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Lyrics & meaning

Irandu Manam Vendum

From Vasantha Maligai · 1972

Lyricist
Kannadasan
Singer
T. M. Soundararajan
Music director
K. V. Mahadevan
Movie name
Vasantha Maligai
Movie release year
1972
Lyrics added on
4 Jul 2018

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Kudippatharkku oru manam irunthaal
Avalai marandhu vidalaam
Avalai marappatharkku oru manam irunthaal
Kudithu vidalaam
Aanal iruppatho oru manathu
Naan enna seiven…enna seiven
Hehehehhh….
{Irandu manam vendum
Iraivanidam ketpen
Ninaithu vaada ondru
Marandhu vaazha ondru…} (2)
Irandu manam vendum
{Siriya kaayam periya thunbam
Aarum munbae adutha kaayam} (2)
Udalil endraal marunthu pothum
Udalil endraal marunthu pothum
Ullam paavam enna seiyum
Irandu manam vendum
Iraivanidam ketpen
Irandu manam vendum
{Iravum pagalum irandanaal
Inbam thunbam irandanaal} (2)
Uravum pirivum irandanaal
Ullam ondru pothathae
Irandu manam vendum
{Kangalin thandanai kaatchi vazhi
Kaatchiyin thandanai kaadhal vazhi} (2)
Kaadhalin thandanai kadavul vazhi
Kaadhalin thandanai kadavul vazhi
Kadavulai thandikka enna vazhi…
Irandu manam vendum
Iraivanidam ketpen
Ninaithu vaada ondru
Marandhu vaazha ondru…
Irandu manam vendum
If I had a heart for drinking,
I could forget her.
If I had a heart to forget her,
I could just drink.
But I have only one heart;
What can I do... what can I do?
Heh heh heh...
I need two hearts,
I will ask God for them—
One to remember and suffer,
One to forget and live on...
I need two hearts.
A small wound brings great pain,
Before it heals, comes another wound.
If it were on the body, medicine would be enough,
If it were on the body, medicine would be enough,
What can the poor heart do?
I need two hearts,
I will ask God for them.
I need two hearts.
Since night and day are two,
Since joy and sorrow are two,
Since togetherness and separation are two,
A single heart is not enough.
I need two hearts.
The eyes are punished by the sight,
The sight is punished through love,
Love is punished by God,
Love is punished by God,
How can God ever be punished?
I need two hearts,
I will ask God for them—
One to remember and suffer,
One to forget and live on...
I need two hearts.
Male
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Male
Male
Male
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Beyond the translation

Overall song meaning

This classic heartbreak song from 'Vasantha Maligai' features a tormented lover expressing his deep sorrow through alcohol and introspection. He reflects on the impossibility of moving on with just a single mind, as it is torn simultaneously between holding onto painful memories of love and trying to drown them out. He wishes to ask God for two minds—one to languish in past love and another to forget everything and continue living. Lyricist Kannadasan deepens the philosophical tone by contrasting physical pain with emotional distress, noting that physical wounds have medication while the soul has none. He points out how dualities exist everywhere in nature—day and night, joy and pain, union and separation—making a single heart insufficient to handle such contrasts. Finally, he traces a chain of cause and effect leading from sight to love, and love to God, tragically asking how one can punish God for inflicting such heartbreak.

Writing craft

Poetic devices

Antithesis / Contrast (Maranu)

Ninaithu vaada ondru / Marandhu vaazha ondru…

Contrasts the dual desires of remembering to cherish and forgetting to survive.

Anaphora / Repetition (Eretchi)

Irandu manam vendum

Repetition of 'Irandu manam vendum' serves as a tragic refrain emphasizing despair.

Moonaal / Initial Sound Alliteration (Moonaai)

Kangalin thandanai kaatchi vazhi / Kaatchiyin thandanai kaadhal vazhi / Kaadhalin thandanai kadavul vazhi

The initial 'K' sound creates rhythm across progressive lines ('Kangalin', 'Kaatchiyin', 'Kaadhalin', 'Kadavulai').

Iyebu / End Rhyme

Kaadhalin thandanai kadavul vazhi / Kadavulai thandikka enna vazhi…

Repetition of the ending word 'vazhi' across multiple consecutive lines.

Did you know?

Trivia

This iconic song from 'Vasantha Maligai' (1972) features music composed by K. V. Mahadevan and vocals by T. M. Soundararajan. Sivaji Ganesan's intense performance as an aristocratic alcoholic dealing with heartbreak made this song a benchmark in Tamil cinema for tragic love songs.

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