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Isaimozhi
Lyrics & meaning

Vellai Kalai Uduthum

From Iraivan Kodutha Varam · 1978

Lyricist
Kannadasan
Singer
M. S. Vishwanathan
Music director
M. S. Vishwanathan
Details
Iraivan Kodutha Varam1978

Lyrics & meaning

Tanglish lyrics English translation
Male
Vellai kalai uduththum kalaimagalaeO Goddess of arts clad in white garments,
Nee vithavaiyalla athai naan arivaenI know that you are not a widow.
Ival illa kamalam adhil uraiyum idamThe lotus of her heart, the place where love resides,
Oruvarukko illai iruvarukkoIs it meant for one person or for two?
Male
Vellai kalai uduththum kalaimagalaeO Goddess of arts clad in white garments,
Nee vithavaiyalla athai naan arivaenI know that you are not a widow.
Ival illa kamalam adhil uraiyum idamThe lotus of her heart, the place where love resides,
Oruvarukko illai iruvarukkoIs it meant for one person or for two?
Male
Oruvanukku maaliyittaalShe garlanded one man as her husband,
Avaraial kandaalAnd saw him disappear from her life.
Matoruvarukku maalaiyittaalShe garlanded another man as her husband,
IzhanthuvittaalAnd lost him as well.
Ival sumangaliyaa illai amangaliyaaIs she a auspicious married woman or an ill-fated woman?
Male
Sumangali enbatharkku ivan satchiThis man stands witness to her being married,
Amangali enbatharkku avan satchiThat man stands witness to her misfortune.
Kalanguthammaa ival manasatchiHer conscience is troubled and grieves inside,
Nee kaatividu oru katchi….Oh Goddess, reveal a clear path and judgment.
Male
Vellai kalai uduththum kalaimagalaeO Goddess of arts clad in white garments,
Nee vithavaiyalla athai naan arivaenI know that you are not a widow.
Ival illa kamalam adhil uraiyum idamThe lotus of her heart, the place where love resides,
Oruvarukko illai iruvarukkoIs it meant for one person or for two?
Male
Nangaiyar vaazhvil idhu pudhiya kadhaiThis is a novel predicament in the lives of women,
Idhu nadaththinaaal ivalukku chithravathaiSustaining this situation inflicts torture on her.
Kavalaiyil vaaduthammaa pachaikiliThis gentle parrot-like woman is wilting in sorrow,
Nee kaatti vidu vaazhvil nalla vazhiPlease show her a righteous path in life!
Male
Vellai kalai uduththum kalaimagalaeO Goddess of arts clad in white garments,
Nee vithavaiyalla adhai naan arivaenI know that you are not a widow.
Ival ulla kamalam adhil uraiyum idamThe lotus of her heart, the place where love resides,
Oruvarukko illai iruvarukkoIs it meant for one person or for two?
Male
Kattiyathumattumindri thottavarillaiApart from tying the knot, no man has ever touched her,
Ival kanni kazhikka oru kaariyamillaiThere was never a moment for her to lose her maidenhood.
Palliyaraiyilae avanai kaana ninaiththaalWhen she hoped to meet him in the bedchamber,
Indru palliyilae avanai landu pidiththaalShe found him lying lifeless on the bed today.
Male
Kelvi piranthathammaa bathil illaiA deep question has arisen, but there is no answer,
Oru kilarchchi ezhunthathammaa mudivu illaiAn emotional turmoil has surged, but there is no resolution.
Vaazhvu kalanguthammaa vazhiyillaiHer life is tossed in confusion with no way ahead,
Vaai thiranthu solla mozhiyillaiShe has no words to open her mouth and speak.
Male
Vellai kalai uduththum kalaimagalaeO Goddess of arts clad in white garments,
Nee vithavaiyalla adhai naan arivaenI know that you are not a widow.
Ival ulla kamalam adhil uraiyum idamThe lotus of her heart, the place where love resides,
Oruvarukko illai iruvarukkoIs it meant for one person or for two?

Beyond the translation

Song interpretation

This dramatic philosophical song from Iraivan Kodutha Varam (1978) addresses Saraswati (Kalaimagal), the Goddess of Knowledge and Arts who wears white garments yet represents eternal divine purity rather than widowhood. The song explores the tragic plight of a woman trapped in an unusual social and personal dilemma after marrying twice under tragic circumstances without ever experiencing marital intimacy. It questions traditional definitions of auspiciousness ('sumangali') and misfortune ('amangali') in society. Through poignant lyrical imagery by Kannadasan and expressive vocal delivery by M. S. Vishwanathan, the song pleads to the divine for clarity, justice, and a moral path forward for a woman suffering through no fault of her own.

Writing craft

Poetic devices

Metaphor (Uvamaani / Uruvagam)

Vellai kalai uduththum kalaimagalae / Nee vithavaiyalla athai naan arivaen

Saraswati dressed in white is invoked to metaphorically contrast divine purity with societal stigma around white garments associated with widowhood.

Emoni / Rhyme (Egbai / Anthaadhi-style end rhyme)

Sumangali enbatharkku ivan satchi / Amangali enbatharkku avan satchi / Kalanguthammaa ival manasatchi

Use of rhyming endings such as 'ivan satchi', 'avan satchi', 'manasatchi', and 'katchi' creates a powerful rhythmic resonance in expressing grief.

Metaphor (Pachaikili)

Kavalaiyil vaaduthammaa pachaikili

Comparing the innocent, fragile woman to a 'pachaikili' (green parrot) wilting in sorrow.

Contrast / Antithesis (Sileshai / Muran)

Ival sumangaliyaa illai amangaliyaa

Contrasting concepts of 'sumangali' (auspicious married woman) and 'amangali' (inauspicious/widow) to highlight her paradoxical societal status.

Did you know?

Trivia

Composed and sung by the legendary M. S. Vishwanathan himself, this track stands out for its theatrical, emotive rendition and philosophical lyrics written by Kannadasan. The song frames a crucial narrative conflict in the film regarding societal attitudes towards women's chastity, remarriage, and fate.

Keep listening

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