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Isaimozhi
Lyrics & meaning

Kaayaadha Kaanagatthe

From Koondukkili · 1954

Lyricist
Thanjai N. Ramaiah Dass
Singers
T. M. Soundararajan, V. N. Sundaram
Music director
K. V. Mahadevan
Details
Koondukkili1954

Lyrics & meaning

Tanglish lyrics English translation
Male
Kaayaadha kaanagathae nindrulaavumOh good woman walking in the un-withered forest...
Narkaarigaiyae…ae…..ae…..Oh virtuous woman... ah... ah...
Kaayaadha kaanagathae nindrulaavumOh good woman walking in the un-withered forest...
Narkaarigaiyae…ae…..ae…..ae…ae…ae…Oh virtuous woman... ah... ah... ah...
Maeiyaadha maanA deer that does not graze,
Pulli maevaadha maan…A spotted deer that does not feed...
Aa…aa…aa…aaAh... ah... ah... ah...
Maeyaadha maeyaadha maanumHave you ever seen a non-grazing deer
Vara kandadhumundo valliComing along, Valli?
Maeyaadha maanum vara kandadhumundoHave you ever seen a non-grazing deer coming?
Male
Adhai vidaMore than that,
Kovalanaar enna sonnaarWhat did Lord Kovalan say?
Enna sonnaar pennaeWhat did he say, oh girl?
Male
Kulukki nadakkum maadhaviyaiMadhavi who walks with a rhythmic sway,
Katta chonnaarHe asked to embrace her!
Male
Kannagiyaar enna sonnaarWhat did Lady Kannagi say?
Enna sonnaar pennaeWhat did she say, oh girl?
Male
Kaal silambai virka chonnaarShe asked to sell her anklet!
Virka chonnaarShe asked to sell it!
Male
Bathrakaali pol kannagi vandhaalKannagi came like the fierce Goddess Bhadrakali,
Male
Paaniya raajan thoondi meenaippolLike a fish caught on a hook,
Male
Thoondiya raajan paandi meenaippolThe Pandyan king writhed like a hooked fish,
Male
Parathavikkavae pazhiyai vaanginaaAnd she exacted her revenge!
Male
Kuttravaali yaarWho is the culprit?
Male
Kovalan thaandaaIt is Kovalan!
Male
Paandiyan thaandaaIt is the Pandyan king!
Male
Kovalan thaanOnly Kovalan!
Male
Paandiyan thaanOnly the Pandyan king!
Male
KannagiKannagi!
Male
MaadhaviMadhavi!
Male
IllaeNo!
Male
Aamaa avathaan kuthi kizhichaaYes, she was the one who tore things open!
Male
Aarudhal sinamae andro lashmanaaIsn't anger comforting, Lakshmana?
Aarudhal sinamae andro lashmanaaIsn't anger comforting, Lakshmana?
Aathirappadal nandro lashmanaaIs rushing in anger a good thing, Lakshmana?
Aathirappadal nandroIs rushing in anger good?
Male
Aagaiyaal inimael avasiyam naanaeTherefore, from now on, necessarily I...
Male
Samooga naadagamaaIs it a social play?
AppoThen...
Oraa maadham udaladhu thalarndhuIn the first month, the body weakens,
Eeraam maadham idaiyadhu nondhuIn the second month, the waist aches,
Moondraam maadhaIn the third month...
Male
Ada appanae sathyakeerthiOh dear friend Sathyakeerthi!
Azhuvaadhae kirushnamoorthiDon't cry, Krishnamoorthi!
Male
Appo eppatthaan naadagamThen when will we stage the play,
Nadathuvom raamamoorthi…Ramamoorthi...?
Male
Ee…ee…ee…Ee... ee... ee...
Male
Raamamoorthi…Ramamoorthi...
Male
Appo jintthadhaaramThen jintthadhaaram,
Alakthaa jinakthaa kumarthalappaaAlakthaa jinakthaa rhythm beat,
O …iyaa..o…..iyaa….o…..iyaaOh sir... oh sir... oh sir...
Nadaiyaa nadaiyazhagiOh beauty of walk, beauty of posture!
Naadhaangi kaadhazhagi neeYou with beautiful adorned ears,
Simitti nadakkaiyilaeWhen you walk with a graceful sway,
Seevan pari pogudhadi bangaaruLife slips away, my golden one!
Male
Aam appadipodu mannaaruYes, keep it going like that, Mannaru!
Male
Vanji kodiyae vaadi munnaadiCome forward, my vine-like beauty,
Unakku vaangi thaarenI will buy and give you
Thandha seeppu kannaadiAn ivory comb and a mirror!
Vanji kodiyae vaadi munnaadiCome forward, my vine-like beauty,
Unakku vaangi thaarenI will buy and give you
Thandha seeppu kannaadiAn ivory comb and a mirror!
Bal…bal…bal…bal…Bravo! Bravo! Bravo! Bravo!
Naakkulae mookkulaeIn the tongue and in the nose,
Nathu pilaakkulaeIn the nose-ring ornament,
Nalladhu kettadhuThe good and the bad,
Pechu piraakkulaeIn idle chatter and gossip,
Uttaalakari ghumthala ghummaaRhythmic folk syllables...
Thaatthaa kidu kidu pottukka thaalamGrandfather, beat the drum rhythmically!
Raffu balRough bravo!
Male
Vaelaa vaelaayudhamOh Vaelaa Vaelaayudham,
Unga veettukku varudhu kaayidhamA letter is arriving at your house!

Beyond the translation

Song interpretation

This song is a multi-part theatrical folk medley from the historic 1954 Tamil movie Koondukkili. Written by Thanjai N. Ramaiah Dass, the song weaves through ancient literary themes, mythological references, and street-theater (Therukoothu) tropes. It opens with references to Lord Murugan and Valli in the forest, transitions into the classic Silappatikaram epic drama highlighting Kovalan, Kannagi, and Madhavi, touches upon Ramayana dialogues involving Lakshmana, and comical meta-commentary about stage actors delaying their drama play. The second half shifts into a high-energy folk performance complete with rhythmic beats, street banter, playful flirting, and traditional oral storytelling style. The song showcases the rich tradition of Tamil folk drama, blending classical lore with everyday street comedy.

Writing craft

Poetic devices

Uvamai (Simile)

Bathrakaali pol kannagi vandhaal / Paaniya raajan thoondi meenaippol

Compares Kannagi's fierce anger to Goddess Bhadrakali, and the Pandyan king's plight to a fish caught on a hook.

Edhukai (Second Letter Rhyme)

Oraa maadham udaladhu thalarndhu / Eeraam maadham idaiyadhu nondhu / Moondraam maadha

The second letters 'raa', 'raa', and 'ndraa' create rhythmic harmony across sequential lines describing months.

Uruvagam (Metaphor)

Vanji kodiyae vaadi munnaadi

Refers to the maiden as 'Vanji kodi' (a delicate climbing vine/creeper), symbolizing grace and beauty.

Sondha Sol / Santham (Rhythmic Onomatopoeia)

Alakthaa jinakthaa kumarthalappaa / Uttaalakari ghumthala ghummaa

Use of folk percussion syllables (Alakthaa jinakthaa, ghumthala ghummaa) to set the theatrical beat.

Did you know?

Trivia

Koondukkili (1954) holds a iconic place in Tamil cinema history as the only film in which the two legendary titans of Tamil cinema, M. G. Ramachandran (MGR) and Sivaji Ganesan, starred together on screen.

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