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Isaimozhi
Lyrics & meaning

Thirumbi Paarunga

From Delhi To Madras · 1972

Lyricist
Mayavanathan
Singer
K. Jamunarani
Music director
V. Kumar
Movie name
Delhi To Madras
Movie release year
1972
Lyrics added on
28 May 2023

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Thirumbi paarunga virintha poovunga
Thirumbi paarunga virintha poovunga
Kulaiyundu kaniyundu sulaiyundu
Rushiyundu edhuvum ketkalaam
Idamundu paniyundu madhuvundu
Adhuvundu suvai paarkkalaam
Medai palavundu aada manamundu
Inba suvaiyundu iravum undu
Medai palavundu aada manamundu
Inba suvaiyundu iravum undu
Thirumbi paarunga….
Thindaadi thaeraadi nadai podavaa
Thaenaagi un maarbil sathiraadavaa
Thindaadi thaeraadi nadai podavaa
Thaenaagi un maarbil sathiraadavaa
Mandraadi mandraadi jadhi podavaa
Maan pola mayil pola vilaiyaadavaa
Thanga ponvandu thazhuvum poochendu
Engum isaiyundu ellaam undu
Thirumbi paarunga….
Senthaazhai madal ondru virigindrathu
Sevvaazhai kuzhaiyondru kanigindrathu
Senthaazhai madal ondru virigindrathu
Sevvaazhai kuzhaoyondru kanigindrathu
Vandaadum kuzhal unnai azhaigindrathu
Vaavendru thaenalli theligindrathu
Thanga silaiyundu thaavum kodiyundu
Ingum virunthundu ellaam undu
Thirumbi paarunga virintha poovunga
Kulaiyundu kaniyundu sulaiyundu
Rushiyundu edhuvum ketkalaam
Idamundu paniyundu madhuvundu
Adhuvundu suvai paarkkalaam
Medai palavundu aada manamundu
Inba suvaiyundu iravum undu
Thirumbi paarunga….
Turn around and look at me, I am a blooming flower!
Turn around and look at me, I am a blooming flower!
There are fruit bunches, sweet fruits, and juicy segments,
There is rich taste, you can ask for anything!
There is cozy space, cool mist, and intoxicating wine,
There is that as well, you can taste it all!
There are many stages, and a heart longing to dance,
There is sweet pleasure, and the night is ours too!
There are many stages, and a heart longing to dance,
There is sweet pleasure, and the night is ours too!
Turn around and look at me...
Shall I sway gracefully like a temple chariot as I walk?
Shall I turn into sweet nectar and dance upon your chest?
Shall I sway gracefully like a temple chariot as I walk?
Shall I turn into sweet nectar and dance upon your chest?
Shall I plead with you and dance to the rhythm?
Shall I play around like a deer and a peacock?
A bouquet of flowers embraced by a golden beetle,
There is music everywhere, and everything is here!
Turn around and look at me...
A petal of the fragrant screwpine is opening wide,
A bunch of sweet red bananas is ripening,
A petal of the fragrant screwpine is opening wide,
A bunch of sweet red bananas is ripening,
Flower-adorned hair calls out to you,
Saying 'come' and sprinkling honeyed sweetness!
There is a golden statue and a climbing vine,
There is a feast waiting here, there is everything!
Turn around and look at me, I am a blooming flower!
There are fruit bunches, sweet fruits, and juicy segments,
There is rich taste, you can ask for anything!
There is cozy space, cool mist, and intoxicating wine,
There is that as well, you can taste it all!
There are many stages, and a heart longing to dance,
There is sweet pleasure, and the night is ours too!
Turn around and look at me...
Female
Female
Female
Female
Female
Female
Female
Female
Female
Female
Female

Beyond the translation

Overall song meaning

Thirumbi paarunga virintha poovunga is an alluring club and cabaret dance song from the 1972 Tamil film Delhi To Madras. The lyrics use rich metaphors drawn from nature—blossoming flowers, ripe fruits, honey, deer, peacocks, and climbing vines—as allegories for beauty, playfulness, and sensual romance. The song entices the listener to pause, look back, and indulge in a festive evening of dance and joy. Composed by V. Kumar with vibrant vocals by K. Jamunarani, the track relies heavily on rhythmic repetition of the suffix -undu (meaning 'there is' or 'available'), emphasizing a boundless abundance of pleasure, music, and romantic enchantment.

Writing craft

Poetic devices

Iyaibu (End Rhyme / Monorhyme)

Kulaiyundu kaniyundu sulaiyundu

The repetitive suffix '-undu' creates a bouncy end-rhyme rhythm across multiple lines.

Upamai (Simile)

Maan pola mayil pola vilaiyaadavaa

The heroine compares her playful movements to those of a timid deer ('maan pola') and a graceful peacock ('mayil pola').

Uruvagam (Metaphor)

Thanga silaiyundu thaavum kodiyundu

Describing the dancer as a golden statue ('thanga silai') and a trailing creeper ('thaavum kodi').

Anaphora / Internal Rhyme

Mandraadi mandraadi jadhi podavaa

Repetition of words like 'Mandraadi mandraadi' enhances the musicality and emotional emphasis of entreaty.

Did you know?

Trivia

Delhi To Madras (1972), directed by I. N. Murthy, starred Jaishankar and R. S. Manohar. Music director V. Kumar was renowned for his stylish and modern compositions in the 1970s, and singer K. Jamunarani was a sought-after voice for high-energy dance and cabaret numbers during that era.

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