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Isaimozhi
Lyrics & meaning

Vasanthamum Neeye

From Kanneer Pookkal · 1981

Lyricist
Pulamaipithan
Singer
S. Janaki
Music director
Shankar Ganesh
Details
Kanneer Pookkal1981

Lyrics & meaning

Tanglish lyrics English translation
Female
Vasanthamum neeyae malargalum neeyaeYou are the spring season, and you are the flowers as well
Ilamaalai vilaiyaadum ilanthendral neeyaeYou are the gentle breeze playing in the early evening
Isai konjum tamil sinthum sugaraagam neeyaeYou are the sweet melody that caresses music and spills Tamil
Female
Vasanthamum neeyae malargalum neeyaeYou are the spring season, and you are the flowers as well
Ilamaalai vilaiyaadum ilanthendral neeyaeYou are the gentle breeze playing in the early evening
Isai konjum tamil sinthum sugaraagam neeyaeYou are the sweet melody that caresses music and spills Tamil
Female
Maalai naan malaraanavalI am the garland that blossomed
Maarbil thaen nadhiyaanavalI became a river of honey on your chest
Naalum nee adhil neenthavumSo that you may swim in it every day
Thedum orr karai kaanavumAnd find the shore you seek
Female
Naan unnai maarbodu thaalaattalaamI shall cradle you against my chest
Ondraana nenjangalThe hearts that have become one
Thazhuvuvathum uruguvathumEmbracing and melting
Mayanguvathum maruvuvathumSwooning and reuniting
Nooraandu kaalangal naan kaanalaamI may witness this for a hundred years
Female
Vasanthamum neeyae malargalum neeyaeYou are the spring season, and you are the flowers as well
Ilamaalai vilaiyaadum ilanthendral neeyaeYou are the gentle breeze playing in the early evening
Isai konjum tamil sinthum sugaraagam neeyaeYou are the sweet melody that caresses music and spills Tamil
Female
Vasanthamum neeyae…..You are the spring season...
Female
Aadai yaen kalaigindrathuWhy are the clothes slipping away?
Aasai yaen alaigindrathuWhy is desire wandering?
Mogam yaen ezhugindrathuWhy is passion rising?
Thaegam yaen sudugindrathuWhy is the body burning?
Female
Yaenintha maayangal yaar thanthathuWhy these illusions, and who gave them?
Yaezhaezhu jenmangalAcross seven times seven births
Enathilamai unathurimaiMy youth is your right
Idhu mudhal naal ini varum naalThis first day, and the days to come
Ellaamum perinba naalallavoAre they not all days of supreme bliss?
Female
Vasanthamum neeyae malargalum neeyaeYou are the spring season, and you are the flowers as well
Ilamaalai vilaiyaadum ilanthendral neeyaeYou are the gentle breeze playing in the early evening
Isai konjum tamil sinthum sugaraagam neeyaeYou are the sweet melody that caresses music and spills Tamil
Female
Vasanthamum neeyae…..You are the spring season...
Female
Dheepangal erigindranaThe lamps are burning
Thaegangal inaigindranaThe bodies are uniting
Aarambam idhuvendrathuSaying that this is the beginning
Aanantham varugindrathuJoy is arriving
Female
Sevvaanam thaen maari peigindrathuThe crimson sky is raining a shower of honey
Singaara raagaththilIn the melody of romance
Isai ezhunthathu thuyil kalainthathuMusic arose, slumber was broken
Uyir kalanthathu thanai maranthathuSouls merged, forgetting oneself
Kaanaatha perinbam naan kaangiraenI am experiencing an unseen, supreme bliss
Female
Vasanthamum neeyae malargalum neeyaeYou are the spring season, and you are the flowers as well
Ilamaalai vilaiyaadum ilanthendral neeyaeYou are the gentle breeze playing in the early evening
Isai konjum tamil sinthum sugaraagam neeyaeYou are the sweet melody that caresses music and spills Tamil
Female
Vasanthamum neeyae…..ae….You are the spring season...

Beyond the translation

Song interpretation

Vasanthamum Neeyae is a deeply romantic track from the 1981 film Kanneer Pookkal, rendered with expressive grace by S. Janaki under Shankar-Ganesh's music direction. The song celebrates marital intimacy and profound devotion, as the female protagonist likens her partner to the vibrant spring, gentle evening breeze, and sweet musical ragas. Through poetic metaphors of nature and music, she describes her complete emotional and physical surrender to her beloved. The lyricist Pulamaipithan uses sensory imagery to depict the warmth, passion, and spiritual merging of two souls during their private moments together. The song frames love not merely as a temporary attraction, but as an eternal bond spanning multiple lifespans, filling her life with divine bliss.

Writing craft

Poetic devices

Metaphor (Uruvagam)

Vasanthamum neeyae malargalum neeyae

The lover is directly equated to spring (Vasantham), flowers (Malargal), breeze (Thendral), and raga (Sugaraagam) to emphasize his central presence in her life.

Imagery & Hyperbole (Thaen Nadhi)

Maarbil thaen nadhiyaanaval

Describing herself as a 'river of honey' on his chest uses vivid sensory imagery to evoke sweetness and deep emotional intimacy.

Edukku / Rhyming Suffixes (Iyaibu)

Thazhuvuvathum uruguvathum / Mayanguvathum maruvuvathum

Sequential lines end with matching participial suffixes (-vathum), creating a hypnotic rhythm in Tamil poetry.

Rhetorical Questions (Vinaa Ani)

Aadai yaen kalaigindrathu / Aasai yaen alaigindrathu

A series of rhetorical questions ('Why is desire wandering?', 'Why is the body burning?') are used to portray the sudden overwhelming sensation of intimacy.

Did you know?

Trivia

Kanneer Pookkal (1981) features this standout sensuous melody composed by the popular musical duo Shankar-Ganesh. S. Janaki's vocal performance in this track is often celebrated as one of her finest solo compositions from the early 1980s, highlighting her ability to seamlessly blend classical nuances with sensual expression.

Keep listening

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