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Isaimozhi
Lyrics & meaning

Kannaa Manam Kallo

From Kadavulin Kuzhandhai · 1960

Lyricist
Namakkal R. Balu
Singer
P. Susheela
Music director
G. Ramanathan
Movie name
Kadavulin Kuzhandhai
Movie release year
1960
Lyrics added on
22 Dec 2024

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Kannaa manam kallo
Kanivudane kadhal geedham kelaayo
Kannaa manam kallo
Kanivudane kadhal geedham kelaayo
Kannaa manam kallo
Enneramum unnai ninainthae
Yaengum ennai maranthaayo
Enneramum unnai ninainthae
Yaengum ennai maranthaayo
Malarai naadi varum maarutham naanae
Malarai naadi varum maarutham naanae
Maaraatha uravaadavae theeraatha kurai theeravae
Bharatha mugam niyaamaa…aa…aa…aa…aa…
Aa…aa….aa….aa…aa…aa….aa…aa…aa…aa….
Kannaa manam kallo
Kanivudane kadhal geedham kelaayo
Kannaa manam kallo
Aaa…aa…aa…mmm….mm…aa…aa…
Kannodu kann kalanthae magizhnthaal
Kaanum thunbam maraiyaatho
Kannodu kann kalanthae magizhnthaal
Kaanum thunbam maraiyaatho
Paruva kaattriloru pambaram polae
Paruva kaattriloru pambaram polae
Paankoodu naanaalavae thaenkoodu neeyaagume
Veen kobam yaeno en mel…aa…aa…aa….aa….
Aaa….aa….aa….aa…aa….aa….aa….aa…..
Kannaa manam kallo
Kanivudane kadhal geedham kelaayo
Kannaa manam kallo….
O Kanna, is your heart made of stone?
Won't you listen tenderly to my song of love?
O Kanna, is your heart made of stone?
Won't you listen tenderly to my song of love?
O Kanna, is your heart made of stone?
Thinking of you at all times,
have you forgotten me as I yearn for you?
Thinking of you at all times,
have you forgotten me as I yearn for you?
I am the breeze seeking the flower,
I am the breeze seeking the flower,
To share an unbroken bond, to heal this endless longing,
is it fair that you look away without facing me? Ah... ah... ah... ah...
Ah... ah... ah... ah... ah... ah... ah... ah...
O Kanna, is your heart made of stone?
Won't you listen tenderly to my song of love?
O Kanna, is your heart made of stone?
Ah... ah... ah... mmm... mm... ah... ah...
If our eyes meet in joy,
won't all this sorrow fade away?
If our eyes meet in joy,
won't all this sorrow fade away?
Like a spinning top in the seasonal breeze,
Like a spinning top in the seasonal breeze,
as I dance with grace, you turn into a sweet honeycomb,
why this needless anger toward me? Ah... ah... ah... ah...
Ah... ah... ah... ah... ah... ah... ah... ah...
O Kanna, is your heart made of stone?
Won't you listen tenderly to my song of love?
O Kanna, is your heart made of stone?
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Beyond the translation

Overall song meaning

This classic song expresses the tender longing and emotional plea of a lover addressing her beloved Krishna. She questions his apparent coldness and indifference, asking whether his heart has turned to stone while she continuously pine for his affection. She appeals to his compassion, inviting him to listen to her song of devotion and love. Through beautiful imagery of nature—comparing herself to a breeze seeking a flower, and their bond to harmony and sweetness—she urges him to cast aside his needless anger. She believes that a single loving glance from him can dispel all sorrow, pleading for reconciliation and a lasting reunion.

Writing craft

Poetic devices

Metaphor (Uruvagaimai)

Kannaa manam kallo

The lover compares her beloved's heart to stone ('manam kallo') to highlight his indifference, and compares herself to a wind seeking a flower ('Malarai naadi varum maarutham naanae').

Simile (Uwamai)

Paruva kaattriloru pambaram polae

The line 'Paruva kaattriloru pambaram polae' uses 'pambaram polae' (like a spinning top) as a explicit simile to describe how her emotions are tossed around in the seasonal wind.

Alliteration & Rhyme (Egal / Monai)

Kanivudane kadhal geedham kelaayo

The repetition of the initial consonant sounds and end-rhymes across lines like 'Kannaa', 'Kanivudane', and 'Kannodu' adds a rhythmic and melodic quality to the lyrical flow.

Did you know?

Trivia

Composed by legendary music director G. Ramanathan, 'Kannaa manam kallo' features the iconic vocals of P. Susheela. The film 'Kadavulin Kuzhandhai' (1960) showcases classical Karnatic-influenced orchestration that was characteristic of G. Ramanathan's golden era of Tamil film music.

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