- Lyricist
- Vaali
- Singer
- Ilayaraja
- Music director
- Ilayaraja
- Movie name
- Pudhiya Raagam
- Movie release year
- 1991
- Lyrics added on
- 12 Jan 2019
Lyrics & meaning
Beyond the translation
Overall song meaning
This emotional song addresses the plight of a woman trapped in an unhappy and abusive marriage, highlighting the conflict between societal expectations and individual dignity. Vaali's lyrics emphasize that traditional symbols of marriage—such as the jasmine garland, wedding drums, and the sacred knot ('thaali')—are meaningless without mutual respect, asserting that what a woman truly needs in society is self-respect ('suya mariyaadhai'). The narrative laments mistaking a deceitful husband for a noble partner and describes the home as a suffocating forest rather than a sanctuary. Despite the deep sorrow and tearful struggle, the song maintains a ray of hope for liberation and healing. It envisions a seasonal change where winter's chill gives way to warm breezes, symbolizing the end of suffering and the birth of a 'Pudhiya Raagam' (a new melody/chapter) filled with joy and self-worth.
Writing craft
Poetic devices
Ethukai (Second Letter Rhyme)
“Malligai maalai katti / Mangala melam kotti”
Matching of the second consonant in consecutive lines, such as 'Malligai' and 'Mangala', creating a musical rhythm.
Metaphor (Urvagam)
“Uppu kallai vairam endru Nambi nadandha paavam”
Comparing rock salt to a diamond ('Uppu kallai vairam endru') to symbolize mistaking a worthless, cruel person for someone precious.
Metaphor (Urvagam)
“Manjal thaali poo vilangaa Kaalil potta pon vilangaa”
Describing the sacred marital thread ('thaali') as golden shackles ('pon vilangaa') restricting a woman's freedom.
Iyaibu (End Rhyme)
“Vaadai kaalam sendridalaam / Vaenir kaalam vandhidalaam”
Rhyming endings across consecutive lines ('sendridalaam', 'vandidalaam', 'paadidalaam', 'aadidalaam').
Did you know?
Trivia
The song title aligns with the movie title 'Pudhiya Raagam' (1991), starring Rahman and Gautami. The lyrics penned by Vaali strongly mirror the Dravidian social reform movement's emphasis on female self-respect ('Suya Mariyaadhai') over dogmatic marital traditions.
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