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Isaimozhi
Lyrics & meaning

Kainiraiya Chozhi

From Velli Vizha · 1972

Lyricist
Vaali
Singers
P. Susheela, L. R. Eswari
Music director
V. Kumar
Details
Velli Vizha1972

Lyrics & meaning

Tanglish lyrics English translation
Female
: Kai niraiya sozhiA handful of cowrie shells
Kondu vanthen maamiI have brought, aunt
Kai niraiya sozhiA handful of cowrie shells
Kondu vanthen maamiI have brought, aunt
Kaayai vettalaamaaCan I capture the game piece?
Kan vizhikkum naazhi..In the moment of opening eyes...
Kan vizikkum naazhiIn the moment of opening eyes
Female
Thavamirunthu naanaeHaving performed penance myself
Dhaayam ondru pottenI rolled a 'one' in the game
Vettu pada naanumTo be captured, I too
Vittu vida maattenWill not let go
Vittu vida maattenWill not let go
Female
Angkirukkum manggaiThe woman over there
Sonthamulla raaniIs a rightful queen
Ingkirukkum kanniThe maiden over here
Sokkathaan raaniIs a queen of pure gold
Female
Kalakkamenna thozhiWhy the worry, my friend?
Kan vizhikkum naazhiIn the moment of opening eyes
Vidhi endra vilaiyaattaiThe game called destiny
Ninaippadhum yenoWhy even think about it?
SanthaegamthaanooIs it a doubt?
Female
Pannirandu pottaalumEven if twelve is rolled
Kannirandum angaeBoth eyes remain fixed over there
Female :Mannavanum aattaththilaeFemale: The king too in this game
Maatti kondaan ingaeHas gotten trapped here
Female
Onnu vizhum idathinilaeIn the place where a one falls
Rendu vizhalaamooCan a two fall instead?
Onnu vizhum idathinilaeIn the place where a one falls
Rendu vizhalaamooCan a two fall instead?
Female :Panthayathai vaazhkkai endruFemale: Can a gamble
Enni vidalaamooBe considered as life itself?
Female
Kalakkamenna thozhiWhy the worry, my friend?
Kan vizhikkum naazhiIn the moment of opening eyes
Female :Kaayai vettalaamaaFemale: Can I capture the game piece?
Kan vizhikkum naazhi..In the moment of opening eyes...
Kan vizikkum naazhiIn the moment of opening eyes
Female
Naanam endrum acham endrumShyness and fear
Naalu kattam penmaikkunduWomanhood has four traditional boundaries
Naam aadum aattamellaamAll the games we play
Aada vendum adharkkul nindruMust be played staying within them
Female
Thaandi vara maattaalammaaShe will not cross, dear lady
Thozhiyaval ellaiMy friend will not cross her limit
Thaandi vara maattaalammaaShe will not cross, dear lady
Thozhiyaval ellaiMy friend will not cross her limit
Mangaiyaval naalu gunamThat young woman the four virtues
Maranthaval illaiHas not forgotten
Female
Kai niraiya sozhiA handful of cowrie shells
Kondu vanthen thozhiI have brought, my friend
Kaayai vettalaamaaCan I capture the game piece?
Kan vizhikkum naazhi..In the moment of opening eyes...
Kan vizikkum naazhiIn the moment of opening eyes

Beyond the translation

Song interpretation

This song uses the traditional South Indian board game of Dhaayam (played with cowrie shells) as an allegory for human life, destiny, and romantic relationships. The lyrics draw clever parallels between rolling dice, capturing game pieces, and navigating fate's unpredictable turns. Through playful banter, the song also highlights the social boundaries and traditional virtues (Acham, Madam, Naanam, Payirppu) expected of women, suggesting that while life's gamble has rules, destiny ultimately determines where the pieces fall.

Writing craft

Poetic devices

Allegory / Metaphor (Uruvagam)

Vidhi endra vilaiyaattai

Life and destiny are metaphorically framed as a game of dice played with cowrie shells ('Vidhi endra vilaiyaattai', 'Panthayathai vaazhkkai endru').

Initial Rhyme (Monai)

Naanam endrum acham endrum / Naalu kattam penmaikkundu

Repetition of the initial sound 'Naa' across lines creating rhythmic flow.

Parallelism / Contrast

Angkirukkum manggai... Ingkirukkum kanni...

Symmetrical structure contrasting 'the woman over there' with 'the maiden over here'.

Did you know?

Trivia

Composed by V. Kumar with lyrics by Vaali, 'Kai Niraiya Sozhi' is a famous track from K. Balachander's 1972 drama film 'Velli Vizha', starring Gemini Ganesan, Jayanthi, and Vanisri. It features vocals by playback legends P. Susheela and L. R. Eswari.

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