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Isaimozhi
Jothi album cover
Lyrics & meaning

Gama Gama

From Jothi · 1983

Lyricist
Gangai Amaran
Singers
Malaysia Vasudevan, S. P. Sailaja
Music director
Ilayaraja
Movie name
Jothi
Movie release year
1983
Lyrics added on
8 Apr 2020

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
S… saa…
S… saa…
S… ree…
S… gaa…
S… maa…
Gamagama gamagama gamagama gamagama
Gamagamagama suda chuda
Kari kozhambu
Thala thalannu kodhikkudhadaa…aa…
Gamagamagama suda chuda
Kari kozhambu
Thala thalannu kodhikkudhadaa
Samaiyalum nadakkudhu
Nadakkattum nadakkattum
Sabalatha kodukkudhu
Kodukkattum kodukkattum
Samaiyalum nadakkudhu
Sabalatha kodukkudhu
Engaennu theriyalaiyae
Pasikkudhadaa adi vayiru
Gamagamagama suda chuda
Kari kozhambu
Thala thalannu kodhikkudhadaa haei
Saa paa saappaattukku
Thadheenginatthom
Thadheenginatthom sabaash
Teakkum teakkum kooda
Thadheenginatthom
Athaan thadheenginatthom
Maamaa thadheenginatthom
Paappaa thadheenginatthom
Ellaam thadheenginatthom
Saandhaiyae thaan
Kazhuvida thaan daa
Powder poosurom
Aamaa sankara dhaas
Saamigal potta
Paatta paadurom
Saandhaiyae thaan
Kazhuvida thaan daa
Powder poosurom
Aamaa sankara dhaas saamigal potta
Paatta paadurom
Iravil muzhikkirom pagalil urangurom
Thiraiyin maraivilae siraiyil irukkurom
Vasadhiyilae sila pozhudhu
Nallaa thaan soraakki
Naama thinnu naalum aachu
Gamagamagama suda chuda
Kari kozhambu
Thala thalannu kodhikkudhadaa
Samaiyalum nadakkudhu
Nadakkattum nadakkattum
Sabalatha kodukkudhu
Kodukkattum kodukkattum
Samaiyalum nadakkudhu
Sabalatha kodukkudhu
Engaennu theriyalaiyae
Pasikkudhadaa adi vayiru
Raajaadhi raaja
Raaja kula thilaga…
Raajaadhi raaja…
Daei daei niruthu niruthu
Pasi naerathula yaendaa
Naadaga paatta paadra podaa
Raathiriyil raaja kumaaran
Vaesham poduvom
Raajaadhi raaja raaja maartthaanda
Raaja gambeera
Raaja kula thilaga soora dheera
Veera adhi paraakrama
Raathiri raajaa paraak paraak paraak
Raathiriyil raaja kumaaran
Vaesham poduvom
Aa… kaalaiyilae
Kanji illaamae gosham poduvom
Karnan vaeshathil
Vaari vazhangurom
Vaesham kalachadhum
Ammaa kaiya yaendhurom
Kalai ulagam thavikkudhadaa
Nela kolanju kedakkudhadaa
Koothaadi nam vaazhkka
Kaathaadi pol aachu
Chorus :Gamagamagama suda chuda
Kari kozhambu
Thala thalannu kodhikkudhadaa
Samaiyalum nadakkudhu
Nadakkattum nadakkattum
Sabalatha kodukkudhu
Kodukkattum kodukkattum
Samaiyalum nadakkudhu
Sabalatha kodukkudhu
Engaennu theriyalaiyae
Pasikkudhadaa adi vayiru
S... Sa...
S... Sa...
S... Re...
S... Ga...
S... Ma...
Rich aroma, mouth-watering smell, everywhere!
Rich and fragrant, steaming hot,
meat curry
is bubbling and simmering so richly, man... ah!
Rich and fragrant, steaming hot,
the meat curry
is bubbling and simmering so richly, man!
The cooking is going on,
let it go on, let it go on!
It tempts our hungry cravings!
Let it tempt us, let it tempt us!
The cooking is going on,
it tempts our hungry cravings,
but we don't know where it's coming from!
The pit of our stomach aches with hunger, man!
Rich and fragrant, steaming hot,
the meat curry
is bubbling and simmering so richly, man! Hey!
For f-fo-food,
our bellies beat a rhythm of hunger!
Dhadhinginathom! Bravo!
With every single take,
everything beats dhadhinginathom!
Brother-in-law beats dhadhinginathom!
Uncle beats dhadhinginathom!
The little one beats dhadhinginathom!
Everything is in utter ruin!
Just to cover up the stage paint
and wash it away, man,
we dust on some powder!
Yes, written by Sankaradas
Swamigal (founding father of Tamil drama),
we sing those old stage songs!
Just to cover up the stage paint
and wash it away, man,
we dust on some powder!
Yes, the songs created by Sankaradas Swamigal,
we sing those stage songs out loud!
We stay awake all night and sleep through the day,
locked behind the stage curtain as if in a prison!
When times were good for a short while,
cooking a proper meal of rice
and eating our fill... it's been so many days!
Rich and fragrant, steaming hot,
the meat curry
is bubbling and simmering so richly, man!
The cooking is going on,
let it go on, let it go on!
It tempts our hungry cravings!
Let it tempt us, let it tempt us!
The cooking is going on,
it tempts our hungry cravings,
but we don't know where it's coming from!
The pit of our stomach aches with hunger, man!
King of kings,
crown jewel of the royal lineage...
King of kings...
Hey, hey! Stop it, stop!
In this starving hour, why on earth
are you singing stage songs? Get lost, man!
In the night, like a prince,
we put on our royal costume!
"King of kings, bright like the sun,
majestic in royal splendour,
crest of the royal clan, bold and valiant,
heroic and most mighty warrior,
make way for the king of the night, bow down, bow down!"
In the night, like a prince,
we put on our royal costume!
Ah, but come morning,
without even rice porridge, we cry out in hunger!
Playing the role of generous Karna,
we lavishly give away riches!
But once the costume comes off,
"Mother!", we hold out our hands to beg!
The world of theatre is suffering, man!
Our whole life has collapsed and fallen apart, man!
We stage actors, our whole life
has become like a kite drifting in the wind!
Chorus: Rich and fragrant, steaming hot,
the meat curry
is bubbling and simmering so richly, man!
The cooking is going on,
let it go on, let it go on!
It tempts our hungry cravings!
Let it tempt us, let it tempt us!
The cooking is going on,
it tempts our hungry cravings,
but we don't know where it's coming from!
The pit of our stomach aches with hunger, man!
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Beyond the translation

