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Isaimozhi
Lyrics & meaning

Gangadarane Karunakarane

From Boologa Rambai – 1958 · 1958

Lyricist
K. S. Krishnamoorthy
Singer
Radha Jayalakshmi
Music director
C. N. Pandurangan
Details
Boologa Rambai – 19581958

Lyrics & meaning

Tanglish lyrics English translation
Female
Gangadharanae karunakaranae sivanaeOh Lord Gangadhara, merciful one, Oh Lord Shiva!
Kaala kandanae kailasa naadhanae haraneOh blue-throated one, Lord of Kailasa, Oh Hara!
Gangadharanae karunakaranae sivanaeOh Lord Gangadhara, merciful one, Oh Lord Shiva!
Kaala kandanae kailasa naadhanae haraneOh blue-throated one, Lord of Kailasa, Oh Hara!
Female
Kangalai imaiyae azhipadhu muraiyooIs it right for the eyelids to destroy the eyes?
Kadamai marapadhum sariyooIs it correct to forget one's duty?
Kangalai imaiyae azhipadhu muraiyooIs it right for the eyelids to destroy the eyes?
Kadamai marapadhum sariyooIs it correct to forget one's duty?
Kandrinai pasuvae kondridal neriyooIs it justice if a mother cow slays her own calf?
Kandrinai pasuvae kondridal neriyooIs it justice if a mother cow slays her own calf?
Kalangumen nilaiyai nee ariyaaiyooDo you not know my distressed and turbulent condition?
Kalangumen nilaiyai nee ariyaaiyooDo you not know my distressed and turbulent condition?
Female
Gangadharanae karunakaranae sivanaeOh Lord Gangadhara, merciful one, Oh Lord Shiva!
Kaala kandanae kailasa naadhanae haraneOh blue-throated one, Lord of Kailasa, Oh Hara!
Female
Kaarmugam kaanadha payirinai polaeLike a crop that has not seen dark rain clouds,
Kadhiravan kaanadha thamarai polaeLike a lotus flower that has not seen the sun,
Paarinil naanae parathavitheneI am left suffering and helpless in this world.
Paavai kaatharul parama dhayaalaOh Most Compassionate One, protect this maiden and grant your grace!
Female
Gangadharanae karunakaranae sivanaeOh Lord Gangadhara, merciful one, Oh Lord Shiva!
Kaala kandanae kailasa naadhanae haraneOh blue-throated one, Lord of Kailasa, Oh Hara!
Female
Gangadharanae karunakaranae sivanaeOh Lord Gangadhara, merciful one, Oh Lord Shiva!
Kaadhalan innuyir maaindha pinnalaeAfter the precious life of my beloved has perished,
Kanniyar vaazhnthidalamaCan a maiden continue to live on?
Female
Paedhai en kadharal sevi pugavillaiyoDid my naive cries of distress not reach your ears?
Pesaamal iruppadhum sariyoIs it fair for you to remain silent?
Sodhanai ellam podhadhoAre all these trials and tribulations not enough?
Mana vaedhanai endrum theeradhoWill this mental agony never come to an end?
Female
Naadharoobanae naaga baranaOh embodiment of divine Sound, adorned with serpents,
Nalam arul subagaranae sivanaeOh Shiva, bestower of auspiciousness and wellbeing!
Gangadharanae karunakaranae sivanaeOh Lord Gangadhara, merciful one, Oh Lord Shiva!
Kaala kandanae kailasa naadhanae haraneOh blue-throated one, Lord of Kailasa, Oh Hara!

Beyond the translation

Song interpretation

This song is a deeply emotional prayer directed to Lord Shiva by a woman who is drowning in grief. She invokes Shiva through various sacred names—Gangadhara (bearer of the Ganges), Kalakantha (blue-throated one), and Kailasandaha (Lord of Mount Kailash)—and passionately questions the cruelty of her fate. She uses powerful unnatural imagery, asking if it makes sense for eyelids to destroy the eyes or a cow to kill its calf, to highlight how unnatural her current agony feels. Her unbearable sorrow stems from the loss of her beloved's life. Describing her state as equivalent to a dry crop without rain or a lotus without sunlight, she questions why the divine remains silent to her cries. The song captures the raw anguish of loss, human vulnerability, and a desperate plea for divine intervention and solace.

Writing craft

Poetic devices

Simile (Uvamai Ani)

Kaarmugam kaanadha payirinai polae / Kadhiravan kaanadha thamarai polae

The lyrics explicitly use 'polae' (meaning 'like') to compare the heroine's desolate state to a crop deprived of rain clouds and a lotus deprived of sunlight.

Monai (Initial Rhyme / Alliteration)

Kaarmugam kaanadha payirinai polae / Kadhiravan kaanadha thamarai polae

The initial letter 'Kaa'/'Kad' ('K' sound) is repeated across the consecutive lines, establishing a pleasant auditory rhythm.

Rhetorical Question

Kangalai imaiyae azhipadhu muraiyoo / Kadamai marapadhum sariyoo

The singer asks rhetorical questions ending with 'oo' to highlight the injustice and helplessness of her situation rather than seeking a literal answer.

Monai (Initial Rhyme / Alliteration)

Naadharoobanae naaga barana / Nalam arul subagaranae sivanae

Alliteration of the 'Na' sound across the lines ('Naadha', 'naaga', 'Nalam') creates a melodic devotional flow.

Did you know?

Trivia

From the 1958 fantasy film 'Boologa Rambai' starring Gemini Ganesan and Anjali Devi, this classical devotional track was composed by C. N. Pandurangan. Sung by Radha Jayalakshmi (a renowned Carnatic vocalist who performed as part of the famous Radha-Jayalakshmi duo), the song showcases her rich vocal range and expressive delivery of deep pathos.

Keep listening

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