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Isaimozhi
Lyrics & meaning

Thanjavooru Mannu Eduthu

From Porkkaalam · 1997

Lyricist
Vairamuthu
Singer
Krishnaraj
Music director
Deva
Details
Porkkaalam1997

Lyrics & meaning

Tanglish lyrics English translation
Male
Haaa….aaa…aaa…aaa…aaa…Haaa….aaa…aaa…aaa…aaa…
Haaa….aaa…aaa…aaa…aaa…Haaa….aaa…aaa…aaa…aaa…
Male
Thanjaavooru mannu eduthuTaking the clay of Tanjore
Thaamarabarani thanniya vittuAnd pouring the water of Tamirabarani
Thanjaavooru mannu eduthuTaking the clay of Tanjore
Thaamarabarani thanniya vittuAnd pouring the water of Tamirabarani
Serthu serthu senjadhindha bommaCombining them together, this doll was sculpted
Idhu bommayilla bommayilla unmaThis is not just a doll, not just a doll, it is a living reality
Male
Ethanaiyo bomma senjenI have crafted so many dolls
Kannammaa… aaa…aaa….Oh Kannamma… aaa…aaa….
Ethanaiyo bomma senjenI have crafted so many dolls
Kannammaa…Oh Kannamma…
Adi athanaiyum onnappolaHey, will all of them shine like this one?
Minnumaa ..badhil sollumaaWill they shine? Give me an answer!
Male
{Thandhaanae thandhaanaeThandhaanae thandhaanae
Thandhaana kuyilae saamiOh rhythmic cuckoo, my deity
Thandhaanae thandhaanaeThandhaanae thandhaanae
Ennoada mayilae} (2)Oh my precious peacock (Repeated 2 times)
Female
Haa…aa….aaa….aaa….Haa…aa….aaa….aaa….
Haa…aa…aa…Haa…aa…aa…
Haa….aaa…aa…Haa….aaa…aa…
Haa….aaa…aaa….aaa….Haa….aaa…aaa….aaa….
Haa…..aaa….aaa..aaa….aaa…Haa…..aaa….aaa..aaa….aaa…
Male
Mookku senja mannuThe clay used to craft her nose
Adhu moonaaruThat came from Munnar
Pattu kannam senja mannuThe clay used for her silky cheeks
Adhu ponnooruThat came from Ponnoor
Kaadhu senja mannuThe clay used to sculpt her ears
Adhu melooruThat came from Melur
Ava odhadu senja mannuThe clay used to craft her lips
Mattum thaenooruCame uniquely from Thenoor
Male
Karuppu koondhal senjadhuHer dark black hair was made
Karisappatti mannungaFrom the soil of Karisalpatti
Thanga kazhuthu senjadhuHer golden neck was sculpted
Sangagiri mannungaFrom the soil of Sangagiri
Male
Vaayazhagu senjadhellamHer beautiful mouth was sculpted
Vaigaiyaathu mannungaFrom the soil of the Vaigai riverbed
Pallazhagu senjadhuHer beautiful teeth were sculpted
Mullaiyooru mannungaFrom the soil of Mullaiyoor
Male
Neththi seiyum mannukkuTo find the right clay for her forehead
Suththi suththi vandhengaYou searched all around everywhere
Nelaavil manneduthuTaking soil directly from the moon
Neththi senjen paarungaLook, I sculpted her forehead!
Male
Thandhaanae thandhaanaeThandhaanae thandhaanae
Thandhaana kuyilae saamiOh rhythmic cuckoo, my deity
Thandhaanae thandhaanaeThandhaanae thandhaanae
Ennoada mayilaeOh my precious peacock
Male
Thanjaavooru mannu eduthuTaking the clay of Tanjore
Thaamarabarani thanniya vittuAnd pouring the water of Tamirabarani
Serthu serthu senjadhindha bommaCombining them together, this doll was sculpted
Idhu bommayilla bommayilla unmaThis is not just a doll, not just a doll, it is a living reality
Male
Thangavayal manneduthenI gathered soil from Thangavayal
ThozhukkuTo shape her shoulders
Naan thaamarappaadi manneduthenI gathered soil from Thamarappaadi
DhanathukkuTo shape her bosom
Vaazhaiyoothu manneduthenI gathered soil from Vaazhaiyoothu
VayithukkuTo shape her stomach
Ada kanjanooru manneduthenAh, I gathered soil from Kanjanoor
IduppukkuTo shape her waist
Male
Kaanjipuram veedhiyilaFrom the streets of Kanchipuram
Manneduthen kaigalukkuI gathered soil for her hands
Srirangam manneduthenI took soil from Srirangam
Chinnapponnu veralukkuFor this young girl's fingers
Male
Pattukkotta oadaiyilaFrom the streams of Pattukkottai
Manneduthen kaalukkuI gathered soil for her feet
PaanjaalanguruchiyilaFrom Panchalankurichi
Manneduthen negathukkuI gathered soil for her fingernails
Male
Oorellaam manneduthuGathering clay from every town across the land
Uruvam thandhen odambukkuI gave form to her body
Ennusura naan koduthuBy offering my very own soul
Usuru thandhen kannukkuI gave life to her eyes!
Male
Thandhaanae thandhaanaeThandhaanae thandhaanae
Thandhaana kuyilae saamiOh rhythmic cuckoo, my deity
Thandhaanae thandhaanaeThandhaanae thandhaanae
Ennoada mayilaeOh my precious peacock
Male
Podu…..Hit it!...
Thanjaavooru mannu eduthuTaking the clay of Tanjore
Thaamarabarani thanniya vittuAnd pouring the water of Tamirabarani
Serthu serthu senjadhindha bommaCombining them together, this doll was sculpted
Idhu bommayilla bommayilla unmaThis is not just a doll, not just a doll, it is a living reality
Male
Ethanaiyo bomma senjenI have crafted so many dolls
Kannammaa… aaa…aaa….Oh Kannamma… aaa…aaa….
Ethanaiyo bomma senjenI have crafted so many dolls
Kannammaa…Oh Kannamma…
Adi athanaiyum onnappolaHey, will all of them shine like this one?
Minnumaa ..badhil sollumaaWill they shine? Give me an answer!
Male
Thandhaanae thandhaanaeThandhaanae thandhaanae
Thandhaana kuyilae saamiOh rhythmic cuckoo, my deity
Thandhaanae thandhaanaeThandhaanae thandhaanae
Ennoada mayilaeOh my precious peacock
Podu……Hit it!...

