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Isaimozhi
Lyrics & meaning

Mannargal Vanagum

From Anbu Thangai · 1974

Lyricist
Kannadasan
Singer
P. Susheela
Music director
K. V. Mahadevan
Movie name
Anbu Thangai
Movie release year
1974
Lyrics added on
12 Apr 2023

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Bharathaththil puththa madham veerundri iruntha kaalam
Padalipuththiraththil oru aadalarasi
Angangal thirandiruntha
Azhagu silai vaasavathaththai
Mannargal vanangum silaiyaanaen
Ullangal mayangum kalaiyaanaen
Kannazhagil aasai kondu
Kattilukku yaekkam kondu
Enni enni bodhai kondu
Mannargal vanangum silaiyaanaen
Vaayidhazh madhurasaththil aada vaippaen
Vaarththeduththa kinnangalil ooravaippaen
Maaya sugangalellaam malara vaippaen
Maaya sugangalellaam malara vaippaen
Mattroruththi illaiyendru pesa vaippaen
Mannargal vanangum silaiyaanaen
Puththam saranam kachchaami
Sangam saranam kachchaami
Dharmam saranam kachchaami
Avargal mannargal en adimaigal
Ivano azhagaanavan
Ivanai thedi en kangal pogindrana
Thodarnthu en ullamum pogirathu
Yaen naanum ponaalenna…
Kaana vaiththana kangal un maeniyai
Kandu kondana vedhaantha nyaaniyai
Aada vaiththana anantha penmaiyai
Arinthu kondana inbaththin unmaiyai
Kangalin kaatchi poiyyae
Kadhalum poiyyir poiyyae
Penmaiyin azhagum poiyyae
Pesidum mozhiyum poiyyae
Azhagiya mangai thirumugam kandu
Anbu nirainthoru inbamadainthu
Pazhagiya panjanai paal pazham undu
Paarththa pinnaal varum nyaanamum undu
Azhaikkindraen swaami azhaikkindraen
Bogam azhaikindrathu
Buddhanukku velaiyilli
Mogam azhaikkindrathu
Munivanukku velaiyillai
Kaalam azhaikkattum kann thiranthu paarkkattum
Varugindraen penmaiyae varugindraen
Aadinaal aval aadinaal
Kodai vasanthamendrum
Kulirendrum mazhaiyendrum
Odiya kaalangal oduvathariyaamal
Aadinaal ulamaadinaal udalaadinaal
Thaanaadinaal thallaadinaal
Ilamai poe vittathu azhagu poe vittathu
Yaarennai theduvaar
Ini yaarennai theduvaar
Puththam saranam kachchaami
Sangam saranam kachchaami
Dharmam saranam kachchaami
Vediththa malar azhaiththapothu
Varavillaiyae saami
Vizhuntha malar kaanbatharkku vanththaeno
Kadhalai poi endraen
Kavanikkavillai neeyae
Azhagellaam poi endraenae
Ariyavum illai neeyae
Poiyendrum ariyumunnae
Bogigal varuvaar thaayae
Poiyendru arintha pinthaan
Nyaanigal varuvaar thaayae
In an era when Buddhism took deep root in India,
There lived a queen of dance in Pataliputra.
With her alluring form unveiled,
Vasavadatta was a sculpted statue of beauty.
I became an idol worshipped by kings,
An art form that captivated every heart.
Longing for the charm of my eyes,
Yearning to share my bed,
Intoxicated by thoughts of me,
I became an idol worshipped by kings.
I would thrill them with the sweet nectar of my lips,
And drown them in brimming cups of wine.
I made every fleeting pleasure blossom,
I made every fleeting pleasure blossom,
And made them swear that no other woman compares.
I became an idol worshipped by kings.
I take refuge in the Buddha,
I take refuge in the Sangha (the Buddhist monastic community),
I take refuge in the Dharma (the cosmic truth and teachings).
Those kings are mere slaves to me,
But this young man is truly handsome!
My eyes go wandering in search of him,
And my heart follows close behind.
Why shouldn't I go to him myself?
My eyes have gazed upon your handsome form,
And discovered a sage of deep wisdom.
You have awakened the boundless woman within me,
And revealed the true nature of pleasure.
What the eyes behold is an illusion,
And romantic love is the greatest illusion of all.
The beauty of womanhood is fleeting,
And the words spoken are untrue.
Behold the radiant face of a beautiful woman,
Taste the joy that is filled with love,
Enjoy the soft bed, the milk, and the fruit—
For wisdom can still follow after knowing all of this.
I am calling you, holy one, I am calling you!
Sensual pleasure calls to you;
The Buddha has no business here!
Earthly desire calls to you;
A monk has no business here!
Let the right time call, and let her eyes truly see;
I will come to you, woman, I will come.
She danced on and on;
Through hot summers and blooming springs,
Through freezing winters and pouring rains,
Unaware of the passing seasons as time slipped away,
She danced with her mind, she danced with her body,
She danced all alone until she staggered and fell.
Her youth was gone, her beauty was lost;
Who will look for me now?
Who will ever come looking for me now?
I take refuge in the Buddha,
I take refuge in the Sangha (the Buddhist monastic community),
I take refuge in the Dharma (the cosmic truth and teachings).
When I was a blooming flower and called for you,
You never came, holy one.
Have you come now just to see a fallen flower?
I told you that love was an illusion,
But you did not pay attention.
I told you that beauty was an illusion,
But you did not understand.
Before realising it is all an illusion,
Pleasure-seekers will flock to you, mother.
Only after realising it is an illusion,
Will the truly wise come to you, mother.
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Beyond the translation

Overall song meaning

This dance drama song portrays the Buddhist legend of Vasavadatta, a legendary courtesan of Mathura/Pataliputra, and Upagupta, a Buddhist monk. In her youth and prime, Vasavadatta is sought after by kings and wealthy men. Intoxicated by her own beauty and worldly pleasures, she attempts to entice the monk Upagupta, who politely declines, stating that he will visit her when the right time comes. She continues her life of sensory indulgence until time ravages her beauty, youth fades, and she is abandoned by society and discarded as a withered flower. In her moment of suffering and physical decay, Upagupta returns to offer her spiritual solace and guidance, demonstrating the impermanence of worldly desires (Anicca) and leading her toward enlightenment and refuge in the Buddha, Dhamma, and Sangha.

Writing craft

Poetic devices

Contrast / Antithesis

Vediththa malar azhaiththapothu / Varavillaiyae saami / Vizhuntha malar kaanbatharkku vanththaeno kalaiyae amarntheno saami (Lines 56-58 construction pattern & idea contrast between blooming vs fallen flower). Syntax: Vediththa malar vs Vizhuntha malar.

Monai (Initial Alliteration)

Vaayidhazh madhurasaththil aada vaippaen / Vaarththeduththa kinnangalil ooravaippaen

Edugai (Second-letter Rhyme)

Kaana vaiththana / Kandu kondana / Aada vaiththana / Arinthu kondana

Anaphora (Repetition of Refrain)

Puththam saranam kachchaami / Sangam saranam kachchaami / Dharmam saranam kachchaami

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Trivia

This track features a famous classical dance-drama segment based on the Indian Buddhist legend of Upagupta and Vasavadatta (popularized in modern literature by Kumaran Asan's Malayalam poem 'Karuna' and Rabindranath Tagore's poem 'Abhisar'). Kannadasan masterfully summarizes Buddhist philosophy on impermanence and desire through poetic Tamil verses scored brilliantly by K. V. Mahadevan.

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