride in marriage. These terms humorously reverse conventional gender roles, demanding that the husband perform all kitchen duties, wash his wife's clothes, nurse and rock future children, stay unconditionally faithful, and avoid arguing with his sister-in-law.

Writing craft

Poetic devices

Anaphora / Repetition (Erattai Kilavi)

Mappillai mappillai

The word 'Mappillai' is repeated consecutively to establish rhythmic cadence and call attention playfully to the groom.

Mythological Allusion (Purana Uruvagam)

Nalla parimaaruven naan beeman thambi

The lyricist Vaali invokes Bhima (famed for his culinary skills during exile) and Rama (famed for supreme devotion to his wife Sita) to highlight the groom's comical willingness to obey.

Rhyme / Monorhyme (Monai and Etukai)

Aiyyaa idhuthaan engal kattalai irandu

The second letter harmony and end-rhyme structure ('onnu', 'irandu', 'moonu', 'naalu') build an engaging counting pattern throughout the demands.

Did you know?

Trivia

Mangala Nayagi (1980) was directed by the acclaimed duo Krishnan-Panju and featured music composed by V. Kumar. Sung by legends P. Susheela and T. M. Soundararajan, this Vaali-penned song subverts traditional domestic roles with sharp comedic flair.

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