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Lyrics & meaning

Kadhal Enbathu Sirai

From Ingeyum Manithargal · 1975

Lyricist
Poovai Senguttavan
Singers
Mu. Ka. Muthu, S. V. Ponnusami, B. Vasantha
Music director
T. S. Naresh
Movie name
Ingeyum Manithargal
Movie release year
1975
Lyrics added on
29 Aug 2023

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Kadhal enbathu siraitaanae
Adhil kanniyar vizhigal valaithaanae
Kadhal enbathu siraithaanae
Adhil kanniyar vizhigal valaithaanae
Adhil sikki kondaal manam pattri kondaal
Adhu ennaalum pon vilangae….
Kadhal enbathu siraitaanae
Adhil kanniyar vizhigal valaithaanae
Aa….aa….aa….
Female :Aahaa aahaa haa
Male :Lalalala lalarae
Female :Ohho ohho ho
Male :Lalalala lallallaa
Female :Yaehae yaehae yaehae
Nenjenum thottaththil
Idhazh vidum malarukku maaraatha vaasam varum
Vanjiyar vaazhvukku kaalaiyar karangal
Aadhaaram endrum tharum
Kaalamae maarumae vaazhumae endrumae kadhalae
Kadhal enbathu siraithaanae
Adhil kanniyar vizhigal valaithaanae
Adhil sikki kondaal manam pattri kondaal
Kai pattri kondaal sugamae….
Deivaththin koyilil
Baktharkal varuvathu devathai ariyaathathaa
Ketkindra manathirkku tharugindra varamathu
Deivaththaal mudiyaathathaa
Deivaththin koyilil
Baktharkal varuvathu devathai ariyaathathaa
Ketkindra manathirkku tharugindra varamathu
Deivaththaal mudiyaathathaa
Kettathae kidaikkumae
Vaazhumae endrumae kadhalae
Love is a prison, isn't it?
And a girl's eyes are the net, aren't they?
Love is a prison, isn't it?
And a girl's eyes are the net, aren't they?
If you get trapped in it and your heart gets caught,
It becomes golden shackles forever...
Love is a prison, isn't it?
And a girl's eyes are the net, aren't they?
Aah... aah... aah...
Female: Aaha aaha ha
Male: Lalala lalare
Female: Oho oho ho
Male: Lalala lallalla
Female: Ehe ehe ehe
In the garden of the heart,
The flower that blooms has a fragrance that never fades.
In a woman's life, a young man's hands
Will always provide steady support.
Time may change, but love will live on forever!
Love is a prison, isn't it?
And a girl's eyes are the net, aren't they?
If you get caught in it and your heart gets attached,
Holding hands brings only pure joy...
In the temple of God,
Doesn't the goddess know that devotees come?
Granting the boon that a yearning heart seeks,
Is it impossible for God?
In the temple of God,
Doesn't the goddess know that devotees come?
Granting the boon that a yearning heart seeks,
Is it impossible for God?
What you prayed for will surely be granted,
And love will live on forever!
Male
Male
Male
Male
Female
Female

Beyond the translation

Overall song meaning

The song 'Kadhal Enbathu Siraithaane' from 'Ingeyum Manithargal' (1975) is a romantic duet that metaphorically describes love as a sweet, inescapable prison where a woman's eyes act as the entrapping net. Rather than being a painful bondage, this prison is celebrated as a golden restraint that fills the heart's garden with eternal fragrance and happiness. The lyrics further weave in themes of faith, comparing a lover's deep longing to a devotee praying in a temple, expressing trust that sincere devotion in love will always be blessed and fulfilled by the divine.

Writing craft

Poetic devices

Uvamai / Metaphor

Kadhal enbathu siraitaanae / Adhil kanniyar vizhigal valaithaanae

Compares love to a prison ('Kadhal enbathu siraithaane') and a woman's gaze to a net ('vizhigal valaithaane'), emphasizing the captivating, binding nature of love.

Metaphor

Nenjenum thottaththil / Idhazh vidum malarukku maaraatha vaasam varum

Compares the human heart to a garden ('Nenjenum thottaththil') where feelings bloom like everlasting scented flowers.

Oxymoron / Paradox

Adhu ennaalum pon vilangae… / Kai pattri kondaal sugamae…

Refers to a prison bondage as 'pon vilangae' (golden fetters) and 'sugamae' (blissful), blending the idea of captivity with joy.

Did you know?

Trivia

Mu. Ka. Muthu, the eldest son of former Tamil Nadu Chief Minister M. Karunanidhi, starred in 'Ingeyum Manithargal' (1975) and sang this song himself alongside S. V. Ponnusami and B. Vasantha. The soundtrack was composed by T. S. Naresh.

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