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Lyrics & meaning

Kaaviya Kadhal

From Gomathiyin Kaadhalan · 1955

Lyricist
Ku. Ma. Balasubramaniam
Singers
A. M. Raja, Jikki
Music director
G. Ramanathan
Movie name
Gomathiyin Kaadhalan
Movie release year
1955
Lyrics added on
21 Jun 2025

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Kaaviya kadhal vaazhvin
Oviyam naamae oviyam naamae
Kaaviya kadhal vaazhvin
Oviyam naamae oviyam naamae
Poovuzhagil entha oru paavalanum paadaatha
Poovulagil entha oru paavalanum paadaatha
Kaaviya kadhal vaazhvin
Oviyam naamae oviyam naamae
Vil valaiththu maalaiyidum
Vedhanai illaamalae
Vil valaiththu maalaiyidum
Vedhanai illaamalae
Sollazhagaal en manaththai
Kollai konda raamarae
Maan ootti vaaraamal kaar ootti vanthaen
Maan ootti vaaraamal kaar ootti vanthaen
Thaen thinai maa tharaamal thiruvarul thanthaai
Aa….aa…kaaviya kadhal vaazhvin
Oviyam naamae oviyam naamae
Varumai vanthaalum vanaththilae ennai
Varumai vanthaalum vanaththilae ennai
Pirinthodi pogaatha nalamagaraja
Nalamaga samaiyalae theriyaatha ennai
Naayaganaai yaettrarulum thamayanthi roja
Female :Nalamagaraja
Male :Thamayanthi roja
Female :Nalamagaraja
Male :Thamayanthi roja
Kadhalai marakkaatha thushyanthan neerae
Male :Mothiram tholaikaatha sagunthalai neeyae
Female :Erumpaiyum kollaatha saththiyavaan neerae
Male :Emanaiyum kenjaatha saaviththiri neeyae
Saaviththiri neeyae….
In this epic life of love,
we are the portrait, we are the portrait!
In this epic life of love,
we are the portrait, we are the portrait!
One that no poet in all this world has ever sung of,
one that no poet in all this world has ever sung of,
in this epic life of love,
we are the portrait, we are the portrait!
Without the struggle of bending a bow
to place a wedding garland on me,
without the struggle of bending a bow
to place a wedding garland on me,
with just the charm of your sweet words,
you stole my heart, my Rama!
Instead of chasing a deer, I came driving a car!
Instead of chasing a deer, I came driving a car!
Without offering honey and millet flour, you blessed me with your grace!
Ah... ah... In this epic life of love,
we are the portrait, we are the portrait!
Even if poverty strikes us in the forest,
even if poverty strikes us in the forest,
you will never run away and abandon me, my King Nala!
Though I do not even know how to cook well,
you accepted me as your husband, my Damayanti rose!
Female: My King Nala!
Male: My Damayanti rose!
Female: My King Nala!
Male: My Damayanti rose!
You are Dushyanta, who never forgot his love!
Male: You are Shakuntala, who never lost her ring!
Female: You are Satyavan, who would not hurt even an ant!
Male: You are Savitri, who did not have to beg even the God of Death!
You are my Savitri...
Female
Male
Male
Female
Male
Female
Female
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Female

Beyond the translation

Overall song meaning

This playful duet features a modern couple humorously comparing their romance to legendary pairs from classical Indian epics, including Rama and Sita, Nala and Damayanti, Dushyanta and Shakuntala, and Satyavan and Savitri. While invoking these timeless tales, the song updates them with clever contemporary twists, celebrating a love that is modern yet ideal.

Writing craft

Poetic devices

Allusion (Purana Kathai Kurippu)

Vil valaiththu maalaiyidum Vedhanai illaamalae

Extensive mythological references to famous pairs like Rama, Nala-Damayanti, Dushyanta-Shakuntala, and Satyavan-Savitri, subverting their classic tragic/difficult moments into modern lighthearted scenarios.

Ethukai (Second-letter Rhyme)

Sollazhagaal en manaththai / Kollai konda raamarae

Rhyming of the second consonant sound across words, such as 'Sollazhagaal' and 'Kollai'.

Moonaai (Initial Alliteration)

Poovuzhagil entha oru paavalanum paadaatha

Repetition of initial consonant sounds across words in a line ('Poovuzhagil', 'paavalanum', 'paadaatha').

Metaphor (Uvamai)

Kaaviya kadhal vaazhvin / Oviyam naamae oviyam naamae

Describing the couple's legendary romance metaphorically as a living artwork or portrait.

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Trivia

From the 1955 film 'Gomathiyin Kaadhalan' starring T. R. Ramachandran and Savitri, this track showcases lyricist Ku. Ma. Balasubramaniam's wit by poking fun at mythological hardships—such as Shakuntala losing her ring or Damayanti facing exile—and presenting a modern romance where the hero arrives in a car instead of a chariot.

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