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Isaimozhi
Lyrics & meaning

Kangalum Yaenguthu

From Samsara Sangeetham · 1989

Lyricist
T. Rajendar
Singer
S. P. Balasubrahmanyam
Music director
T. Rajendar
Details
Samsara Sangeetham1989

Lyrics & meaning

Tanglish lyrics English translation
Male
Kangalum yaenguthuThe eyes are longing
Kadhalum ponguthu ammaadiyoLove is overflowing, oh dear
Irumanam mayanguthuTwo hearts are entranced
Yaen innum thayanguthu ammaadiyoWhy still hesitate, oh dear?
Male
Poththi vachcha jaadhi mullai…aa..The cherished royal jasmine flower... ah..
Poththi vachcha jaadhi mullai…The cherished royal jasmine flower...
Thuni pottu maraichaakkoodaEven if you conceal it with a cloth
Vaasamthaan veesuthu veliyaeIts fragrance still wafts outside
Velivesam pottaakkoodaEven if you put on a false front
Paasamthaan theriyuthu kiliyaeYour love still shows through, my parrot
Kadhalithu pollaathathu podiLove is a mischievous thing, girl
Kannalathaan kadhai pesuthu vaadiCome on, your eyes are speaking stories
Male
Kangalum yaenguthuThe eyes are longing
Kadhalum ponguthu ammaadiyoLove is overflowing, oh dear
Irumanam mayanguthuTwo hearts are entranced
Yaen innum thayanguthu ammaadiyoWhy still hesitate, oh dear?
Chorus
…………….....
Male
Kozhikkuththaan theeniya vachchaanHe set out feed for the hen
Devikkuththaan jaadaiya vachchaanHe dropped hints for his goddess
Milakaaya kaaya vachchaanHe laid chilies out to dry
Vizhi ambai paaya vachchaanHe shot an arrow with his gaze
Male
Paadhaiyila pogaiyilaWhile walking along the path
Paadhi kannaal paakkayilaWhen looking out of the corner of her eye
Manasunthaan unarnthathaadiThe heart realized it, my girl
Kozhusunthaan kazhanduthadiThe anklet slipped off, my girl
Eduththathu kolusa koduththathu manasaWhat was picked up was an anklet, but what was given was a heart
Male
Kangalum yaenguthuThe eyes are longing
Kadhalum ponguthu ammaadiyoLove is overflowing, oh dear
Irumanam mayanguthuTwo hearts are entranced
Yaen innum thayanguthu ammaadiyoWhy still hesitate, oh dear?
Male
Kaaya vacha thaavaniThe half-saree put out to dry
Kaaththadikka paranthathadiFlew away as the wind blew
Kaalaiyin mel vizhunthathadiIt landed upon the young man
Kadhalunthaan padarnthathadiAnd love blossomed and spread
Male
Poova nee vachchappoWhen you wore a flower
Oodaiyila vizhunthathadiIt fell into the stream
Kai neetti edukkaiyilaWhen reaching out a hand to fetch it
Odiththaan ponathadiIt quickly drifted away
Midhanthathu rosa kavarnthathu rasaWhat floated was a rose, what was stolen was the hero's heart
Midhanthathu rosa kavarnthathu rasaWhat floated was a rose, what was stolen was the hero's heart
Male
Kangalum yaenguthuThe eyes are longing
Kadhalum ponguthu ammaadiyoLove is overflowing, oh dear
Irumanam mayanguthuTwo hearts are entranced
Yaen innum thayanguthu ammaadiyoWhy still hesitate, oh dear?

Beyond the translation

Song interpretation

This song from Samsara Sangeetham (1989) is a lighthearted, rhythmic romantic track that portrays the natural emergence of love between two young people. The protagonist points out that love cannot be hidden away, drawing a poetic comparison to jasmine whose scent escapes even when wrapped in cloth. Despite putting on pretense, affection shines through their eyes. The verses narrate playful, everyday rustic encounters where romance blossoms organically: a side glance while walking down a path, a dropped anklet exchanged for a heart, a windblown scarf landing on the lover, and a rose drifting down a stream. The song celebrates the sweetness of unspoken attraction and questions why lovers hesitate when both hearts are already captivated.

Writing craft

Poetic devices

Metaphor (Uvamai)

Thuni pottu maraichaakkooda / Vaasamthaan veesuthu veliyae

Comparing hidden love to a wrapped jasmine flower whose fragrance inevitably escapes.

Monai (Initial Rhyme / Alliteration)

Kangalum yaenguthu / Kadhalum ponguthu ammaadiyo

Repetition of initial consonant sound 'K' (Ka) across adjacent words and lines.

Ethukai (Second Letter Rhyme)

Paadhaiyila pogaiyila / Paadhi kannaal paakkayila

Matching second letter 'dh' across consecutive lines (Paadhaiyila / Paadhi).

Iyaibu (End Rhyme)

Kozhikkuththaan theeniya vachchaan / Devikkuththaan jaadaiya vachchaan

Consistent rhyming line endings ending with 'vachchaan' across consecutive lines.

Antithesis / Wordplay

Eduththathu kolusa koduththathu manasa

Clever contrasting parallelism between picking up a physical anklet and giving away an intangible heart.

Did you know?

Trivia

Written and composed by T. Rajendar for his self-directed 1989 film Samsara Sangeetham, this song showcases his signature style of heavy internal rhyming (Monai and Ethukai) paired with rhythmic, fast-paced vocals rendered by S. P. Balasubrahmanyam.

Keep listening

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