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Vairamalai album cover
Lyrics & meaning

Aanum Pennum

From Vairamalai · 1954

Lyricist
Kannadasan
Singer
A. P. Komala
Music director
Vishwanathan-Ramamoorthy
Movie name
Vairamalai
Movie release year
1954
Lyrics added on
7 Dec 2025

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Aanum pennum saerndhu padichaa
Aabathenbaanga silar aabathenbaanga
Aanum pennum saerndhu padichaa
Aabathenbaanga silar aabathenbaanga
Aanukku pen thunaiyillaenna
Ulagam yedhunga inba ulagham yedhunga
Nalla aanukku pen thunaiyillaenna
Ulagam yedhunga inba ulagham yedhunga
Aanum pennum saerndhu padichaa
Aabathenbaanga silar aabathenbaanga
Naanam acham madam payirppu
Naal vaghai gunamungha
Naanam acham madam payirppu
Naal vaghai gunamungha
Idhai nandraai arindhavar saerndhu padichaa
Thunbam illengha endrum thunbam illengha
Idhai nandraai arindhavar saerndhu padichaa
Thunbam illengha endrum thunbam illengha
Aanum pennum saerndhu padichaa
Aabathenbaanga silar aabathenbaanga
Kalaiyae migum silaiyae nigar
Azhagae nirai mangai
Kalaiyae migum silaiyae nigar
Azhagae nirai mangai
Nalla kalvikoodam thannil aangal
Arugae valar thanghai
Nalla kalvikoodam thannil aangal
Arugae valar thanghai
Ullamenghum inbam ponghum
Indha unmai kandaale
Kallam illai kalvi kolvaar
Iru kangal kolluvaarae
Aanum pennum saerndhu padichaa
Aabathenbaanga silar aabathenbaanga
Panjum theeyum pakkam irundhaal
Pathi eriyungha
Aanaal paditha pengal panju illengha
Pakka irumbunga konjam parthu pazhagunga
Jegamae perum sugamae tharum
Arivae migum vallal
Kalvi selva koottam thannil pengal
Arugae valar annan
Ullamengum inbam pongum
Indha unmai kandaalae
Kallam illai aanum pennum
Iru kangal enbomae
Aanum pennum saerndhu padichaa
Aabathenbaanga silar aabathenbaanga
Nalla aanukku pen thunaiyillaenna
Ulagam yedhunga inba ulagham yedhunga
Aanum pennum saerndhu padichaa
Aabathenbaanga silar aabathenbaanga
If boys and girls study together,
some say it is dangerous, yes, they say it is dangerous!
If boys and girls study together,
some say it is dangerous, yes, they say it is dangerous!
If a man does not have a woman by his side,
where is the world? Where is this joyful world?
If a good man does not have a woman by his side,
where is the world? Where is this joyful world?
If boys and girls study together,
some say it is dangerous, yes, they say it is dangerous!
Modesty, fear, innocence, and reserve—
these are the four traditional virtues of a woman.
Modesty, fear, innocence, and reserve—
these are the four traditional virtues of a woman.
If those who understand this well study together,
there will be no trouble, never any trouble!
If those who understand this well study together,
there will be no trouble, never any trouble!
If boys and girls study together,
some say it is dangerous, yes, they say it is dangerous!
Full of artistic grace and like a sculpted statue,
a young woman is filled with beauty.
Full of artistic grace and like a sculpted statue,
a young woman is filled with beauty.
In a good school, right beside the boys,
she grows up just like a sister.
In a good school, right beside the boys,
she grows up just like a sister.
Joy will overflow in every heart,
if people only realize this truth.
There is no ill intent in those who seek learning;
they will cherish each other like two eyes!
If boys and girls study together,
some say it is dangerous, yes, they say it is dangerous!
If cotton and fire are placed side by side,
it will naturally catch fire and burn.
But educated women are not like soft cotton;
they are strong as solid iron, so behave with respect!
Bringing happiness that the whole world shares,
filled with wisdom, is the noble man.
In the rich realm of education, beside the girls,
he grows up just like a brother.
Joy will overflow in every heart,
if people only realize this truth.
There is no deceit, for men and women
are truly like two eyes to this world!
If boys and girls study together,
some say it is dangerous, yes, they say it is dangerous!
If a good man does not have a woman by his side,
where is the world? Where is this joyful world?
If boys and girls study together,
some say it is dangerous, yes, they say it is dangerous!
Female
Female
Female
Female
Female
Female
Female
Female

Beyond the translation

Overall song meaning

This progressive song from the 1954 film Vairamalai, written by lyricist Kannadasan, addresses societal conservative skepticism regarding co-education. It directly counters the old proverb that placing men and women together is like placing 'cotton near fire.' Kannadasan redefines educated women as strong as 'iron' rather than fragile cotton, emphasizing that education instills moral discipline, self-respect, and maturity. The lyricist highlights that in an educational setting, male and female students view each other with pure, sibling-like affection (brother and sister). Ultimately, the song portrays men and women as two complementary eyes of society, asserting that joint education fosters mutual respect, removes deceit, and creates a harmonious world.

Writing craft

Poetic devices

Metaphor (Uruvagaimai)

Iru kangal enbomae

Comparing men and women to 'two eyes' (Iru kangal), signifying that both are equally indispensable for complete vision and societal progress.

Analogy / Contrast (Uvamai)

Aanaal paditha pengal panju illengha / Pakka irumbunga

Contrasting the conservative analogy of cotton and fire (Panjum theeyum) with educated women being strong like solid iron (Pakka irumbunga).

Traditional Enumeration (Sollani)

Naanam acham madam payirppu / Naal vaghai gunamungha

Listing the four classical virtues ascribed to women in Tamil tradition (Naanam, Acham, Madam, Payirppu) to build a foundation for moral character.

Simile (Uvamai)

Arugae valar thanghai / Arugae valar annan

Comparing the female peer in an educational institution to a younger sister (Thanghai) and the male peer to an elder brother (Annan).

Did you know?

Trivia

Vairamalai (1954) featured music composed by the legendary duo Viswanathan–Ramamoorthy and lyrics written by Kannadasan. Recorded during an era when co-education was a subject of heated debate in Tamil Nadu, this song served as a prominent piece of social commentary promoting female literacy and progressive gender parity in educational institutions.

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