Overall song meaning

This song from 'Jothi' (1983) is a poignant yet satirical commentary on the tragic plight of traditional Tamil drama and street theater artists ('koothaadis'). Sung from the perspective of impoverished stage actors, the track contrasts the grand illusion of royalty they project on stage with the harsh, impoverished realities of their daily existence. As the aroma of a delicious meat curry wafts past their empty stomachs, it triggers both intense hunger and deep reflection on their nocturnal, prisoner-like lives behind the theater curtain. Despite portraying grand kings and philanthropic legends like Karna at night, the actors wake up in the morning without even basic rice gruel to survive, forced to beg for sustenance once their makeup comes off. Lyricist Gangai Amaran skillfully uses theatrical rhythms, sharp irony, and comedic slang to spotlight the fading dignity and economic distress faced by traditional folk artists whose lives remain as unstable as kites caught in a storm.

Writing craft

Poetic devices

Simile (Uwamai Ani)

Koothaadi nam vaazhkka / Kaathaadi pol aachu

Compares the fragile, drifting life of street theater artists to a kite ('kaathaadi') blown around helplessly in the wind.

Ethugai (Second Letter Rhyming)

Koothaadi nam vaazhkka / Kaathaadi pol aachu

The second letter 'thaa' (த) rhymes between 'Koothaadi' and 'Kaathaadi', creating musical harmony.

Irony / Juxtaposition (Muran)

Karnan vaeshathil vaari vazhangurom / Vaesham kalachadhum ammaa kaiya yaendhurom

Presents a stark contrast between portraying the legendary generous donor Karna on stage and begging for food as soon as the disguise is taken off.

Onomatopoeia (Irattai Kilavi & Oli Kurippu)

Gamagamagama suda chuda ... Thala thalannu kodhikkudhadaa

Uses sensory sound words like 'Gamagama' (rich fragrance) and 'Thala thalannu' (vivid bubbling sound of boiling curry) to evoke strong imagery.

Keep listening

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