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Isaimozhi
Lyrics & meaning

Annam Inge

From Maanikka Thottil · 1974

Lyricist
Kannadasan
Singer
L. R. Eswari
Music director
M. S. Vishwanathan
Details
Maanikka Thottil1974

Lyrics & meaning

Tanglish lyrics English translation
Female
Annam ingae aadugindrathuThe swan is dancing here
Aasai nenjil oorugindrathuDesire wells up in the heart
Annam ingae aadugindrathuThe swan is dancing here
Aasai nenjil oorugindrathuDesire wells up in the heart
Female
Ennai yaarum thottathillaiNo one has touched me yet
Kannam kaayam pattathillaiMy cheeks bear no marks or bruises
Ennai yaarum thottathillaiNo one has touched me yet
Kannam kaayam pattathillaiMy cheeks bear no marks or bruises
Female
Manikka sirpam pola thegamA body crafted like a ruby sculpture
Manjaththil santhiththaalae yogamIt is pure bliss if we unite on the bed
Kaanikkai inbam ennum raagamThe raga of pleasure offered as a gift
Kaanungal naanoru thaagamLook at me, I am a living thirst
Female
Thaagangal thaangavillaiThis thirst is unbearable
Anantham bodhavillaiThis joy is not enough
Paadangal thodangavillaiThe lessons of love have not yet begun
Naaninnum mayangavillaiI have not yet swooned in pleasure
Female
Annam ingae aadugindrathuThe swan is dancing here
Aasai nenjil oorugindrathuDesire wells up in the heart
Female
Kadhal kangalukkul unduLove resides inside these eyes
Kanigal ennuthattil unduFruits dwell upon my lips
Maanukku vedan vitta thoothuWhen the hunter's message to the deer
Nerukku nerae vanthapothuArrived face-to-face directly
Female
Paarththukol unnai konja neramLook at yourself for a moment
Kettu kol penmai sollum vedhamListen to the Veda proclaimed by womanhood
Neeyo thangamulla pettiYou are a treasure chest containing gold
Naano inba vellakkattiAnd I am a sweet block of jaggery
Female
Annam ingae aadugindrathuThe swan is dancing here
Aasai nenjil oorugindrathuDesire wells up in the heart

Beyond the translation

Song interpretation

In this seductive song, the female protagonist metaphorically portrays herself as a dancing swan full of youth, untouched beauty, and intense longing. She invites her lover to partake in the joys of romance, describing her physique as a ruby sculpture and her lips as ripe fruits, emphasizing her unblemished pure charm awaiting his love.

Writing craft

Poetic devices

Uvamai (Simile)

Manikka sirpam pola thegam

Compares the smooth and exquisite physical form of the woman to a sculpture carved out of rubies (Manikka sirpam pola thegam).

Uruvagamy (Metaphor)

Annam ingae aadugindrathu

Compares the heroine to a dancing swan (Annam) and the lover to a golden treasure chest (thangamulla petti).

Emonai / Ethirhai (Assonance and Rhyming)

Thaagangal thaangavillai

Rhyming words at line ends and internal second-letter harmony across stanzas (e.g., Thaagangal / Anantham / Paadangal / Naaninnum).

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Trivia

This track is a classic 1970s cabaret/club dance song rendered by L. R. Eswari, famous for her seductive vocals in Tamil cinema. M. S. Viswanathan's composition blends brass horn arrangements with traditional rhythms, while Kannadasan elevates a glamour song with vivid poetic metaphors.

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