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Isaimozhi
Lyrics & meaning

Asaipattadhu Naanalla

From Aindhu Laksham · 1969

Lyricist
Vaali
Singers
T. M. Soundararajan, L. R. Eswari
Music director
S. M. Subbaiah Naidu
Movie name
Aindhu Laksham
Movie release year
1969
Lyrics added on
28 Aug 2020

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Aasaipattathu naanalla
Manathu en manathu
Female :Avasarapattathu naanalla
Vayathu ilam vayathu
Aasaipattathu naanalla
Manathu en manathu
Female :Avasarapattathu naanalla
Vayathu ilam vayathu
Azhagu kedaamal medhuvaaga….aaa….
Anaikattumaa naan idhamaaga…aa….
Azhagu kedaamal medhuvaaga…
Anaikattumaa naan idhamaaga…
Nenjanaiyo illai panjanaiyo
Nenjanaiyo illai panjanaiyo
Thuyil kolla vendum sugamaga….
Sevvidhazhoram pazhachchaaru…oo..
Saerththu vaiththaenae suvaippaaru…oo…
Nenjanaiyo illai panjanaiyo
Saerththu vaiththaenae suvaippaaru…
Madiyinil vanthu kudiyaeru
Madiyinil vanthu kudiyaeru
Vidiya mattum nee ilaippaaru
Male :Aah..
Aasaipattathu naanalla
Manathu en manathu
Female :Avasarapattathu naanalla
Vayathu ilam vayathu
Munnazhagil oru thaerottam…mm….mmm
Pinnazhagil oru neerottam…mm…mm…
Munnazhagil oru thaerottam…
Pinnazhagil oru neerottam…
Ponnazhagae vanna poovazhagae….
Ponnazhagae vanna poovazhagae…
Unnarugae en uyirottam….
Kangalinaalae panthalidu…ooo..oo…
Kaigalinaalae maalaiyidu…ooo..oo…
Kangalinaalae panthalidu…
Kaigalinaalae maalaiyidu…
Ilamai mudhal varum mudhumai varai
Ilamai mudhal varum mudhumai varai
Valarattumae nam kadhal kadhai…aah…
Aasaipattathu naanalla
Manathu en manathu
Female :Avasarapattathu naanalla
Vayathu ilam vayathu
It was not me who longed for this,
it was my heart, my heart!
Female: It was not me who was in a hurry,
it was my youth, my youthful age!
It was not me who longed for this,
it was my heart, my heart!
Female: It was not me who was in a hurry,
it was my youth, my youthful age!
Gently, without spoiling your beauty... ah...
Shall I hold you softly in my arms... ah...
Gently, without spoiling your beauty...
Shall I hold you softly in my arms...
Be it upon my chest or on a soft bed,
Be it upon my chest or on a soft bed,
you should drift to sleep in pure comfort...
Sweet fruit juice at the edge of my red lips... oh...
I have saved it for you, come taste it... oh...
Be it upon my chest or on a soft bed,
I have saved it for you, come taste it...
Come settle down in my lap,
Come settle down in my lap,
and rest until the break of dawn!
Male: Ah...
It was not me who longed for this,
it was my heart, my heart!
Female: It was not me who was in a hurry,
it was my youth, my youthful age!
A chariot's grandeur in your front... mm... mmm...
A flowing stream in your grace from behind... mm... mm...
A chariot's grandeur in your front...
A flowing stream in your grace from behind...
Golden beauty, lovely as a colourful flower...
Golden beauty, lovely as a colourful flower...
my life flows only when I am beside you...
Set up a wedding canopy with your eyes... oh... oh...
Place a garland around me with your hands... oh... oh...
Set up a wedding canopy with your eyes...
Place a garland around me with your hands...
From our youth until our old age arrives,
From our youth until our old age arrives,
let our love story continue to grow... ah...
It was not me who longed for this,
it was my heart, my heart!
Female: It was not me who was in a hurry,
it was my youth, my youthful age!
Male
Male
Male
Female
Male
Male
Female
Male

Beyond the translation

Overall song meaning

This song is a charming romantic duet where two lovers affectionately transfer the blame of their romantic impulses onto their heart and youth. They share intimate expressions of warmth, describing soft embraces, sweet lips, and lap as a place of rest, while admiring each other's physical grace and charm. The lyricist Vaali weaves imagery of eyes forming a wedding canopy and hands placing garlands, visualizing a lifelong union that spans from youth through old age. The underlying theme celebrates romantic desire wrapped in poetic elegance and enduring companionship.

Writing craft

Poetic devices

Monai (Initial Alliteration / Assonance)

Aasaipattathu naanalla / Female :Avasarapattathu naanalla

Matching initial vowel sounds in 'Aasaipattathu' and 'Avasarapattathu' creates a harmonious rhythmic echo.

Edukai (Second Letter Rhyme)

Munnazhagil oru thaerottam / Pinnazhagil oru neerottam

The second consonant 'n' in 'Munnazhagil' and 'Pinnazhagil' creates a classic Tamil rhyming pair denoting front and back beauty.

Metaphor (Uruvagam)

Nenjanaiyo illai panjanaiyo

The lover's chest is metaphorically compared to a soft cotton bed ('panjanai'), and eyes to a wedding canopy ('panthal').

Did you know?

Trivia

Written by the prolific Tamil lyricist Vaali, 'Aasaipattathu Naanalla' showcases his signature style of lighthearted yet deeply poetic romantic banter. The song playfully uses personification by making 'heart' and 'age' active characters responsible for romantic longing.

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