Skip to content
Isaimozhi
Porkkaalam album cover
Lyrics & meaning

Thanjavooru Mannu Eduthu

From Porkkaalam · 1997

Lyricist
Vairamuthu
Singer
Krishnaraj
Music director
Deva
Movie name
Porkkaalam
Movie release year
1997
Lyrics added on
2 Jan 2019

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Haaa….aaa…aaa…aaa…aaa…
Haaa….aaa…aaa…aaa…aaa…
Thanjaavooru mannu eduthu
Thaamarabarani thanniya vittu
Thanjaavooru mannu eduthu
Thaamarabarani thanniya vittu
Serthu serthu senjadhindha bomma
Idhu bommayilla bommayilla unma
Ethanaiyo bomma senjen
Kannammaa… aaa…aaa….
Ethanaiyo bomma senjen
Kannammaa…
Adi athanaiyum onnappola
Minnumaa ..badhil sollumaa
{Thandhaanae thandhaanae
Thandhaana kuyilae saami
Thandhaanae thandhaanae
Ennoada mayilae} (2)
Haa…aa….aaa….aaa….
Haa…aa…aa…
Haa….aaa…aa…
Haa….aaa…aaa….aaa….
Haa…..aaa….aaa..aaa….aaa…
Mookku senja mannu
Adhu moonaaru
Pattu kannam senja mannu
Adhu ponnooru
Kaadhu senja mannu
Adhu melooru
Ava odhadu senja mannu
Mattum thaenooru
Karuppu koondhal senjadhu
Karisappatti mannunga
Thanga kazhuthu senjadhu
Sangagiri mannunga
Vaayazhagu senjadhellam
Vaigaiyaathu mannunga
Pallazhagu senjadhu
Mullaiyooru mannunga
Neththi seiyum mannukku
Suththi suththi vandhenga
Nelaavil manneduthu
Neththi senjen paarunga
Thandhaanae thandhaanae
Thandhaana kuyilae saami
Thandhaanae thandhaanae
Ennoada mayilae
Thanjaavooru mannu eduthu
Thaamarabarani thanniya vittu
Serthu serthu senjadhindha bomma
Idhu bommayilla bommayilla unma
Thangavayal manneduthen
Thozhukku
Naan thaamarappaadi manneduthen
Dhanathukku
Vaazhaiyoothu manneduthen
Vayithukku
Ada kanjanooru manneduthen
Iduppukku
Kaanjipuram veedhiyila
Manneduthen kaigalukku
Srirangam manneduthen
Chinnapponnu veralukku
Pattukkotta oadaiyila
Manneduthen kaalukku
Paanjaalanguruchiyila
Manneduthen negathukku
Oorellaam manneduthu
Uruvam thandhen odambukku
Ennusura naan koduthu
Usuru thandhen kannukku
Thandhaanae thandhaanae
Thandhaana kuyilae saami
Thandhaanae thandhaanae
Ennoada mayilae
Podu…..
Thanjaavooru mannu eduthu
Thaamarabarani thanniya vittu
Serthu serthu senjadhindha bomma
Idhu bommayilla bommayilla unma
Ethanaiyo bomma senjen
Kannammaa… aaa…aaa….
Ethanaiyo bomma senjen
Kannammaa…
Adi athanaiyum onnappola
Minnumaa ..badhil sollumaa
Thandhaanae thandhaanae
Thandhaana kuyilae saami
Thandhaanae thandhaanae
Ennoada mayilae
Podu……
Ha... ah... ah... ah...
Ha... ah... ah... ah...
Taking clay from Thanjavur,
and water from the Thamirabarani river,
taking clay from Thanjavur,
and water from the Thamirabarani river,
I blended them together to make this doll.
This isn't just a doll, it's alive and real!
I have made so many dolls,
Kannamma... ah... ah...
I have made so many dolls,
Kannamma...
but could any of them ever shine
like you do? Tell me!
Thanthaane thanthaane,
oh my singing cuckoo, my god,
thanthaane thanthaane,
my darling peacock!
Ha... ah... ah... ah...
Ha... ah... ah...
Ha... ah... ah...
Ha... ah... ah... ah...
Ha... ah... ah... ah... ah...
The clay that shaped her nose
came from Munnar.
The clay that made her silky cheeks
came from Ponnoor.
The clay that shaped her ears
came from Melur.
And the clay that formed her lips
came only from Thenoor.
Her black hair was made
from the dark soil of Karisalpatti.
Her golden neck was made
from the earth of Sankagiri.
Her lovely mouth was crafted
from the sands of the Vaigai river.
Her beautiful teeth were made
from the soil of Mullaiyoor.
Searching for clay to make her forehead,
I wandered all around.
Taking dust from the moon,
I shaped her forehead, just see!
Thanthaane thanthaane,
oh my singing cuckoo, my god,
thanthaane thanthaane,
my darling peacock!
Taking clay from Thanjavur,
and water from the Thamirabarani river,
I blended them together to make this doll.
This isn't just a doll, it's alive and real!
I took soil from the gold fields
for her shoulders.
I took clay from Thamarappadi
for her chest.
I took earth from Vazhaiyoothu
for her belly.
And I took clay from Kanjanur
for her waist.
From the streets of Kanchipuram,
I gathered clay for her arms.
I took soil from Srirangam
for this young girl's fingers.
From the stream of Pattukkottai,
I collected clay for her feet.
From Panchalankurichi,
I gathered clay for her nails.
Collecting earth from every town,
I gave shape to her body.
And by offering my own breath,
I brought life to her eyes!
Thanthaane thanthaane,
oh my singing cuckoo, my god,
thanthaane thanthaane,
my darling peacock!
Strike the beat!
Taking clay from Thanjavur,
and water from the Thamirabarani river,
I blended them together to make this doll.
This isn't just a doll, it's alive and real!
I have made so many dolls,
Kannamma... ah... ah...
I have made so many dolls,
Kannamma...
but could any of them ever shine
like you do? Tell me!
Thanthaane thanthaane,
oh my singing cuckoo, my god,
thanthaane thanthaane,
my darling peacock!
Strike the beat!
Male
Male
Male
Male
Female
Male
Male
Male
Male
Male
Male
Male
Male
Male
Male
Male
Male
Male
Male

