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Isaimozhi
Lyrics & meaning

Aasaiyinaale Manam

From Kalyana Parisu · 1959

Lyricist
Pattukkottai Kalyanasundram
Singers
A. M. Rajah, P. Susheela
Music director
A. M. Rajah
Details
Kalyana Parisu1959

Lyrics & meaning

Tanglish lyrics English translation
Female
Aasaiyinaalae manamBecause of desire, the mind
Male :OhoMale: Oh
Female :Anjudhu kenjudhu dhinamFemale: Fears and begs every day
Male :MmhumMale: Mm-hmm
Female
Anbu meeri ponadhaalaeBecause love overflowed
Abinayam puriyudhu mugamThe face expresses dramatic gestures
Male :I seeMale: I see
Female
Aasaiyinaalae manamBecause of desire, the mind
Anjudhu kenjudhu dhinamFears and begs every day
Anbu meeri ponadhaalaeBecause love overflowed
Abinayam puriyudhu mugamThe face expresses dramatic gestures
Female
{Naanam kondu oodum kangalEyes that shyly flutter away
Thaalam podudhaeAre keeping a rhythm
Adhai kaanum thendralThe gentle breeze seeing this
Kaadhil vanthu gaanam paadudhae} (2)Comes near the ear and sings a song (2)
Female
Verillaadha kodi thanilOn a rootless vine
Male :OhoohoMale: Oh-ho-ho
Female :Vaalillaadha oru anilFemale: A tailless squirrel
Male :AahahaaMale: Ah-ha-ha
Female :Aalillaadha neram paarththuFemale: Finding a solitary moment
Thaavi pidikkudhu kaiyilLeaps and catches hold of my hand
Male :SorryMale: Sorry
Female
Aasaiyinaalae manamBecause of desire, the mind
Anjudhu kenjudhu dhinamFears and begs every day
Anbu meeri ponadhaalaeBecause love overflowed
Abinayam puriyudhu mugamThe face expresses dramatic gestures
Female
{Maalai endra neram vanthuWhen the time of evening arrives
Aalai meerudhaeIt overwhelms the person
Ilam kaalai ondru kaadhal endruA young bull says it is love
Kannaal koorudhae} (2)Expressing it through its eyes (2)
Female
Thaedi vantha oru thunaiA companion that came seeking me
Male :OhoohoMale: Oh-ho-ho
Female :Sirikkuthu mayakkudhu enaiFemale: Smiles and entrances me
Male :AahahaaMale: Ah-ha-ha
Female :Moodi moodi vaiththa ennamFemale: Thoughts that were kept hidden
Naadudhae sugam thannaiNow yearn for true happiness
Male :ReallyMale: Really
Female
Aasaiyinaalae manamBecause of desire, the mind
Anjudhu kenjudhu dhinamFears and begs every day
Anbu meeri ponadhaalaeBecause love overflowed
Abinayam puriyudhu mugamThe face expresses dramatic gestures
Female
Aasaiyinaalae manamBecause of desire, the mind
Male :Mmm..Male: Mmm..
Female :Anjudhu kenjudhu dhinamFemale: Fears and begs every day
Male :Mmmm…Male: Mmmm…
Female :Anbu meeri ponadhaalaeFemale: Because love overflowed
Abinayam puriyudhu mugamThe face expresses dramatic gestures

Beyond the translation

Song interpretation

Aasaiyinaalae Manam is a playful, romantic duet describing the fluttery, bashful emotions of a woman deeply in love. Her heart dances between fear and longing, and her inner romance manifests through involuntary facial expressions and gestures. Nature—personified by breezes whispering songs and evening setting a mood—mirrors her playful courtship with her beloved. The song is uniquely dynamic due to the casual, humorous English interjections from the male lover that disrupt her poetic declarations, creating a charming and lighthearted romantic exchange.

Writing craft

Poetic devices

Monai (Initial Assonance / Alliteration)

Aasaiyinaalae manam / Anjudhu kenjudhu dhinam / Anbu meeri ponadhaalae / Abinayam puriyudhu mugam

The deliberate repetition of the initial vowel 'A' in consecutive lines ('Aasaiyinaalae', 'Anjudhu', 'Anbu', 'Abinayam') creates a rhythmic, melodic flow.

Personification

Adhai kaanum thendral Kaadhil vanthu gaanam paadudhae

The southern breeze (thendral) is personified as a living listener that notices her shy eyes beating rhythmically and sings a melody into her ears.

Metaphor

Verillaadha kodi thanil... Vaalillaadha oru anil

The playful lover grasping hands in secret is metaphorically framed like a quick, tail-less squirrel leaping onto a rootless vine.

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Trivia

This iconic track from Kalyana Parisu (1959) was composed by A. M. Rajah, who also sang the male vocals alongside P. Susheela. Written by Pattukkottai Kalyanasundaram, the song gained immense popularity for blending traditional romantic lyrics with playful, spoken English interjections like 'I see', 'Sorry', and 'Really', setting a trend for conversational duets in Tamil cinema.

Keep listening

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