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Kanneer Pookkal album cover
Lyrics & meaning

Vasanthamum Neeye

From Kanneer Pookkal · 1981

Lyricist
Pulamaipithan
Singer
S. Janaki
Music director
Shankar Ganesh
Movie name
Kanneer Pookkal
Movie release year
1981
Lyrics added on
19 Mar 2022

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Vasanthamum neeyae malargalum neeyae
Ilamaalai vilaiyaadum ilanthendral neeyae
Isai konjum tamil sinthum sugaraagam neeyae
Vasanthamum neeyae malargalum neeyae
Ilamaalai vilaiyaadum ilanthendral neeyae
Isai konjum tamil sinthum sugaraagam neeyae
Maalai naan malaraanaval
Maarbil thaen nadhiyaanaval
Naalum nee adhil neenthavum
Thedum orr karai kaanavum
Naan unnai maarbodu thaalaattalaam
Ondraana nenjangal
Thazhuvuvathum uruguvathum
Mayanguvathum maruvuvathum
Nooraandu kaalangal naan kaanalaam
Vasanthamum neeyae malargalum neeyae
Ilamaalai vilaiyaadum ilanthendral neeyae
Isai konjum tamil sinthum sugaraagam neeyae
Vasanthamum neeyae…..
Aadai yaen kalaigindrathu
Aasai yaen alaigindrathu
Mogam yaen ezhugindrathu
Thaegam yaen sudugindrathu
Yaenintha maayangal yaar thanthathu
Yaezhaezhu jenmangal
Enathilamai unathurimai
Idhu mudhal naal ini varum naal
Ellaamum perinba naalallavo
Vasanthamum neeyae malargalum neeyae
Ilamaalai vilaiyaadum ilanthendral neeyae
Isai konjum tamil sinthum sugaraagam neeyae
Vasanthamum neeyae…..
Dheepangal erigindrana
Thaegangal inaigindrana
Aarambam idhuvendrathu
Aanantham varugindrathu
Sevvaanam thaen maari peigindrathu
Singaara raagaththil
Isai ezhunthathu thuyil kalainthathu
Uyir kalanthathu thanai maranthathu
Kaanaatha perinbam naan kaangiraen
Vasanthamum neeyae malargalum neeyae
Ilamaalai vilaiyaadum ilanthendral neeyae
Isai konjum tamil sinthum sugaraagam neeyae
Vasanthamum neeyae…..ae….
You are the spring, and you are the flowers
You are the gentle breeze playing in the early evening
You are the sweet melody pouring music and tender Tamil
You are the spring, and you are the flowers
You are the gentle breeze playing in the early evening
You are the sweet melody pouring music and tender Tamil
In the evening, I became a flower
A river of honey upon your chest
For you to swim in every day
And find the shore you seek
I can hold you to my chest and lull you to sleep
Our hearts have become one
Embracing each other and melting away
Losing ourselves and joining together
I could live to see this for a hundred years
You are the spring, and you are the flowers
You are the gentle breeze playing in the early evening
You are the sweet melody pouring music and tender Tamil
You are the spring...
Why are my clothes slipping away?
Why are my desires restless?
Why is passion rising within me?
Why is my body burning warm?
Why this magic, and who gave it to me?
Across seven lifetimes
My youth belongs only to you
This is the first day, and every day to come
Won't they all be days of pure bliss...?
You are the spring, and you are the flowers
You are the gentle breeze playing in the early evening
You are the sweet melody pouring music and tender Tamil
You are the spring...
The lamps are glowing
Our bodies are uniting
Saying this is just the beginning
Pure happiness is arriving
The crimson sky is raining honey
To a graceful melody...
Music arose and sleep faded away
Souls merged, forgetting everything else
I am experiencing a bliss I have never known...
You are the spring, and you are the flowers
You are the gentle breeze playing in the early evening
You are the sweet melody pouring music and tender Tamil
You are the spring...
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Beyond the translation

Overall song meaning

Vasanthamum Neeyae is a deeply romantic track from the 1981 film Kanneer Pookkal, rendered with expressive grace by S. Janaki under Shankar-Ganesh's music direction. The song celebrates marital intimacy and profound devotion, as the female protagonist likens her partner to the vibrant spring, gentle evening breeze, and sweet musical ragas. Through poetic metaphors of nature and music, she describes her complete emotional and physical surrender to her beloved. The lyricist Pulamaipithan uses sensory imagery to depict the warmth, passion, and spiritual merging of two souls during their private moments together. The song frames love not merely as a temporary attraction, but as an eternal bond spanning multiple lifespans, filling her life with divine bliss.

Writing craft

Poetic devices

Metaphor (Uruvagam)

Vasanthamum neeyae malargalum neeyae

The lover is directly equated to spring (Vasantham), flowers (Malargal), breeze (Thendral), and raga (Sugaraagam) to emphasize his central presence in her life.

Imagery & Hyperbole (Thaen Nadhi)

Maarbil thaen nadhiyaanaval

Describing herself as a 'river of honey' on his chest uses vivid sensory imagery to evoke sweetness and deep emotional intimacy.

Edukku / Rhyming Suffixes (Iyaibu)

Thazhuvuvathum uruguvathum / Mayanguvathum maruvuvathum

Sequential lines end with matching participial suffixes (-vathum), creating a hypnotic rhythm in Tamil poetry.

Rhetorical Questions (Vinaa Ani)

Aadai yaen kalaigindrathu / Aasai yaen alaigindrathu

A series of rhetorical questions ('Why is desire wandering?', 'Why is the body burning?') are used to portray the sudden overwhelming sensation of intimacy.

Did you know?

Trivia

Kanneer Pookkal (1981) features this standout sensuous melody composed by the popular musical duo Shankar-Ganesh. S. Janaki's vocal performance in this track is often celebrated as one of her finest solo compositions from the early 1980s, highlighting her ability to seamlessly blend classical nuances with sensual expression.

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