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Isaimozhi
Lyrics & meaning

Thaneeril Yethadi Neruppu

From Uyir · 1971

Lyricist
Kannadasan
Singers
T. M. Soundararajan, P. Susheela
Music director
Salil Chowdry
Movie name
Uyir
Movie release year
1971
Lyrics added on
12 Jul 2024

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Thanneeril yaedhadi neruppu
Idhai thaangaamal yaenintha veruppu
Thanneeril yaedhadi neruppu
Idhai thaangaamal yaenintha veruppu
Pennaaga naan konda pirappu
Pennaaga naan konda pirappu
Antha penmaikku naan thantha madhippu
Thangamagal maeni thanneeril thoni
Indru konjam aadattumae
Pattudalai theda thottu vilaiyaada
Paada ondru paadattumae
Neer kalantha neeraal naam kalantha pinnaal
Neer kalantha neeraal naam kalantha pinnaal
Ingu vanthu aadattumaa
Neeyirunthu thaniyae kaana vantha azhagai
Oorariya paadattumaa
Thanneeril yaedhadi neruppu
Idhai thaangaamal yaenintha veruppu
Female :Pennaaga naan konda pirappu
Pennaaga naan konda pirappu
Antha penmaikku naan thantha madhippu
Vaasamulla thendral veesi varumpothu
Sontham enna ketkindrathu
Vanna mayil thogai thannai viriththaada
Entha idam paarkkindrathu
Unnai manam konda
Thendral ennum pavaikku
Unnai manam konda
Thendral ennum pavaikku
Ullam ondru irukkindrathu
Vannamayil pola kanni ingu aada
Naalu gunam thadukkindrathu
Antha naalu gunam thadukkindrathu
Thanneeril yaedhadi neruppu
Idhai thaangaamal yaenintha veruppu
Is there any fire in the water, my girl?
Why this displeasure, unable to bear it?
Is there any fire in the water, my girl?
Why this displeasure, unable to bear it?
This birth of mine as a woman,
this birth of mine as a woman,
is the honor I give to my womanhood.
Your golden body is like a boat in the water,
let it sway a little today.
To seek your silken touch and play with you,
let a song be sung.
Once we unite like water merging into water,
once we unite like water merging into water,
shall I come out here and dance?
The beauty you came to see all by yourself,
shall I sing about it for the whole town to know?
Is there any fire in the water, my girl?
Why this displeasure, unable to bear it?
This birth of mine as a woman,
this birth of mine as a woman,
is the honor I give to my womanhood.
When the fragrant breeze blows gently,
does it ask for any permission?
When a colorful peacock spreads its feathers and dances,
does it care what place it is in?
For the girl who has given her heart to you,
the girl who is like that breeze,
for the girl who has given her heart to you,
the girl who is like that breeze,
she has a heart that feels.
To dance here freely like a colorful peacock,
the four traditional virtues hold a woman back.
Yes, those four virtues hold her back.
Is there any fire in the water, my girl?
Why this displeasure, unable to bear it?
Male
Female
Male
Female
Male
Male
Female
Female
Male

Beyond the translation

Overall song meaning

Thanneeril Yaedhadi Neruppu from the 1971 film Uyir is a romantic duet composed by Salil Chowdhury, penned by Kannadasan, and sung by T. M. Soundararajan and P. Susheela. The song captures a poetic dialogue between lovers near water. The male protagonist teases the heroine about the burning passion (fire in water) she feels despite her outward shyness, urging her to shed her hesitation and embrace intimacy.

Writing craft

Poetic devices

Paradox / Oxymoron

Thanneeril yaedhadi neruppu

The opening line pairs 'Thanneer' (water) and 'Neruppu' (fire) together to symbolize passionate desire surging amidst cool surroundings.

Metaphor (Uvamaani)

Thangamagal maeni thanneeril thoni

Compares the heroine's golden body to a floating boat on water ('thoni').

Simile (Upama)

Vannamayil pola kanni ingu aada

Directly compares the young woman dancing in abandon to a colorful peacock unfolding its plumage ('Vannamayil pola').

Cultural Allusion

Naalu gunam thadukkindrathu

References 'Naalu gunam', the four traditional virtues attributed to Tamil women: Acham (fear/modesty), Madam (innocence), Naanam (shyness), and Payirchi (reserve).

Did you know?

Trivia

Uyir (1971) was one of the rare Tamil films scored by legendary composer Salil Chowdhury. Known for introducing Western classical counterpoint and complex melodies into Indian cinema, Salil Chowdhury adapted his signature orchestrations to fit Kannadasan's traditional Tamil lyricism in this track.

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