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Isaimozhi
Lyrics & meaning

Aadalama Nadam Aadalama

From Amuthavalli · 1959

Lyricist
Thanjai N. Ramaiah Dass
Singers
P. Leela, T. R. Mahalingam
Music director
Vishwanathan-Ramamoorthy
Details
Amuthavalli1959

Lyrics & meaning

Tanglish lyrics English translation
Female
Anbum amaidhiyum niraindhavalaeOh one filled with love and peacefulness,
Adiyaal mana koyil amarndhavalaeOh Goddess who resides in the temple of my humble heart,
Acham madam naanam payirpendra gunangalThe traditional feminine virtues of fear, ignorance, modesty, and shyness,
Athanaiyum marandhu ambalathilaeForgetting all of those, in the sacred public hall,
Female
Aadalaama nadam aadalaama …Can we dance? Can we perform the divine dance?
Aadalaama nadam aadalaama …Can we dance? Can we perform the divine dance?
Thillai aandiyudan serndhu aadalaamaCan we dance together with the mendicant of Thillai?
Aandiyudan serndhu aadalaamaCan we dance together with the mendicant?
Aadalaama nadam aadalaama …haaa…Can we dance? Can we perform the divine dance?
Female
Thedalaama innum thedalaama…aa..Shall we search? Shall we search even more?
Thedalaama innum thedalaamaShall we search? Shall we search even more?
Dhesulaavum sundhari deviyae niranthariOh radiant beautiful Goddess, eternal one,
Female
Maasilla mageswari maunam yenOh flawless supreme Goddess, why this silence,
ManohariOh captivating woman?
Maasilla mageswari maunam yenOh flawless supreme Goddess, why this silence,
ManohariOh captivating woman?
Thiruvodu yendhum paradhesiyaana gyaaniyoduWith the ascetic sage carrying a begging bowl,
Thiyaanam maevum nilaiyudan nadam aadalaamaCan we dance in a state immersed in deep meditation?
Male
Naadalaama…aaa…Shall we seek?
Vattradha nadhiyudan valaraadha madhiyudanWith the non-drying river and the non-growing crescent moon,
Nadamaadum nada sekara…aaa…Oh king of dance who performs the cosmic dance...
Vanamaalai thangaiyai idabaagam yendhiyaeHolding the sister of Vishnu on your left side,
Vaazhndhidum sivasankara…aa…Oh Lord Sivashankara who resides thus...
Male
Naadalaaama manam naadalaaamShall the heart seek? Shall we seek?
Malai neeliyudan serndhu aadalaamaShall we dance together with the dark maiden of the mountains?
Naadalaaama manam naadalaaamShall the heart seek? Shall we seek?
Malai neeliyudan serndhu aadalaamaShall we dance together with the dark maiden of the mountains?
Aadalaama nee aadalaamaCan you dance? Can you dance?
Aadalaama nee aadalaamaCan you dance? Can you dance?
Male
Kannirundhum gnyaayamaaIs it fair, even though you have eyes?
Netri kann irundhum gnyaayamaaIs it fair, even though you have a third eye on your forehead?
Adhanaal kavalai ellaam theerumaWill all worries be resolved by that?
Aaa…kannirundhum gnyaayamaaIs it fair, even though you have eyes?
Adhanaal kavalai ellaam theerumaWill all worries be resolved by that?
Male
Pennai kanda mogamaIs it lust upon seeing a woman?
Pithu konda vegamaaIs it the frenzy of madness?
Pennai kanda mogamaIs it lust upon seeing a woman?
Pithu konda vegamaaIs it the frenzy of madness?
Kalai gyaanamaevum oliyaanaOh luminous one endowed with artistic wisdom,
Kaalakaalanae unadhu kaalumOh conqueror of death, even your feet,
Nogum nilaiyudan aadalaamaCan you dance in a state where your feet ache?
Nee aadalaamaCan you dance?
Aadalaama nee aadalaamaCan you dance? Can you dance?

Beyond the translation

Song interpretation

Anbum Amaidhiyum Niraindhavalae from the 1959 Tamil film Amuthavalli is a classical Carnatic dance dialogue depicting a divine musical duel between Lord Shiva (the ascetic dancer of Chidambaram/Thillai) and Goddess Parvati (Maheswari/Sundhari). The lyricist Thanjai N. Ramaiah Dass weaves philosophical queries with classical iconography, questioning whether divine dance should transcend earthly norms and womanly modesty when performing in the cosmic hall (Ambalam). Rich in Saivite imagery—referencing the Ganges (vattradha nadhi), the crescent moon (valaraadha madhi), the begging bowl (thiruvodu), and the forehead third eye (netri kann)—the song explores the divine play (Thiruvilayadal) and the ecstatic endurance of Lord Nataraja's cosmic dance.

Writing craft

Poetic devices

Moonaai (Initial Letter Alliteration)

Anbum amaidhiyum niraindhavalae

Consecutive lines begin with the vowel sound 'A' ('Anbum', 'Adiyaal', 'Acham', 'Athanaiyum', 'Aadalaama'), creating a rhythmic phonetic symmetry.

Iyaibu (End Rhyme)

Aadalaama nadam aadalaama …

The recurring chorus ending with 'aadalaama' creates musical repetition and reinforces the lyrical theme of dancing.

Vinaa Ani (Rhetorical Question)

Netri kann irundhum gnyaayamaa

The lyrics use playful rhetorical questions challenging the divine entities ('gnyaayamaa', 'theeruma', 'aadalaama') to highlight divine dialogue.

Urvagani / Iconographic Metaphor

Thillai aandiyudan serndhu aadalaama

Refers to Lord Shiva as 'Thillai Aandi' (beggar of Chidambaram carrying a bowl) and Goddess Parvati as 'Vanamaalai thangai' (sister of Vishnu), grounding poetic expression in classical puranic imagery.

Did you know?

Trivia

Amuthavalli (1959), directed by A. S. A. Sami, features a memorable musical score by the iconic duo Viswanathan–Ramamoorthy. This grand dance sequence highlights the vocal prowess of T. R. Mahalingam and P. Leela, performing high-pitched Carnatic classical improvisations suitable for a cinematic dance competition.

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