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Isaimozhi
Lyrics & meaning

Achamae Agandruvidu

From Naatpadu Theral · 2021

Lyricist
Vairamuthu
Singers
Shruti Haasan, Ramya NSK
Music director
Ghibran
Movie name
Naatpadu Theral
Movie release year
2021
Lyrics added on
5 Jun 2021

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Achamae agandruvidu
Madamae madindhuvidu
Achamae agandruvidu
Madamae madindhuvidu
Naanamae nagarndhuvidu
Payirppae parandhuvidu
Achamae agandruvidu
Madamae madindhuvidu
Naanamae nagarndhuvidu
Payirppae parandhuvidu
Udambu enna viragaa
Naan unarchi izhandha sarugaa
Udambu enna viragaa
Naan unarchi izhandha sarugaa
Kaadhal enbadhu thavara
Naan kallil seidha suvara
Achamae agandruvidu
Madamae madindhuvidu
Naanamae nagarndhuvidu
Payirppae parandhuvidu
Thekkamadaindhu kidakkindren
Ookkamizhandha vaazhkkaiyilae
Padukkai melae sidharugiren
Paaraiyil kottiya paal polae
Thekkamadaindhu kidakkindren
Ookkamizhandha vaazhkkaiyile
Padukkai melae sidharugiren
Paaraiyil kottiya paal polae
Thuikkaadha en idhazhai
Thuppi tholaiyeno
Thoondaadha en idhayathai thondi eriyeno
Paaraadha en azhugai paayil pudhaippeno
Theeraadha en kaadhal theeyil erippeno
Munnor podhiyai sumappaeno
Illai innor vidhiyai padaippaeno
Munnor podhiyai sumappaeno
Illai innor vidhiyai padaippaeno
Achamae agandruvidu
Madamae madindhuvidu
Naanamae nagarndhuvidu
Payirppae parandhuvidu
Saathira kaidhiyaagindren
Saadhi padaitha siraigalilae
Mangaiyaga naan yen pirandhen
Malaiyil muttiya nadhi polae
Saathira kaidhiyaagindren
Saadhi padaitha siraigalilae
Mangaiyaga naan yen pirandhen
Malaiyil muttiya nadhi polae
Africa kaattil naan anilai pirappaeno
Atlantic kadalodu aara meenaaveno
Malaiyala malaiyil naan manikiliyaveno
Manidha piraviyatru manam pol vaazhveno
Koottu puzhuvaai marippaeno
Illai pattupoochiyaai parappaeno
Koottu puzhuvaai marippaeno
Illai pattupoochiyai parappaeno
Achamae agandruvidu
Madamae madindhuvidu
Naanamae nagarndhuvidu
Payirppae parandhuvidu
Achamae agandruvidu
Madamae madindhuvidu
Naanamae nagarndhuvidu
Payirppae parandhuvidu
Fear, go away!
Ignorance, perish!
Fear, go away!
Ignorance, perish!
Shyness, move aside!
Reserve, fly away!
Fear, go away!
Ignorance, perish!
Shyness, move aside!
Reserve, fly away!
Is my body just firewood?
Am I a dry leaf with no feeling?
Is my body just firewood?
Am I a dry leaf with no feeling?
Is love a mistake?
Am I a wall made of stone?
Fear, go away!
Ignorance, perish!
Shyness, move aside!
Reserve, fly away!
I lie stagnant,
in a life that has lost its spark.
I spill across my bed,
like milk poured over a rock.
I lie stagnant,
in a life that has lost its spark.
I spill across my bed,
like milk poured over a rock.
My untasted lips,
shall I just spit them away?
My unstirred heart, shall I dig it out and throw it away?
Shall I bury my unending tears in the sleeping mat?
Shall I burn my unceasing love in the fire?
Shall I carry the burden of my ancestors?
Or shall I create a new destiny?
Shall I carry the burden of my ancestors?
Or shall I create a new destiny?
Fear, go away!
Ignorance, perish!
Shyness, move aside!
Reserve, fly away!
I become a prisoner of scriptures,
in the prisons built by caste.
Why was I born a woman,
like a river crashing against a mountain?
I become a prisoner of scriptures,
in the prisons built by caste.
Why was I born a woman,
like a river crashing against a mountain?
Shall I be born a squirrel in the forests of Africa?
Shall I become an eel in the Atlantic Ocean?
Shall I become a lovely parrot in the hills of Kerala?
Free from human birth, shall I live as my heart desires?
Shall I die inside a cocoon?
Or shall I fly as a butterfly?
Shall I die inside a cocoon?
Or shall I fly as a butterfly?
Fear, go away!
Ignorance, perish!
Shyness, move aside!
Reserve, fly away!
Fear, go away!
Ignorance, perish!
Shyness, move aside!
Reserve, fly away!
Female
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Beyond the translation

Overall song meaning

This song is a powerful feminist anthem that radically rejects the traditional societal expectations placed upon women in Tamil culture. In classical Tamil literature, four qualities were prescribed as virtues for women: Acham (fear), Madam (innocence/submissiveness), Naanam (shyness), and Payirppu (modesty/hesitation). The protagonist directly commands these four traditional 'virtues' to leave her, declaring them to be constraints that suppress women's true emotional and intellectual autonomy. Throughout the track, the narrator laments being treated as a feelingless object and suffering under orthodoxy, caste oppression, and patriarchal norms. She uses vivid imagery to express her frustration—comparing herself to a river blocked by mountains or milk spilled uselessly on a stone. Ultimately, she questions whether she should remain trapped in societal burdens like a cocooned worm or break free and forge her own destiny like a butterfly.

Writing craft

Poetic devices

Subversion of Classical Tropes

Achamae agandruvidu / Madamae madindhuvidu / Naanamae nagarndhuvidu / Payirppae parandhuvidu

The song repeatedly invokes 'Acham, Madam, Naanam, Payirppu'—the four virtues traditionally mandated for ideal women in Sangam and post-Sangam Tamil literature—and demands their total removal.

Simile (Upamai)

Paaraiyil kottiya paal polae

Compares uselessly scattered emotions and wasted life energy to milk spilled on a hard rock where it cannot be recovered.

Simile (Upamai)

Malaiyil muttiya nadhi polae

Compares a woman's suppressed life ambitions blocked by rigid social barriers to a river striking against an unyielding mountain.

Metaphor / Contrast

Koottu puzhuvaai marippaeno / Illai pattupoochiyaai parappaeno

Contrasts the image of dying as an enclosed silkworm inside a cocoon with breaking free into a vibrant butterfly, symbolizing submission versus liberation.

Moni / Rhyme (Initial and End Assonance)

Achamae agandruvidu / Madamae madindhuvidu

Repeated use of 'Achamae agandruvidu' exhibits strong initial letter alliteration (Monaai) and rhythmic end-phrasing (Iyaibu).

Did you know?

Trivia

This track is part of lyricist Vairamuthu's independent non-film music album project titled 'Naatpadu Theral', which featured 10 independent songs composed by various prominent Indian music directors. 'Achamae Agandruvidu' was set to music by Ghibran and sung powerfully by Shruti Haasan and Ramya NSK.

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