Beyond the translation

Song interpretation

This celebratory folk-pop song from the 1997 Tamil movie 'Porkkaalam' celebrates the master craftsmanship of a sculptor creating a doll of extraordinary beauty. Lyricist Vairamuthu ingeniously uses a geography-based poetic motif, attributing each feature and body part of the doll/woman to rich soil gathered from different iconic towns and riverbanks across Tamil Nadu—such as Tanjore for clay, Tamirabarani for water, Munnar for the nose, Srirangam for fingers, and the Moon for the forehead. Ultimately, the artisan breathes his own soul into the sculpture to bring her eyes to life, symbolizing the ultimate dedication of a creator to his art.

Writing craft

Poetic devices

Place-Name Wordplay / Geographic Metaphor (Slesha / Place Puns)

Mookku senja mannu / Adhu moonaaru

Vairamuthu cleverly links body parts to towns in Tamil Nadu whose names pun on or evoke physical traits, such as 'Thenoor' (honey town) for sweet lips, 'Sangagiri' (conch/shell hill) for a shell-like neck, and 'Karisalpatti' (black soil land) for black hair.

Adukku Thodar (Repetition for Emphasis)

Serthu serthu senjadhindha bomma

Words like 'serthu serthu' (joining together) and 'suththi suththi' (turning around repeatedly) are repeated consecutively to enhance rhythmic cadence and emphasize painstaking effort.

Hyperbole (Atisayokti)

Nelaavil manneduthu / Neththi senjen paarunga

The lyricist uses extreme exaggeration by claiming the sculptor gathered soil from the moon to craft her glowing forehead, and surrendered his own soul to grant vision to her eyes.

Monal / Rhyme Scheme (Edhugai & Moonaa)

Thanjaavooru mannu eduthu / Thaamarabarani thanniya vittu

Consistent second-letter rhyming (Edhugai) across couplets, e.g., 'Thanjaavooru' and 'Thaamarabarani' sharing the 'i'/'aa' consonant-vowel flow.

Did you know?

Trivia

Composed by Deva for Cheran's critically acclaimed drama 'Porkkaalam' (1997), this song won widespread praise for Vairamuthu's poetic creativity in mapping Tamil Nadu geography to human anatomy. Singer Krishnaraj won the Tamil Nadu State Film Award for Best Male Playback Singer for his energetic performance of this folk classic.

Keep listening

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