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Isaimozhi
Lyrics & meaning

Malai Arasi Sakthi

From Vijeya · 1973

Lyricist
Kannadasan
Singers
P. Susheela, L. R. Eswari
Music director
G. Devarajan
Details
Vijeya1973

Lyrics & meaning

Tanglish lyrics English translation
Female
Malaiyarasi sakthi meenaatchiQueen of mountains, Goddess Sakthi Meenakshi
Intha mandalam engum un arasaatchiYour reign prevails all across this universe
Kulamagalir thamakku kannkaatchiA feast for the eyes of virtuous women
Avar kulaththukkum kunaththukkum nee saatchiYou stand as a witness to their lineage and fine character
Female
Malaiyarasi sakthi meenaatchiQueen of mountains, Goddess Sakthi Meenakshi
Intha mandalam engum un arasaatchiYour reign prevails all across this universe
Kulamagalir thamakku kannkaatchiA feast for the eyes of virtuous women
Avar kulaththukkum kunaththukkum nee saatchiYou stand as a witness to their lineage and fine character
Female
My life modern lifeMy life, modern life
Sweet life and happy lifeSweet life and happy life
Female
Naagareegam en deivamModernity is my deity
Pudhu nadanamae enthan selvamNew dance style is my wealth
kalaigalum pudhiya nilaigalum kanduDiscovering arts and new realms
Iravilum antha nilavilum aadumDancing in the night under that moonlight
Female
Ada naagareegam en deivamOh, modernity is my deity
Female
Adakkaththilae pirantha panpaaduThe culture born out of humility
Nee aliththathilae valarntha thennaaduThe southern land that grew from your grace
Silappathikaaram ennum pugazh yaedu kandaThe glorious scripture called Silappathikaram
Selvangal vaazhuvathum un veeduYour home is where true treasures reside
Female
Malaiyarasi sakthi meenaatchi…Queen of mountains, Goddess Sakthi Meenakshi...
Female
Modern life is jollyModern life is jolly
Udai maaruvathum pudhu paaniChanging clothes in the newest style
Vaaliparudanae aattamDancing along with young men
Idhu vasantha kaala thottamThis is a spring season garden
Female
Koondhalai vetti aangalai thottuCutting hair short and touching men
Aadinaal maeni thullumIf you dance, the body leaps with joy
Kondu vaa kinnam oottruven innumBring the cup, I shall pour more
Kinnamae bodhai kollumEven the cup itself gets intoxicated
Female
Naagareegam en deivamModernity is my deity
Pudhu nadanamae enthan selvamNew dance style is my wealth
Female
Saththiya kungumaththil naan vaazhaFor me to live in the vermilion of truth
Antha tharumaththin naayaganin pugazh seraTo attain the glory of the hero of righteousness
Sakthiyammaa unathu thunai vendumMother Sakthi, I need your support
Enthan santhathiyum perumai pera vendumMy lineage too must achieve pride
Female
Malaiyarasi sakthi meenaatchi…Queen of mountains, Goddess Sakthi Meenakshi...
Female
Sikkena idaiyai kulukkuShake your slender waist briskly
Sivantha idhazhaal mayakkuMesmerize with your reddened lips
Jappan naattai ninaiththuThinking of Japan's modern ways
Tamizhar naattai thiruththuReform the land of the Tamils
Pazhamai maraiya pudhumai malara paadupaduStrive to fade the old ways and let modernity blossom
Female
Naagareegam en deivamModernity is my deity
Pudhu nadanamae enthan selvamNew dance style is my wealth
Female
Bharatha kalaikalukku thaai neeyaeYou are the mother of classical Bharatha arts
Female :Aangila pengalinFemale: Of Western women
Paathaiyil maarattum innaaduLet this country transform into that path
Female :Tamil paattukkum pechukkum thalai neeyaeFemale: You are the chief of Tamil song and speech
Female :Caprae nadanam shake-kkum twisttum neeyaaduFemale: Dance the cabaret, shake, and twist dance styles
Female
Kaaviya naayagiHeroine of epic poetry
Kannkanda deivamaeVisible deity before my eyes
Un kaavalilae ennai valarppaayaeWill you nurture me under your protection?

Beyond the translation

Song interpretation

This dynamic duet represents a fascinating stylistic and philosophical clash between traditional Tamil culture and modern Westernized lifestyle, a common trope in 1970s Tamil cinema. One perspective devoutly praises Goddess Meenakshi, upholding humility, classic literature like Silappathikaram, and traditional family virtues as the core identity of the Tamil land. The opposing voice celebrates modernity, modern fashion, pop dancing, Western freedom, and radical modern social reform. Through this lyrical debate, lyricist Kannadasan brilliantly captures the cultural evolution and generational shift taking place in Tamil society during that era.

Writing craft

Poetic devices

Etukai (Second-letter Rhyme)

Malaiyarasi sakthi meenaatchi / Intha mandalam engum un arasaatchi

In Tamil prosody, the second letter of consecutive lines rhymes. 'Malaiyarasi' and 'Intha' use matching rhythm, and 'meenaatchi' pairs with 'arasaatchi'.

Juxtaposition (Muran)

Pazhamai maraiya pudhumai malara paadupadu

The lyricist places ancient traditional piety ('Saththiya kungumaththil naan vaazha') alongside western modernism ('Caprae nadanam shake-kkum twisttum') to create artistic dynamic contrast.

Code-Mixing (English-Tamil blend)

Modern life is jolly / Udai maaruvathum pudhu paani

English words like 'modern life', 'jolly', 'twist', and 'shake' are woven into Tamil verse to characterize modern Western trends.

Did you know?

Trivia

In 1970s Tamil film music, duets featuring P. Susheela and L. R. Eswari were popular choices for contrasting traditional/classical characters (sung by Susheela) with trendy, modern, or cabaret characters (sung by L. R. Eswari).

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