Beyond the translation

Overall song meaning

This celebratory folk-pop song from the 1997 Tamil movie 'Porkkaalam' celebrates the master craftsmanship of a sculptor creating a doll of extraordinary beauty. Lyricist Vairamuthu ingeniously uses a geography-based poetic motif, attributing each feature and body part of the doll/woman to rich soil gathered from different iconic towns and riverbanks across Tamil Nadu—such as Tanjore for clay, Tamirabarani for water, Munnar for the nose, Srirangam for fingers, and the Moon for the forehead. Ultimately, the artisan breathes his own soul into the sculpture to bring her eyes to life, symbolizing the ultimate dedication of a creator to his art.

Writing craft

Poetic devices

Place-Name Wordplay / Geographic Metaphor (Slesha / Place Puns)

Mookku senja mannu / Adhu moonaaru

Vairamuthu cleverly links body parts to towns in Tamil Nadu whose names pun on or evoke physical traits, such as 'Thenoor' (honey town) for sweet lips, 'Sangagiri' (conch/shell hill) for a shell-like neck, and 'Karisalpatti' (black soil land) for black hair.

Adukku Thodar (Repetition for Emphasis)

Serthu serthu senjadhindha bomma

Words like 'serthu serthu' (joining together) and 'suththi suththi' (turning around repeatedly) are repeated consecutively to enhance rhythmic cadence and emphasize painstaking effort.

Hyperbole (Atisayokti)

Nelaavil manneduthu / Neththi senjen paarunga

The lyricist uses extreme exaggeration by claiming the sculptor gathered soil from the moon to craft her glowing forehead, and surrendered his own soul to grant vision to her eyes.

Monal / Rhyme Scheme (Edhugai & Moonaa)

Thanjaavooru mannu eduthu / Thaamarabarani thanniya vittu

Consistent second-letter rhyming (Edhugai) across couplets, e.g., 'Thanjaavooru' and 'Thaamarabarani' sharing the 'i'/'aa' consonant-vowel flow.

Did you know?

Trivia

Composed by Deva for Cheran's critically acclaimed drama 'Porkkaalam' (1997), this song won widespread praise for Vairamuthu's poetic creativity in mapping Tamil Nadu geography to human anatomy. Singer Krishnaraj won the Tamil Nadu State Film Award for Best Male Playback Singer for his energetic performance of this folk classic.

Keep listening

Songs with a similar feeling

From the same album

More songs from Porkkaalam

View album

Spot an issue?

Help us improve the lyrics or English translation.