- Lyricist
- Vaali
- Singers
- Ilayaraja, S. P. Balasubrahmanyam, Arun Mozhi
- Music director
- Ilayaraja
- Movie name
- Raasaiyya
- Movie release year
- 1995
- Lyrics added on
- 31 Jul 2021
Lyrics & meaning
Beyond the translation
Overall song meaning
This playful and rhythmic duet from the movie 'Raasaiyya' captures a lighthearted, flirtatious banter between the lead protagonists. The opening verses use wordplay involving gemstones, family wisdom, and everyday folk proverbs to establish a traditional rural setting and a joyful mood. The lovers playfully tease each other about beauty, romantic desire, and impending marriage rituals like exchanging betel leaves and finalizing wedding dates. As the song progresses, the imagery shifts toward cinema metaphors, silver screen brightness, and colorful cultural festivals. The persistent chorus emphasizes the heat of youth and budding passion, blending humor, rhythmic rhyming, and romantic coaxing into a lively celebration of love.
Writing craft
Poetic devices
Amonai (Alliteration)
“Maanikka kallu maragatha kallu”
Repetition of initial consonant sounds across successive words, such as 'Maanikka' and 'Maragatha' or 'Dindigullu' and 'Gundu'.
Edhugai (Second-letter Rhyme)
“Pachcha kallu pavala kallu”
Rhyming of the second letter across consecutive lines, seen in 'Pachcha' and 'Raththina' (with 'ch' and 'th' sounds) or 'Appan' and 'Machchaan'.
Iyaibu (End Rhyme)
“Raasaiyaa raasaiyaa aasaiyaa aasaiyaa”
Extensive usage of rhyming line endings ending with 'kallu', 'sollu', or repetitive word endings like 'aasaiyaa' and 'raasaiyaa'.
Metaphor (Uvamaani)
“Naan potta pesum padam”
Comparing the lover to a talking motion picture ('pesum padam') and silver screen pearls ('vanna padam', 'muththucharam').
Did you know?
Trivia
The film 'Raasaiyya' (1995) starring Prabhu Deva and Roja features music composed by the maestro Ilaiyaraaja, with lyrics penned by Vaali. The song is known for Vaali's signature folk-rhyming scheme where sound matching and rhythmic tongue-twisters take center stage.
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