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Isaimozhi
Lyrics & meaning

Azhagu Dheivam

From Pesum Dheivam · 1967

Lyricist
Vaali
Singers
T. M. Soundararajan, P. Susheela
Music director
K. V. Mahadevan
Movie name
Pesum Dheivam
Movie release year
1967
Lyrics added on
29 Sept 2019

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Aazhiyilae piravaadha alai magalo…
Aa… aa… aa… aa… aa…
Haa…aaa…aaa…aa…haa….aa…aaa…aa…
Ezhisaiyai payilaadha kalai magalo…
Moozhi nadam puriyaadha malai magalo…
Aa… aa… aa… aa… aa… aaa…aa…
Azhaghu dheivam mella mella
Adiyeduthu vaithadho
Azhaghu dheivam mella mella
Adiyeduthu vaithadho
Naan anbu kavidhai solla solla
Adiyeduthu koduthadho
Azhaghu dheivam mella mella
Adiyeduthu vaithadho
Naan anbu kavidhai solla solla
Adiyeduthu koduthadho hoo oo ooo
Azhaghu dheivam mella mella
Adiyeduthu vaithadho …hoo..oo
Aa… aa… aa… aa… aa… aaa…aa…
Ilaneerai sumandhirukkum
Thennai maram alla
Mazhai megam kudai pidikkum
Kulir nilavum alla
Aa… aa… haa… ahaaa… aa… aaa…aa…
Ilaneerai sumandhirukkum
Thennai maram alla
Mazhai megam kudai pidikkum
Kulir nilavum alla
Ingum angum meen paayum neerodai alla
Ingum angum meen paayum neerodai alla
Idharkkum maelum ilakkiyathil
Vaarthai yaedhu solla
Aa… aa… aa… aa… aa… aaa…aa…
Azhaghu dheivam mella mella
Adiyeduthu vaithadho
Naan anbu kavidhai solla solla
Adiyeduthu koduthadho hoo oo ooo
Azhaghu dheivam mella mella
Adiyeduthu vaithadho …hoo..oo
Aa… aa… haa… ahaaa… aa… aaa…aa…
Thathi varum thalar nadaiyil
Pirandhadhu thaan thaalamo
Thaavi varum kai asaivil
Vilaindhadhu thaan baavamo
Dheiva magal vaai malarndhu
Mozhindhadhu thaan raagamo
Aa… aa… aa… aa… aa… aaa…aa…
Male :Ithanaiyum sendhadhu thaan
Iyal isai naadagamo………
Is she Goddess Lakshmi, born not from the ocean waves?
Aa... aa... aa... aa... aa...
Haa... aaaa... aaaa... aa... haa... aa... aaaa... aa...
Is she Goddess Saraswati, who never studied the seven musical notes?
Is she Goddess Parvati, who does not perform the cosmic dance?
Aa... aa... aa... aa... aa... aaaa... aa...
Did the goddess of beauty slowly, slowly
take her very first steps?
Did the goddess of beauty slowly, slowly
take her very first steps?
As I recite poems of love,
did she give me the opening line?
Did the goddess of beauty slowly, slowly
take her very first steps?
As I recite poems of love,
did she give me the opening line? Hoo oo oooo
Did the goddess of beauty slowly, slowly
take her very first steps? ...Hoo... oo
Aa... aa... aa... aa... aa... aaaa... aa...
She is not a coconut palm
bearing tender coconuts,
nor is she the cool moon
sheltered by rain clouds.
Aa... aa... haa... ahaa... aa... aaaa... aa...
She is not a coconut palm
bearing tender coconuts,
nor is she the cool moon
sheltered by rain clouds.
She is not a stream where fish dart here and there,
she is not a stream where fish dart here and there;
beyond all this, in poetry,
what words are left to describe her?
Aa... aa... aa... aa... aa... aaaa... aa...
Did the goddess of beauty slowly, slowly
take her very first steps?
As I recite poems of love,
did she give me the opening line? Hoo oo oooo
Did the goddess of beauty slowly, slowly
take her very first steps? ...Hoo... oo
Aa... aa... haa... ahaa... aa... aaaa... aa...
In her tender, toddling steps,
was musical rhythm born?
In the flutter of her reaching hands,
did dramatic expression blossom?
When this divine child opened her lips,
was what she spoke a sweet melody?
Aa... aa... aa... aa... aa... aaaa... aa...
Is the harmony of all these together
the three Tamil arts of literature, music, and drama?
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Beyond the translation

Overall song meaning

This iconic song from 'Pesum Dheivam' (1967) expresses poetic admiration for a child or loved one, comparing her presence to divine forms of beauty and traditional Tamil artistic concepts. The singer wonders if she is a divine incarnation of Lakshmi, Saraswati, or Parvati, stepping gently into his life and supplying the metrical foot (adi) to his romantic poetry. As the song progresses, the speaker uses poetic negations, stating she is far greater than natural elements like coconut palms, moonlit clouds, or fish-filled streams. The child's toddling gait gives rise to rhythm (thaalam), her hand movements bring forth emotional expression (bhavam), and her sweet voice creates melody (raagam), together forming the ultimate union of traditional Tamil art—Iyal (prose/poetry), Isai (music), and Naadagam (drama).

Writing craft

Poetic devices

Metaphor / Allegory (Uruvagam)

Aazhiyilae piravaadha alai magalo…

Compares the child to divine goddesses (Alai Magal, Kalai Magal, Malai Magal) and the core tenets of classical Tamil culture.

Metrical Wordplay / Pun (Sledai / Yaappu)

Adiyeduthu vaithadho / Naan anbu kavidhai solla solla Adiyeduthu koduthadho

'Adiyeduthu vaithadho' uses 'adi' in a double sense: taking a physical step with feet and providing a metrical line/foot for poetry.

Negation as Metaphor (Iliporul Anai / Il porul uvamai)

Ilaneerai sumandhirukkum Thennai maram alla

Employs poetic negation, arguing that common natural metaphors fall short of describing her true essence.

Rhyme and Alliteration (Edhukai and Monai)

Thathi varum thalar nadaiyil / Thaavi varum kai asaivil

Employs Tamil second-letter rhyming (Edhukai) across consecutive lines ('Thathi', 'Thaavi').

Did you know?

Trivia

'Pesum Dheivam' (1967) stars Sivaji Ganesan and Padmini. The music for the film was composed by the legendary K. V. Mahadevan, with lyrics penned by Vaali and vocals rendered by T. M. Soundararajan. The lyricist Vaali brilliantly weaves the classical concept of 'Muthamizh' (Iyal, Isai, Naadagam) into a popular cinematic song.

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