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Isaimozhi
Lyrics & meaning

Vaarayen Thozhi

From Pasamalar · 1961

Lyricist
Kannadasan
Singer
L. R. Eswari
Music director
Vishwanathan-Ramamoorthy
Details
Pasamalar1961

Lyrics & meaning

Tanglish lyrics English translation
Chorus
Vaaraai en thozhi vaaraayoCome, my friend, won't you come?
Manappandhal kaana vaaraayoWon't you come to see the wedding hall?
Vaaraai en thozhi vaaraayoCome, my friend, won't you come?
Manappandhal kaana vaaraayoWon't you come to see the wedding hall?
Female
Mana medai thannilOn the wedding stage,
Manamae kaanumWhere minds unite,
Thirunaalai kaana vaaraayoWon't you come to see this auspicious day?
Chorus
Vaaraai en thozhi vaaraayoCome, my friend, won't you come?
Manappandhal kaana vaaraayoWon't you come to see the wedding hall?
Female
Manakkolam konda magalaeOh daughter adorned in bridal attire,
Pudhu maakkolam podu mayilaeDraw new rice-flour patterns, oh peacock,
Gunakkolam konda kaniyaeOh sweet fruit of virtuous nature,
Namm kulam vaazha paadu kuyilaeSing, oh cuckoo, so our lineage prospers!
Female
Sirikkaadha vaayum sirikkaadhoWon't even an unsmiling mouth smile today?
Thirunaalai kandu magizhaadho..ooWon't it rejoice upon seeing this auspicious day?
Chorus :Sirikkaadha vaayum sirikkaadhoChorus: Won't even an unsmiling mouth smile today?
Thirunaalai kandu magizhaadhoWon't it rejoice upon seeing this auspicious day?
Chorus
Vaaraai en thozhi vaaraayoCome, my friend, won't you come?
Manappandhal kaana vaaraayoWon't you come to see the wedding hall?
Female
Thaniyaaga kaana varuvaarHe will come to see her in solitude,
Ival thalir pola thaavi anaivaalShe will leap and embrace him like a tender leaf,
Kani pola serndhu magizhvaalShe will unite with him like a sweet fruit and rejoice,
Iru kann moodi maarbil thuyilvaalClosing both eyes, she will sleep on his chest.
Female
Ezhilaana koondhal kalaiyaadhooWon't her beautiful tresses become disheveled?
Idhamaana inbam malaraadho…Won't a comforting bliss bloom?
Chorus
Ezhilaana koondhal kalaiyaadhooWon't her beautiful tresses become disheveled?
Idhamaana inbam malaraadho…Won't a comforting bliss bloom?
Chorus
Vaaraai en thozhi vaaraayoCome, my friend, won't you come?
Manappandhal kaana vaaraayoWon't you come to see the wedding hall?
Female
Malaraadha pennmai malarumUnblossomed womanhood will blossom,
Munbu theriyaadha unmai theriyumTruths unknown before will become known,
Mayangaadha kanngal mayangumUnentranced eyes will become mesmerized,
Munbu vilangaadha sedhi vilangumNews misunderstood before will become clear.
Female
Iravodu nenjam urugaadhoWon't the heart melt with the night?
Irandodu moondru valarathooWon't two grow into three?
Iravodu nenjam urugaadhoWon't the heart melt with the night?
Irandodu moondru valarathooWon't two grow into three?
Chorus
Vaaraai en thozhi vaaraayoCome, my friend, won't you come?
Manappandhal kaana vaaraayoWon't you come to see the wedding hall?
Female
Mana medai thannilOn the wedding stage,
Manamae kaanumWhere minds unite,
Thirunaalai kaana vaaraayoWon't you come to see this auspicious day?
Chorus
Vaaraai en thozhi vaaraayoCome, my friend, won't you come?
Manappandhal kaana vaaraayoWon't you come to see the wedding hall?

Beyond the translation

Song interpretation

'Vaaraai En Thozhi Vaaraayo' is a classic Tamil wedding song from the 1961 film Pasamalar. Sung by the bride's friends, the song serves as a celebratory invitation to witness the wedding and celebrate the bride's passage into married life. Through poetic imagery, lyricist Kannadasan highlights the festive atmosphere, the bride's inner and outer beauty, and the joyous coming together of families. The song playfully transitions into gentle teasing regarding the couple's upcoming intimacy on their wedding night. It beautifully describes the shy romance, tender union, and the ultimate blessing of starting a family, cleverly symbolizing the birth of a child through the iconic phrase 'two growing into three'.

Writing craft

Poetic devices

Iyaibu (End Rhyme)

Vaaraai en thozhi vaaraayo / Manappandhal kaana vaaraayo

Repetition of ending sounds 'vaaraayo' across consecutive lines to create a rhythmic chant-like invitation.

Upama (Simile)

Ival thalir pola thaavi anaivaal

Comparing the bride's tender leap and embrace to a gentle leaf ('thalir pola').

Euphemism / Metaphor

Irandodu moondru valarathoo

Kannadasan poetically uses 'two growing into three' as a delicate euphemism for childbirth and family expansion.

Monai (Initial Alliteration)

Manakkolam konda magalae / Pudhu maakkolam podu mayilae

Repetition of the initial 'Ma' sound across words ('Manakkolam', 'magalae', 'maakkolam', 'mayilae').

Did you know?

Trivia

'Vaaraai En Thozhi Vaaraayo' remains one of the most quintessential wedding songs in Tamil cinema culture, composed by the iconic duo Viswanathan–Ramamoorthy and performed primarily by L. R. Eswari alongside P. Susheela and S. Janaki.

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