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Isaimozhi
Lyrics & meaning

Azhagu Dheivam

From Pesum Dheivam · 1967

Lyricist
Vaali
Singers
T. M. Soundararajan, P. Susheela
Music director
K. V. Mahadevan
Details
Pesum Dheivam1967

Lyrics & meaning

Tanglish lyrics English translation
Male
Aazhiyilae piravaadha alai magalo…Is she the goddess of wealth not born from the ocean?
Female
Aa… aa… aa… aa… aa…Aa… aa… aa… aa… aa…
Haa…aaa…aaa…aa…haa….aa…aaa…aa…Haa…aaa…aaa…aa…haa….aa…aaa…aa…
Male
Ezhisaiyai payilaadha kalai magalo…Is she the goddess of arts who hasn't practiced the seven musical notes?
Moozhi nadam puriyaadha malai magalo…Is she the daughter of the mountain goddess who hasn't danced?
Female
Aa… aa… aa… aa… aa… aaa…aa…Aa… aa… aa… aa… aa… aaa…aa…
Male
Azhaghu dheivam mella mellaDid the goddess of beauty step forward
Adiyeduthu vaithadhoSoftly and gently?
Male
Azhaghu dheivam mella mellaDid the goddess of beauty step forward
Adiyeduthu vaithadhoSoftly and gently?
Naan anbu kavidhai solla sollaAs I recited poems of love,
Adiyeduthu koduthadhoDid she provide the opening meter and rhythm?
Male
Azhaghu dheivam mella mellaDid the goddess of beauty step forward
Adiyeduthu vaithadhoSoftly and gently?
Naan anbu kavidhai solla sollaAs I recited poems of love,
Adiyeduthu koduthadho hoo oo oooDid she provide the opening meter and rhythm? Hoo oo ooo
Male
Azhaghu dheivam mella mellaDid the goddess of beauty step forward
Adiyeduthu vaithadho …hoo..ooSoftly and gently? …hoo..oo
Female
Aa… aa… aa… aa… aa… aaa…aa…Aa… aa… aa… aa… aa… aaa…aa…
Male
Ilaneerai sumandhirukkumShe is not a coconut tree
Thennai maram allaBearing tender coconuts,
Mazhai megam kudai pidikkumNor is she the cool moon
Kulir nilavum allaSheltered under rain clouds like an umbrella.
Female
Aa… aa… haa… ahaaa… aa… aaa…aa…Aa… aa… haa… ahaaa… aa… aaa…aa…
Male
Ilaneerai sumandhirukkumShe is not a coconut tree
Thennai maram allaBearing tender coconuts,
Mazhai megam kudai pidikkumNor is she the cool moon
Kulir nilavum allaSheltered under rain clouds like an umbrella.
Ingum angum meen paayum neerodai allaShe is not a stream where fish dart here and there.
Ingum angum meen paayum neerodai allaShe is not a stream where fish dart here and there.
Idharkkum maelum ilakkiyathilBeyond all this, in literature,
Vaarthai yaedhu sollaWhat words are left to describe her?
Female
Aa… aa… aa… aa… aa… aaa…aa…Aa… aa… aa… aa… aa… aaa…aa…
Male
Azhaghu dheivam mella mellaDid the goddess of beauty step forward
Adiyeduthu vaithadhoSoftly and gently?
Naan anbu kavidhai solla sollaAs I recited poems of love,
Adiyeduthu koduthadho hoo oo oooDid she provide the opening meter and rhythm? Hoo oo ooo
Male
Azhaghu dheivam mella mellaDid the goddess of beauty step forward
Adiyeduthu vaithadho …hoo..ooSoftly and gently? …hoo..oo
Female
Aa… aa… haa… ahaaa… aa… aaa…aa…Aa… aa… haa… ahaaa… aa… aaa…aa…
Male
Thathi varum thalar nadaiyilIn her faltering, toddling walk,
Pirandhadhu thaan thaalamoWas rhythm (thaalam) born?
Male
Thaavi varum kai asaivilIn the waving movement of her hands,
Vilaindhadhu thaan baavamoWas expression (bhavam) created?
Male
Dheiva magal vaai malarndhuWhen the divine girl opened her lips,
Mozhindhadhu thaan raagamoWas melody (raagam) born?
Female
Aa… aa… aa… aa… aa… aaa…aa…Aa… aa… aa… aa… aa… aaa…aa…
Male :Ithanaiyum sendhadhu thaanMale : Is the union of all these
Iyal isai naadagamo………The embodiment of literature, music, and drama?

Beyond the translation

Song interpretation

This iconic song from 'Pesum Dheivam' (1967) expresses poetic admiration for a child or loved one, comparing her presence to divine forms of beauty and traditional Tamil artistic concepts. The singer wonders if she is a divine incarnation of Lakshmi, Saraswati, or Parvati, stepping gently into his life and supplying the metrical foot (adi) to his romantic poetry. As the song progresses, the speaker uses poetic negations, stating she is far greater than natural elements like coconut palms, moonlit clouds, or fish-filled streams. The child's toddling gait gives rise to rhythm (thaalam), her hand movements bring forth emotional expression (bhavam), and her sweet voice creates melody (raagam), together forming the ultimate union of traditional Tamil art—Iyal (prose/poetry), Isai (music), and Naadagam (drama).

Writing craft

Poetic devices

Metaphor / Allegory (Uruvagam)

Aazhiyilae piravaadha alai magalo…

Compares the child to divine goddesses (Alai Magal, Kalai Magal, Malai Magal) and the core tenets of classical Tamil culture.

Metrical Wordplay / Pun (Sledai / Yaappu)

Adiyeduthu vaithadho / Naan anbu kavidhai solla solla Adiyeduthu koduthadho

'Adiyeduthu vaithadho' uses 'adi' in a double sense: taking a physical step with feet and providing a metrical line/foot for poetry.

Negation as Metaphor (Iliporul Anai / Il porul uvamai)

Ilaneerai sumandhirukkum Thennai maram alla

Employs poetic negation, arguing that common natural metaphors fall short of describing her true essence.

Rhyme and Alliteration (Edhukai and Monai)

Thathi varum thalar nadaiyil / Thaavi varum kai asaivil

Employs Tamil second-letter rhyming (Edhukai) across consecutive lines ('Thathi', 'Thaavi').

Did you know?

Trivia

'Pesum Dheivam' (1967) stars Sivaji Ganesan and Padmini. The music for the film was composed by the legendary K. V. Mahadevan, with lyrics penned by Vaali and vocals rendered by T. M. Soundararajan. The lyricist Vaali brilliantly weaves the classical concept of 'Muthamizh' (Iyal, Isai, Naadagam) into a popular cinematic song.

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