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Isaimozhi
Lyrics & meaning

Athani Mandapathil

From Magarasi Vazhga · 1976

Lyricist
Kannadasan
Singers
Vani Jairam, P. Susheela
Music director
M. S. Vishwanathan
Details
Magarasi Vazhga1976

Lyrics & meaning

Tanglish lyrics English translation
Female
Aththaani mandapaththil muthu muthu dheepamIn the royal hall, pearl-like lamps shine bright
Annaththin thogai polaeLike the plumage of a swan
Velli minnal kolamA silver lightning kolam pattern
Aththaani mandapaththil muthu muthu dheepamIn the royal hall, pearl-like lamps shine bright
Annaththin thogai polaeLike the plumage of a swan
Velli minnal kolamA silver lightning kolam pattern
Female
Thaai sonna needhi karpu ennum jothiJustice spoken by the mother is the light of chastity
Thaai sonna needhi karpu ennum jothiJustice spoken by the mother is the light of chastity
Thanthai sonna vedham thanmaana dheepamThe wisdom spoken by the father is the lamp of self-respect
Female
Aththaani mandapaththil muthu muthu dheepamIn the royal hall, pearl-like lamps shine bright
Annaththin thogai polaeLike the plumage of a swan
Velli minnal kolamA silver lightning kolam pattern
Female
Selvam enbathu vantha pinbuthaanOnly after wealth arrives
Irunda veettilum dheepamIs there light even in a dark house
Entha paadhaiyum sendru paarkkalaamOne can explore any path
Vaazhvil ennathaan paavamWhat sin could there be in life?
Female
Selvam enbathu vantha pinbuthaanOnly after wealth arrives
Irunda veettilum dheepamIs there light even in a dark house
Entha paadhaiyum sendru paarkkalaamOne can explore any path
Vaazhvil ennathaan paavamWhat sin could there be in life?
Female
Ilamaiyin vegam inbamennum raagamThe speed of youth is a melody called pleasure
Enna vantha pothum vanthavarai yogamWhatever comes, fortune smiles upon those who arrive
Female
Aththaani mandapaththil muthu muthu dheepamIn the royal hall, pearl-like lamps shine bright
Annaththin thogai polaeLike the plumage of a swan
Velli minnal kolamA silver lightning kolam pattern
Female
Kodi pengalai boomi kandathuThe earth has seen millions of women
Dheivanmaanaval seethaiYet Sita became divine
Kodi paathaigal mannil ullanaMillions of paths exist on this earth
Nermai ondruthaan paathaiYet honesty alone is the true path
Female
Kalai magalaanaal kalvi tharum saaramIf one becomes Saraswati, she imparts the essence of education
Kulamaagalaanaal manai kalangaaramIf one becomes a virtuous wife, she is the ornament of the home
Female
Aththaani mandapaththil muthu muthu dheepamIn the royal hall, pearl-like lamps shine bright
Annaththin thogai polaeLike the plumage of a swan
Velli minnal kolamA silver lightning kolam pattern
Female
Achcham enbathum naanam enbathumFear and bashfulness
Panjam theerththathae illaiHave never eradicated poverty
Anthi vaanaththu chandhiran enaLiving like the evening sky's moon
Vaazhnthu paarppatho thollaiIs full of trouble to experience
Female
Kulamagal naanam iraivanin dheepamA noble woman's modesty is God's own lamp
Vazhi thavaraanaal piranthathu paavamIf one strays off the path, being born itself becomes a sin
Female
Aththaani mandapaththil muthu muthu dheepamIn the royal hall, pearl-like lamps shine bright
Annaththin thogai polaeLike the plumage of a swan
Velli minnal kolamA silver lightning kolam pattern

Beyond the translation

Song interpretation

Aththaani Mandapaththil from Magarasi Vazhga (1976) presents a poetic debate between opposing worldviews—one representing moral righteousness, traditional virtues, self-respect, and chastity, and the other advocating for material wealth, youth, and practical freedom. Written by Kannadasan and set to tune by M. S. Viswanathan, the song uses rich imagery of royal halls, divine grace, and cultural allegories. Ultimately, the song reinforces that while worldly temptations and paths are many, moral integrity, honesty, and family virtues remain the true lights guiding human existence.

Writing craft

Poetic devices

Adukku Thodar (Repetition)

Aththaani mandapaththil muthu muthu dheepam

The word 'muthu' is repeated for poetic emphasis to describe the lamp's pearl-like radiance.

Uvamai (Simile)

Annaththin thogai polae

Compares the visual beauty of the kolam pattern directly to the plumage of a swan using 'polae'.

Uruvagam (Metaphor)

Thaai sonna needhi karpu ennum jothi

Metaphorically equates moral righteousness and parental teachings directly to divine lamps and wisdom.

Iyaibu (Parallelism)

Thanthai sonna vedham thanmaana dheepam

Uses parallel structural phrasing contrasting mother's justice with father's wisdom.

Did you know?

Trivia

This track from Magarasi Vazhga (1976) showcases a philosophical debate style (patti mandram format) common in Kannadasan's compositions, set in a duet format between legend singers P. Susheela and Vani Jairam under M. S. Viswanathan's musical direction.

Keep listening

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