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Thirumangalyam album cover
Lyrics & meaning

Jananam Oru Vazhi Maranam

From Thirumangalyam · 1974

Lyricist
Kannadasan
Singer
T. M. Soundararajan
Music director
M. S. Vishwanathan
Movie name
Thirumangalyam
Movie release year
1974
Lyrics added on
2 Jun 2020

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Jananam oru vazhi maranam pala vazhi
Saalaiyilae ketppadho paasam ennum thaai mozhi
Jananam oru vazhi maranam pala vazhi
Saalaiyilae ketppadho paasam ennum thaai mozhi
Saalaiyilae ketppadho paasam ennum thaai mozhi
Ivalukkoru thaai irundhaal andha naalilae
Pin ivalum oru thaai aanaal vandha naalilae
Andha thaaikku kolliyida aan magan illai
Indru indha thaaiku kolli vaikka ival magan illai
Jananam oru vazhi maranam pala vazhi
Saalaiyilae ketppadho paasam ennum thaai mozhi
Oru maganai pirinthavarkku marumagan vanthaan
Andha marumaganae thirumaganaai mandhiram sonnaan
Irudhi varai varubavarae uravinar endraar
Andha iraivanukku aduthavanaai marumagan nindraan
Jananam oru vazhi maranam pala vazhi
Saalaiyilae ketppadho paasam ennum thaai mozhi
Kattilukku sondhakaaran kattil pottaan
Thottilukku sonthakkaaran mattam pottaan
Kattai idhan sondhakaaran kaditham pottaan
Kattai idhan sondhakaaran kaditham pottaan
Kadasikaala sondhakaaran satti eduthaan
Pathu maadham sumandha annai tholil eduthaal
Avan pathu nimisham neram mattum payanam koduthaan
Pathu maadham sumandha annai tholil eduthaal
Avan pathu nimisham neram mattum payanam koduthaan
Ethanaiyo aasaiyudan maganai valarthaal
Indru engirunthoo sondham vanthu tholgal koduthaar
Alliyittaal uravukendru alliyum ittaar
Arisiyittaal uravukkendru arisiyum ittaar
Kolliyittaal adupukkendru kolliyum ittaar
Kodiyilae ondru endru veedu nadanthaar
Jananam oru vazhi maranam pala vazhi
Saalaiyilae ketppadho paasam ennum thaai mozhi
Saalaiyilae ketppadho paasam ennum thaai mozhi
Birth has only one way, but death has many.
What we hear along this road is the mother tongue called love.
Birth has only one way, but death has many.
What we hear along this road is the mother tongue called love.
What we hear along this road is the mother tongue called love.
She had a mother back in those days,
Then as time went by, she too became a mother.
That mother had no son to light her funeral pyre,
And today, this mother has no son here to light hers.
Birth has only one way, but death has many.
What we hear along this road is the mother tongue called love.
For the mother separated from her son, a son-in-law arrived;
That very son-in-law became a true son and chanted the prayers.
They say true kin are those who stay until the very end;
Standing next to God Himself, that son-in-law stood by her.
Birth has only one way, but death has many.
What we hear along this road is the mother tongue called love.
The companion of the marriage bed laid out the bed,
The child of the cradle stayed away and shirked his duty,
The master of this mortal body sent a final letter,
The master of this mortal body sent a final letter,
And the kin of her final hours carried the funeral pot.
Carrying him for ten months, the mother bore him on her shoulders,
Yet he spared only ten minutes for her final journey.
Carrying him for ten months, the mother bore him on her shoulders,
Yet he spared only ten minutes for her final journey.
With so many hopes she raised her son, but today,
Kin from elsewhere came and lent their shoulders to carry her.
She gave generously to her family, and now they gave back in kind;
She fed her family with rice, and now rice was placed in her mouth;
She lit the stove fire for them, and now a funeral fire was lit for her;
Wrapped in just a shroud, she walked on to her final home.
Birth has only one way, but death has many.
What we hear along this road is the mother tongue called love.
What we hear along this road is the mother tongue called love.
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Beyond the translation

Overall song meaning

This philosophical track penned by lyricist Kannadasan meditates on the impermanence of life, the inevitability of death, and the true essence of human relationships. It contrasts the singular nature of birth with the unpredictable nature of death, detailing the bittersweet reality of a mother who sacrifices everything to raise a child, only to have her final rites fulfilled by a son-in-law or distant well-wishers when direct kin are unavailable or absent. With stark imagery, the song explores the transience of material possessions and earthly attachments. It highlights the poignant irony of a mother carrying a child for ten months, contrasted against the child or relatives offering merely ten minutes for her final journey. Kannadasan's profound verses emphasize that true relatives are not defined merely by bloodline, but by who stands by oneself until the very end.

Writing craft

Poetic devices

Antithesis / Contrast

Pathu maadham sumandha annai tholil eduthaal / Avan pathu nimisham neram mattum payanam koduthaan

Contrasts 'ten months' of maternal care with 'ten minutes' of the funeral procession to highlight human ingratitude.

Edhugai (Second-letter rhyme)

Kattilukku sondhakaaran kattil pottaan / Thottilukku sonthakkaaran mattam pottaan

The second letter 'tti' rhymes across sequential lines to create rhythmic harmony.

Anaphora / Repetition

Alliyittaal uravukendru... / Arisiyittaal uravukkendru... / Kolliyittaal adupukkendru...

The repetition of parallel sentence structures starting with 'Alliyittaal', 'Arisiyittaal', and 'Kolliyittaal' creates a cumulative rhetorical effect.

Metaphor

Saalaiyilae ketppadho paasam ennum thaai mozhi

Describes love and affection as a universal 'mother tongue' spoken along the path of life.

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Trivia

Written by the iconic poet Kannadasan for the 1974 Tamil film 'Thirumangalyam', this song stands out for its philosophical commentary on life, death, and familial duty, reflecting Kannadasan's characteristic worldview on mortality.

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