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Isaimozhi
Lyrics & meaning

Velvettu Pattu

From Paruva Kaalam · 1974

Lyricist
Poovai Senguttavan
Singer
L. R. Eswari
Music director
G. Devarajan
Details
Paruva Kaalam1974

Lyrics & meaning

Tanglish lyrics English translation
Female
Velvet-u pattukatiDraped in a velvet silk saree,
Vizhi vettum chella kuttyMy darling girl with sharp, piercing eyes,
Un pattu kaigal thottuWhen touched by your soft silky hands,
Uruguthu paar vellakkatti…ee…ee…Look, even the block of jaggery melts away...
Female
Velvet-u pattukatiDraped in a velvet silk saree,
Vizhi vettum chella kuttyMy darling girl with sharp, piercing eyes,
Un pattu kaigal thottuWhen touched by your soft silky hands,
Uruguthu paar vellakkatti…ee…ee…Look, even the block of jaggery melts away...
Female
Ullaththil kaayam pattaA woman whose heart has been deeply wounded,
Oruththiyo oomaiyaanaalHas now become silent and mute,
Kaayaththai seithu vittaWhile the deceitful man who inflicted the wound,
Kallanae mounam aanaanHas himself retreated into silence.
Female
Ullaththil kaayam pattaA woman whose heart has been deeply wounded,
Oruththiyo oomaiyaanaalHas now become silent and mute,
Kaayaththai seithu vittaWhile the deceitful man who inflicted the wound,
Kallanae mounam aanaanHas himself retreated into silence.
Jink jink joovaaJink jink joovaa
Jink jink joovaaJink jink joovaa
Jink joo jink jooJink joo jink joo
Female
Velvet-u pattukatiDraped in a velvet silk saree,
Vizhi vettum chella kuttyMy darling girl with sharp, piercing eyes,
Un pattu kaigal thottuWhen touched by your soft silky hands,
Uruguthu paar vellakkatti…ee…ee…Look, even the block of jaggery melts away...
Female
Sedhaaram aana thangamLike gold that has suffered wastage and damage,
Singaaraam sithaintharakkuAnd beauty that has been ruined,
Aadhaaram irukkuthaiyyaaThere is evidence available, sir,
Adaiyaalam theriyumaiyaaThe identity is clearly recognizable, sir.
Female
Sedhaaram aana thangamLike gold that has suffered wastage and damage,
Singaaraam sithaintharakkuAnd beauty that has been ruined,
Aadhaaram irukkuthaiyyaaThere is evidence available, sir,
Adaiyaalam theriyumaiyaaThe identity is clearly recognizable, sir.
Yaayaayaayaa yaayaayaayaaYaayaayaayaa yaayaayaayaa
Female
Velvet-u pattukatiDraped in a velvet silk saree,
Vizhi vettum chella kuttyMy darling girl with sharp, piercing eyes,
Un pattu kaigal thottuWhen touched by your soft silky hands,
Uruguthu paar vellakkatti…ee…ee…Look, even the block of jaggery melts away...
Female
Koodavae irunthu konduRemaining right by my side,
Kodumaiyai purinthu vittuAnd committing acts of cruelty,
Appaavi poolirukkumWhile pretending to be an innocent soul,
Aasaami neethaanaiyyaaYou are that very person, sir!
Yaenaiyyaa yaenaiyyaa yaenaenaiyyaaWhy, sir? Why, sir? Oh why, sir?
Yaenaiyyaa yaenaiyyaa yaenaenaiyyaaWhy, sir? Why, sir? Oh why, sir?
Female
Velvet-u pattukatiDraped in a velvet silk saree,
Vizhi vettum chella kuttyMy darling girl with sharp, piercing eyes,
Un pattu kaigal thottuWhen touched by your soft silky hands,
Uruguthu paar vellakkatti…ee…ee…Look, even the block of jaggery melts away...

Beyond the translation

Song interpretation

Velvet-u pattukati from the 1974 film Paruva Kaalam is an energetic song sung by L. R. Eswari, set to music by G. Devarajan with lyrics by Poovai Senguttavan. On the surface, the song opens with playful and seductive praise of beauty, but as it unfolds, it reveals a sharp commentary on betrayal and heartbreak. The protagonist accuses a treacherous man who pretends to be innocent while inflicting deep emotional pain on a woman whose life and purity have been ruined like damaged gold.

Writing craft

Poetic devices

Metaphor (Uruvagam)

Uruguthu paar vellakkatti…ee…ee…

Compares a tender heart melting under emotional affectation to a block of jaggery (vellakkatti) melting, and ruined innocence to damaged gold (sedhaaram aana thangam).

Second Letter Rhyme (Ethukai)

Sedhaaram aana thangam

The second consonant 'dha' matches across consecutive lines, creating rhythmic balance (Sedhaaram / Singaaraam / Aadhaaram / Adaiyaalam).

Refrain and Vocal Scatting

Jink jink joovaa

Rhythmic, non-lexical vocalizations like 'Jink jink joovaa' add a club-dance beat and heightens dramatic tension.

Did you know?

Trivia

Paruva Kaalam (1974) features music by the legendary Malayalam composer G. Devarajan, who composed for a selective number of Tamil films. Singer L. R. Eswari, known as the queen of club songs in South Indian cinema, delivers her characteristic energetic rendition in this track.

Keep listening

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