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Isaimozhi
Lyrics & meaning

Anandha Nadana Vinodha

From Sivagami · 1960

Lyricist
Papanasam Sivan
Singer
M. K. Thiyagaraja Bagavathar
Music director
K. V. Mahadevan
Details
Sivagami1960

Lyrics & meaning

Tanglish lyrics English translation
Male
Aanandha nadana vinodhaOne who delights in the blissful divine dance,
Aanandha nadana vinodhaOne who delights in the blissful divine dance,
Deva …aanandha nadana vinodhaO Lord, one who delights in the blissful divine dance,
Deva..aa…aanandha nadana vinodhaO Lord, one who delights in the blissful divine dance,
Male
Jagan nadha jagan nadhaLord of the universe, Lord of the universe,
Jagan nadha jagan nadhaLord of the universe, Lord of the universe,
Aanandha nadana vinodhaOne who delights in the blissful divine dance,
Deva …aanandha nadana vinodhaO Lord, one who delights in the blissful divine dance,
Male
Kannmoondrudaiyaai gadhi nee aranaeO three-eyed Shiva, you are my sole refuge,
Kannmoondrudaiyaai gadhi nee aranaeO three-eyed Shiva, you are my sole refuge,
Karunaiyodu enai kadaikann paar thayaalaLook at me mercifully from the corner of your eye, compassionate one,
Karunaiyodu enai kadaikann paar thayaalaLook at me mercifully from the corner of your eye, compassionate one,
Aanandha nadana vinodhaOne who delights in the blissful divine dance,
Deva…. aanandha nadana vinodhaO Lord, one who delights in the blissful divine dance,
Male
Nanjaa radhamum paniyaai kondaaiYou accepted the serpent as your ornament and chariot,
Nanjaa radhamum paniyaai kondaaiYou accepted the serpent as your ornament and chariot,
Anja varum nanjaiyum undaaiYou consumed the terrifying poison that struck fear in all,
Anja varum nanjaiyum undaaiYou consumed the terrifying poison that struck fear in all,
Thanjamun kunjithapadham thillai vaazhYour raised lotus foot in Chidambaram is my sanctuary,
Thanjamun kunjithapadham thillai vaazhYour raised lotus foot in Chidambaram is my sanctuary,
Aanandha nadana vinodhaOne who delights in the blissful divine dance,
Deva… aanandha nadana vinodhaO Lord, one who delights in the blissful divine dance,
Male
Jagan nadha jagan nadhaLord of the universe, Lord of the universe,
Jagan nadha jagan nadhaLord of the universe, Lord of the universe,
Aanandha nadana vinodhaOne who delights in the blissful divine dance,
Deva …aanandha nadana vinodhaO Lord, one who delights in the blissful divine dance.

Beyond the translation

Song interpretation

This song is a sublime devotional hymn dedicated to Lord Shiva as Nataraja, the cosmic dancer residing in Chidambaram (Thillai). The singer extols Lord Shiva's divine dance of bliss (Ananda Tandavam), addressing Him as the Supreme Master of the universe (Jaganadha) and the three-eyed savior (Hara). The lyricist praises Shiva's immense mercy in consuming the lethal Halahala poison during the churning of the ocean to protect all living beings. The devotee completely surrenders at Lord Nataraja's lifted lotus feet (Kunjithapada), imploring Him for a single compassionate glance (kadaikann) to grant salvation. Composed with deep classical devotion by Papanasam Sivan, the song serves as a prayer of total refuge and spiritual surrender.

Writing craft

Poetic devices

Edugai (Second Letter Rhyme)

Nanjaa radhamum paniyaai kondaai / Anja varum nanjaiyum undaai

The second letter 'nja' rhymes across lines ('Nanjaa' and 'Anja'), creating rhythm and melodic harmony.

Monai (Initial Consonant Alliteration)

Karunaiyodu enai kadaikann paar thayaala

Repetition of the 'Ka' sound across words in the line ('Kannmoondrudaiyaai', 'Gadhi', 'Karunaiyodu', 'Kadaikann').

Anaphora / Repetition (Adukkuthodar)

Jagan nadha jagan nadha

The phrase 'Jagan nadha' and 'Aanandha nadana vinodha' are repeated for devotional fervor and rhythmic tempo.

Mythological Allusion

Anja varum nanjaiyum undaai

Refers to the puranic event of Shiva drinking the terrifying Halahala poison to rescue the universe.

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Trivia

This classical song from 'Sivagami' (1960) features legendary singer M. K. Thiyagaraja Bagavathar (MKT), one of Tamil cinema's earliest superstars, in his later career. Written by 'Tamil Isai' icon Papanasam Sivan and set to music by K. V. Mahadevan, the song highlights MKT's iconic vocal range and mastery over Carnatic music.

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