Skip to content
Isaimozhi
Lyrics & meaning

Vaarai Kanne Mazhai

From Idhayam Pesugirathu · 1982

Lyricist
Kannadasan
Singers
L. R. Eswari, S. P. Balasubrahmanyam
Music director
Shyam
Details
Idhayam Pesugirathu1982

Lyrics & meaning

Tanglish lyrics English translation
Male
Aahhaa….aa….Aahhaa... aa...
Female :Aaa…..aa….aa….Female: Aaa... aa... aa...
Both :Aahhah haaBoth: Aahhah haa
Female :Aaa…..aa….aa….Female: Aaa... aa... aa...
Both :Aahhah haaBoth: Aahhah haa
Male
Vaaraai kannaeCome, my beloved darling
Mazhai mugil naanae kannaeI am the rain cloud, my darling
Ilam mayil neeyae kannaeYou are the young peacock, my darling
Thendral ennum thaer yaeri vaaCome riding on the chariot called the gentle breeze
Aa….aa….thaer yaeri vaaAh... ah... come riding on the chariot
Female
Vaaraai kannaa….Come, my beloved darling...
Mazhai mugil neeyae kannaaYou are the rain cloud, my darling
Ilam mayil naanae KannaaI am the young peacock, my darling
Thendral ennum thaer yaeri vaaCome riding on the chariot called the gentle breeze
Aa….aa….thaer yaeri vaaAh... ah... come riding on the chariot
Female
Kaarmega koondhal kaattrodu modhiAs dark rain-cloud hair sways against the wind
Anantha thaalaattaLulling in blissful delight
Kaarmega koondhal kaattrodu modhiAs dark rain-cloud hair sways against the wind
Anantha thaalaattaLulling in blissful delight
Female
Kattaana maeni koththodu poovumA well-sculpted body adorned with clusters of flowers
Kalayaana raagangal paadaSinging auspicious melodies of love
Kattaana maeni koththodu poovumA well-sculpted body adorned with clusters of flowers
Kalayaana raagangal paadaSinging auspicious melodies of love
Male
Ange nindraal nooraayiramStanding there, it feels like a hundred thousand delights
Arugae vanthaal nooraayiramComing close, it feels like a hundred thousand delights
Female
Vaaraai kannaa….Come, my beloved darling...
Mazhai mugil neeyae kannaaYou are the rain cloud, my darling
Ilam mayil naanae KannaaI am the young peacock, my darling
Both :Thendral ennum thaer yaeri vaaBoth: Come riding on the chariot called the gentle breeze
Aa….aa….thaer yaeri vaaAh... ah... come riding on the chariot
Male
Senthoora regai singaara thogaiThe vermilion mark and the elegant peacock plumage
En maarbil aadaathaaWon't it dance upon my chest?
Senthoora regai singaara thogaiThe vermilion mark and the elegant peacock plumage
En maarbil aadaathaaWon't it dance upon my chest?
Male
Sillendra kaattril kaiyodu saerththuHolding hands tightly in the cool breeze
Solgindra sangeetham yaedhoThere is a nameless music being spoken
Sillendra kaattril kaiyodu saerththuHolding hands tightly in the cool breeze
Solgindra sangeetham yaedhoThere is a nameless music being spoken
Female
Sorkkam engo yaar kandathuWho has ever seen heaven somewhere far away?
Vetkkam ingae naan kandathuHere, it is shyness that I have witnessed
Male
Vaaraai kannaeCome, my beloved darling
Mazhai mugil naanae kannaeI am the rain cloud, my darling
Ilam mayil neeyae kannaeYou are the young peacock, my darling
Both :Thendral ennum thaer yaeri vaaBoth: Come riding on the chariot called the gentle breeze
Aa….aa….thaer yaeri vaaAh... ah... come riding on the chariot
Aa….aa….thaer yaeri vaaAh... ah... come riding on the chariot

Beyond the translation

Song interpretation

This classic duet from 'Idhayam Pesugirathu' (1982), featuring lyrics by Kannadasan, is a romantic dialogue between two lovers expressing their deep passion through nature metaphors. The lovers interchange roles as the rain cloud ('Mazhai mugil') and the joyful peacock ('Ilam mayil'), symbolizing how one's arrival triggers ecstatic joy in the other, just as rain prompts a peacock to dance. Throughout the song, sensory imagery highlights their romance: the cool breeze acts as a chariot, dark tresses resemble rain clouds, and physical closeness creates thousands of joyful sensations. The song climaxes with the poetic philosophy that instead of searching for an unseen heaven far away, true bliss and heavenly experience are found right here in the lover's sweet shyness and intimacy.

Writing craft

Poetic devices

Rupakan / Metaphor

Thendral ennum thaer yaeri vaa

The gentle breeze is metaphorically described as a chariot ('Thendral ennum thaer'), portraying nature as a vehicle bringing the lovers together.

Uvamaani / Imagery & Metaphor

Kaarmega koondhal kaattrodu modhi

Comparing dark long hair to rain-bearing clouds ('Kaarmega koondhal'), weaving nature's beauty directly into human affection.

Edhugai & Iyaibu / Rhyme & Contrast

Sorkkam engo yaar kandathu / Vetkkam ingae naan kandathu

Uses a contrasting rhyme between 'Sorkkam' (Heaven) and 'Vetkkam' (Shyness) to assert that real bliss exists in romantic intimacy rather than an abstract afterlife.

Did you know?

Trivia

The soundtrack for 'Idhayam Pesugirathu' (1982) was composed by maestro Shyam. The film stars South Indian actors Westernized in style for the early 80s, and features late-career lyrics by legendary poet Kannadasan, who passed away in late 1981 shortly before the film's release.

Keep listening

More from Idhayam Pesugirathu