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Amarakavi album cover
Lyrics & meaning

Vettrilai Podamaley Vaai Sivantha

From Amarakavi · 1952

Lyricist
Suratha
Singer
M. K. Thiyagaraja Bagavathar
Music director
G. Ramanathan
Movie name
Amarakavi
Movie release year
1952
Lyrics added on
7 Aug 2025

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Paadharasam polae venmaiyaana nilaa
Vaanithilae irukkum
Vaditha saadham polae irukkum mullai poovu
Kodiyil irukkum paadham poale
Thaamarai poo….. thaamarai poo…..
Vettrilai podamalae vaai sivandha
Pachai pasungiligal
Vettrilai podamalae vaai sivandha
Pachai pasungiligal….haaa..aaa..
Suttri thiriyum indha keerthivarman dhesathilae
Suttri thiriyum indha keerthivarman dhesathilae
Dhesathilae…ye ye ye
Angathai thanga kannadiyakki
Angathai thanga kannadiyakki
Sathiraadum thoghai mayilai
Thangal saayalaal jeyikkum pengal
Vaai ellaam kovai palam
Vaai ellaam kovai palam
The moon, bright and white as mercury,
glows in the open sky.
The jasmine flowers, white like cooked rice,
bloom on the vines; and like tender feet,
the lotus flowers... the lotus flowers...
With beaks red without chewing betel leaves,
vibrant green parrots,
with beaks red without chewing betel leaves,
vibrant green parrots... ha... aa...
roam all around in this land of Keerthivarman,
roam all around in this land of Keerthivarman,
in this land... ye ye ye,
Making their bodies shine like golden mirrors,
making their bodies shine like golden mirrors,
the peacocks dancing with outspread feathers
are outdone by the beauty of the women,
whose lips are as red as ripe kovai fruit,
whose lips are as red as ripe kovai fruit.
Male
Male
Male

Beyond the translation

Overall song meaning

In this classic song from Amarakavi (1952), the lyricist Suratha uses vivid poetic comparisons to describe the serene beauty of nature and the enchanting women of King Keerthivarman's kingdom. The verse begins with vivid depictions of nature: the silvery white moon shining like mercury, jasmine blossoms resembling soft cooked rice, and green parrots whose natural red beaks look as though they have been stained by betel leaves. The poetry then transitions to praise the beauty of the women in the realm. With skin gleaming like polished golden mirrors, they surpass even dancing peacocks in charm and grace. Their lips are as naturally vibrant and red as ripe ivy gourds (Kovai palam), capturing the romantic and aesthetic elegance characteristic of classic Tamil cinema.

Writing craft

Poetic devices

Simile (Uwamai)

Paadharasam polae venmaiyaana nilaa

Compares the brilliant white glow of the moon to liquid mercury ('paadharasam') using the comparison marker 'polae'.

Simile (Uwamai)

Vaditha saadham polae irukkum mullai poovu

Compares the delicate white jasmine flower to freshly cooked white rice using 'polae'.

Hyperbole / Visual Imagery

Vettrilai podamalae vaai sivandha Pachai pasungiligal

Paints a poetic picture of green parrots whose naturally red beaks are playfully described as if they became red without chewing betel leaves.

Metaphor / Simile

Vaai ellaam kovai palam

Compares the naturally red lips/mouths of women to ripe red ivy gourd fruit ('kovai palam').

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Trivia

This song was penned by the celebrated poet Suratha, who earned the nickname 'Uwamai Kavingnar' (The Poet of Similes) in Tamil literature due to his extraordinary flair for analogies, as brilliantly demonstrated in this track. Sung by M. K. Thyagaraja Bhagavathar (MKT), one of Tamil cinema's first iconic superstars, Amarakavi (1952) was among his notable late-career films.

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