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Isaimozhi
Lyrics & meaning

Vettrilai Podamaley Vaai Sivantha

From Amarakavi · 1952

Lyricist
Suratha
Singer
M. K. Thiyagaraja Bagavathar
Music director
G. Ramanathan
Details
Amarakavi1952

Lyrics & meaning

Tanglish lyrics English translation
Male
Paadharasam polae venmaiyaana nilaaThe white moon bright like liquid mercury
Vaanithilae irukkumExists up in the sky.
Vaditha saadham polae irukkum mullai poovuThe jasmine flower that looks like cooked white rice
Kodiyil irukkum paadham poaleResides on the creeper like a gentle lotus foot,
Thaamarai poo….. thaamarai poo…..A lotus flower... a lotus flower...
Male
Vettrilai podamalae vaai sivandhaRed-mouthed without even chewing betel leaves,
Pachai pasungiligalThe green, vibrant parrots.
Vettrilai podamalae vaai sivandhaRed-mouthed without even chewing betel leaves,
Pachai pasungiligal….haaa..aaa..The green, vibrant parrots... ah...
Suttri thiriyum indha keerthivarman dhesathilaeWandering about in this land of Keerthivarman,
Suttri thiriyum indha keerthivarman dhesathilaeWandering about in this land of Keerthivarman,
Dhesathilae…ye ye yeIn this land... yeah...
Male
Angathai thanga kannadiyakkiMaking their bodies like golden mirrors,
Angathai thanga kannadiyakkiMaking their bodies like golden mirrors,
Sathiraadum thoghai mayilaiLike dancing peacocks displaying their plumage,
Thangal saayalaal jeyikkum pengalWomen who conquer everyone with their graceful beauty,
Vaai ellaam kovai palamWhose mouths are like bright red ivy gourd fruits,
Vaai ellaam kovai palamWhose mouths are like bright red ivy gourd fruits.

Beyond the translation

Song interpretation

In this classic song from Amarakavi (1952), the lyricist Suratha uses vivid poetic comparisons to describe the serene beauty of nature and the enchanting women of King Keerthivarman's kingdom. The verse begins with vivid depictions of nature: the silvery white moon shining like mercury, jasmine blossoms resembling soft cooked rice, and green parrots whose natural red beaks look as though they have been stained by betel leaves. The poetry then transitions to praise the beauty of the women in the realm. With skin gleaming like polished golden mirrors, they surpass even dancing peacocks in charm and grace. Their lips are as naturally vibrant and red as ripe ivy gourds (Kovai palam), capturing the romantic and aesthetic elegance characteristic of classic Tamil cinema.

Writing craft

Poetic devices

Simile (Uwamai)

Paadharasam polae venmaiyaana nilaa

Compares the brilliant white glow of the moon to liquid mercury ('paadharasam') using the comparison marker 'polae'.

Simile (Uwamai)

Vaditha saadham polae irukkum mullai poovu

Compares the delicate white jasmine flower to freshly cooked white rice using 'polae'.

Hyperbole / Visual Imagery

Vettrilai podamalae vaai sivandha Pachai pasungiligal

Paints a poetic picture of green parrots whose naturally red beaks are playfully described as if they became red without chewing betel leaves.

Metaphor / Simile

Vaai ellaam kovai palam

Compares the naturally red lips/mouths of women to ripe red ivy gourd fruit ('kovai palam').

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Trivia

This song was penned by the celebrated poet Suratha, who earned the nickname 'Uwamai Kavingnar' (The Poet of Similes) in Tamil literature due to his extraordinary flair for analogies, as brilliantly demonstrated in this track. Sung by M. K. Thyagaraja Bhagavathar (MKT), one of Tamil cinema's first iconic superstars, Amarakavi (1952) was among his notable late-career films.

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