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Isaimozhi
Lyrics & meaning

Thannananna Pattu Paadanum

From Mahadevi · 1957

Lyricist
Thanjai N. Ramaiah Dass
Singers
J. P. Chandrababu, A. G. Rathnamala
Music director
Vishwanathan-Ramamoorthy
Details
Mahadevi1957

Lyrics & meaning

Tanglish lyrics English translation
Male
Kolamaam madha yaanaiyai nambalaamOne can trust even a majestic wild elephant in rut
Kodum vengai puliyaiyum nambalaamOne can also trust a fierce, cruel tiger
AanaalBut
Female :SwamiFemale: My Lord
Male :Yemma saelai kattiyaMale: Hey woman, if one trusts women
Maadharai nambinaalWho wear sarees
Thannananna pattu paadanumOne will end up singing 'Thannananna' folk songs
Thundananna thaalam podanumAnd beating the rhythm of 'Thundananna'
Thannananna pattu paadanumOne will end up singing 'Thannananna' folk songs
Thundananna thaalam podanumAnd beating the rhythm of 'Thundananna'
Male
Adi kinnkini kinnkini kinnkiniHey tinkling little one, tinkling little one
Sutha mangani maangani thava maniyaePure ripe mango, precious jewel of penance
Thannananna pattu paadanumOne will end up singing 'Thannananna' folk songs
Thundananna thaalam podanumAnd beating the rhythm of 'Thundananna'
Male
Adi kinnkini kinnkini kinnkiniHey tinkling little one, tinkling little one
Sutha mangani maangani thava maniyaePure ripe mango, precious jewel of penance
Thannananna pattu paadanumOne will end up singing 'Thannananna' folk songs
Thundananna thaalam podanumAnd beating the rhythm of 'Thundananna'
Female
Paambai kooda nambidalaamOne can even trust a snake
Adhan pasanthaiyum nambidalaamAnd trust its bright green youthfulness
Male :AhaaMale: Aha!
Female :Paambai kooda nambidalaamFemale: One can even trust a snake
Adhan pasanthaiyum nambidalaamAnd trust its bright green youthfulness
Indha pattalathu veerarai nambinaalIf one trusts this soldier of the army
Kattaayama ottai yendhiOne will definitely end up holding a broken begging bowl
Male :HaiyooMale: Oh no!
Female :Thannananna pattu paadanumFemale: One will end up singing 'Thannananna' folk songs
Thundananna thaalam podanumAnd beating the rhythm of 'Thundananna'
Thannananna pattu paadanumOne will end up singing 'Thannananna' folk songs
Thundananna thaalam podanumAnd beating the rhythm of 'Thundananna'
Male
Hey ey yemma hey appaHey woman, hey father
Pathini vesham podathaeDon't pretend to be a virtuous woman
Summa pagattu kaatti aadadhaeDon't dance around showing off in vain
Pathini vesham podathaeDon't pretend to be a virtuous woman
Summa pagattu kaatti aadadhaeDon't dance around showing off in vain
Sathiyama nee uthamiyaAre you truly a virtuous woman?
Sathiyama nee uthamiyaAre you truly a virtuous woman?
Indha kathi munaiyilae thulli kittuLeaping on the tip of this knife
Ennai vethu paya pola ennathaeDon't treat me like a useless fellow
Indha kathi munaiyilae thulli kittuLeaping on the tip of this knife
Ennai vethu paya pola ennathaeDon't treat me like a useless fellow
Adi kinkini kinkini kinkiniHey tinkling little one, tinkling little one
Thannananna pattu paadanumOne will end up singing 'Thannananna' folk songs
Thundananna thaalam podanumAnd beating the rhythm of 'Thundananna'
Male
AhaaaAhaaa
Female
Angae ingae suthi alainthittaalamEven if one wanders around here and there
Ammanai sevikka vandhidanumOne must come to worship the Goddess
Male :EnnadhuMale: What?
Female :Angae ingae suthi alainthittaalamFemale: Even if one wanders around here and there
Ammanai sevikka vandhidanumOne must come to worship the Goddess
Indha ammanai sevikka vandhidanumOne must come to worship this Goddess
Male
Yemma yemmaHey woman, hey woman
Indha ammanum kimmanumOnce this Goddess and everything else
nimmadhiyaanathumAttain peace and quiet
Indha saamiya sevikka vandhidanumOne must come to worship this Lord
Indha ammanum kimmanumOnce this Goddess and everything else
nimmadhiyaanathumAttain peace and quiet
Indha saamiya sevikka vandhidanumOne must come to worship this Lord
Saamiya sevikka vandhidanumOne must come to worship the Lord
Indha saamiya sevikka vandhidanumOne must come to worship this Lord
Female
Amman thaan ulagil siranthathuGoddess is the greatest in the world
Male :Saami thaan saala siranthathuMale: Lord is by far the greatest
Female :Amman thaan ulagil siranthathuFemale: Goddess is the greatest in the world
Male :Saami thaan saala siranthathuMale: Lord is by far the greatest
Both :Aaga ammanum saamiyum sammandhapattaBoth: So if the Goddess and the Lord are united together
Adhai vida saala siranthathu yedhuWhat could be far greater than that?
Thannananna ThannanannaThannananna Thannananna
ThannanannaThannananna
Thannananna thaalamum vendamNo need for the 'Thannananna' rhythm anymore
Thundananna paadavum vendamNo need to sing 'Thundananna' songs anymore
Thannananna thaalamum vendamNo need for the 'Thannananna' rhythm anymore
Thundananna paadavum vendamNo need to sing 'Thundananna' songs anymore

Beyond the translation

Song interpretation

This humorous folk song from Mahadevi (1957) depicts a lively battle of wits between a man and a woman. The male singer begins by claiming that while wild animals like rutting elephants and fierce tigers can be trusted, saree-clad women cannot be trusted, as doing so leads a man to destitution and wandering as a folk singer. The female singer retorts that while even venomous snakes can be trusted, trusting an army soldier leads to holding a begging bowl. They playfully exchange taunts questioning each other's virtue and capability. The debate escalates to a philosophical argument about divine superiority—whether the Goddess (representing women) or the Lord (representing men) is supreme. Ultimately, they reach a sweet, harmonious conclusion: when the Goddess and the Lord unite, nothing in the world surpasses that oneness, rendering all their previous arguments and sorrowful folk chants completely unnecessary.

Writing craft

Poetic devices

Metaphor / Extreme Comparison

Kolamaam madha yaanaiyai nambalaam

Compares trusting women or soldiers to trusting wild elephants, tigers, or venomous snakes to highlight extreme skepticism in a comedic fashion.

Folk Refrain (Solkattu)

Thannananna pattu paadanum

Uses rhythmic nonsense syllables ('Thannananna', 'Thundananna') characteristic of traditional Tamil street plays (Therukoothu) and folk songs to symbolize wandering minstrelsy.

Onomatopoeia (Anukaranam)

Adi kinnkini kinnkini kinnkini

'Kinnkini' mimics the tinkling sound of traditional anklets or small bells worn by dancers.

Iyaibu (Rhyme / Parallel Structure)

Kodum vengai puliyaiyum nambalaam

Parallel sentence structures ending with 'nambalaam' create a rhythmic, catchy cadence across stanzas.

Did you know?

Trivia

Composed by the renowned duo Viswanathan–Ramamoorthy with lyrics by Thanjai N. Ramaiah Dass, this iconic comedy track features the vocal talents of J. P. Chandrababu and A. G. Rathinamala. Chandrababu, an accomplished actor, singer, and dancer, brought his unique energetic folk and western-infused theatrical vocal style to this track.

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