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Isaimozhi
Lyrics & meaning

Thaana Pazhutha

From Sirayil Pootha Chinna Malar · 1990

Lyricist
Gangai Amaran
Singer
Kovai Soundararajan
Music director
Ilayaraja
Details
Sirayil Pootha Chinna Malar1990

Lyrics & meaning

Tanglish lyrics English translation
Male
Valiya vandhu maattikkittaThe creeper vine that got trapped on its own volition,
Vanji kodiOh delicate woman vine,
Naan valachu valachu orasa pogumThe turmeric vine that I will bend and rub against,
Manja kodiOh yellow vine,
Puliya pottu thechaalum velukkaadhadiEven if scrubbed with tamarind, it will not fade, girl,
Onna poratti poratti eduthaalumEven if you are flipped and rolled over again and again,
AlukkaadhadiIt will not get exhausted, girl,
Male
Adi thaanaa pazhutha thakkaaliyaeHey, you naturally ripened tomato!
Nee moonaa odanja mukkaaliyaeYou three-legged stool broken into three!
Adi thaanaa pazhutha thakkaaliyaeHey, you naturally ripened tomato!
Nee moonaa odanja mukkaaliyaeYou three-legged stool broken into three!
Ippa naanaa kuduppen paattaalayaeNow I myself will teach a lesson through song,
Unakku veenaa kozhuppu noteaalayaeUnnecessary arrogance in you due to money!
Chorus
Adi thaanaa pazhutha thakkaaliyaeHey, you naturally ripened tomato!
Nee moonaa odanja mukkaaliyaeYou three-legged stool broken into three!
Adi thaanaa pazhutha thakkaaliyaeHey, you naturally ripened tomato!
Nee moonaa odanja mukkaaliyae hae… ae…You three-legged stool broken into three, hae… ae…
Male
Theenaa thimurula konaa koraiyalaIn sweet arrogance, not even a bit of stubbornness has reduced,
Saanaa sari illa sarippadalaNothing about her attitude is right or proper,
Moonji mogathula muzhi thaan sari illaEven the look in her face and eyes is not right,
Aanaa adakka thaan adhuvum illaAnd yet she lacks the self-control to restrain it,
Male
Ponaa porudaaLet it go, man,
Pombala pombala pombalaWoman, woman, woman,
Vaalaa valanjaa vambula vambulaIf she bends like a wagging tail, it leads to trouble, trouble!
Thaanaa thirundhaTo reform on her own,
Vazhi thaan sariyaa varalaThe right path hasn't worked out for her,
Naanaa valachaa sariyaa padalaIf I try to bend and fix her myself, it doesn't fit properly,
Idhu venaa vidunnaa veettukku nadannaaIf told to leave this stubbornness and walk home,
Naanaama konaama nadappaalaeShe walks crookedly and shyly,
Male
Adi thaanaa pazhutha thakkaaliyaeHey, you naturally ripened tomato!
Nee moonaa odanja mukkaaliyaeYou three-legged stool broken into three!
Adi thaanaa pazhutha thakkaaliyaeHey, you naturally ripened tomato!
Nee moonaa odanja mukkaaliyaeYou three-legged stool broken into three!
Ippa naanaa kuduppen paattaalayaeNow I myself will teach a lesson through song,
Unakku veenaa kozhuppu noteaalayaeUnnecessary arrogance in you due to money!
Chorus
Adi thaanaa pazhutha thakkaaliyaeHey, you naturally ripened tomato!
Nee moonaa odanja mukkaaliyaeYou three-legged stool broken into three!
Adi thaanaa pazhutha thakkaaliyaeHey, you naturally ripened tomato!
Nee moonaa odanja mukkaaliyae hae… ae…..You three-legged stool broken into three, hae… ae…..
Male
Pera edukkanum vaari kodukkanumOne must earn a good name and give generously,
Oora madhikkanum uruppadanumOne must respect the town and prosper in life,
Yera pidikkanum sora kodukkanumOne must hold the plow and feed the hungry,
Yeichi nadandhittaa bayappadanumOne should fear behaving deceitfully,
Male
Ezha pozhappu edhukku unakku veruppuLiving a simple life, why do you harbor hatred?
Yendi kozhuppu manasil irukkuWhy is there arrogance in your heart, girl?
Madhichaa madhippomIf respected, we will respect in return,
Manasil edam thaan koduppomWe will give a place in our heart,
Maala melam varavazhaippomWe will invite the wedding garland and drums,
Adi neeyaa thirundhu nilamaikku varundhuHey, reform on your own and feel remorse for the situation,
Venaandi pidivaadham nenjam thaanaeObstinacy is not needed, oh heart!
Male
Adi thaanaa pazhutha thakkaaliyaeHey, you naturally ripened tomato!
Nee moonaa odanja mukkaaliyaeYou three-legged stool broken into three!
Adi thaanaa pazhutha thakkaaliyaeHey, you naturally ripened tomato!
Nee moonaa odanja mukkaaliyaeYou three-legged stool broken into three!
Ippa naanaa kuduppen paattaalayaeNow I myself will teach a lesson through song,
Unakku veenaa kozhuppu noteaalayaeUnnecessary arrogance in you due to money!
Chorus
Adi thaanaa pazhutha thakkaaliyaeHey, you naturally ripened tomato!
Nee moonaa odanja mukkaaliyaeYou three-legged stool broken into three!
Adi thaanaa pazhutha thakkaaliyaeHey, you naturally ripened tomato!
Nee moonaa odanja mukkaaliyae hae… ae…You three-legged stool broken into three, hae… ae…

Beyond the translation

Song interpretation

'Valiya Vandhu Maattikkitta' from Sirayil Pootha Chinna Malar (1990) is a playful, high-energy rural teasing song written by Gangai Amaran. The male protagonist playfully scolds and teases a stubborn, arrogant young woman, using exaggerated rustic metaphors and humorously absurd insults to knock her off her high horse while advising her on humility, respect, and traditional values. Through witty rhymes, he points out how her money-fueled pride and stubborn attitude cause unnecessary trouble. He urges her to give up her obstinacy, reform herself, and embrace respect and love, promising that if she changes her attitude, she will be given honor and a true place in his heart.

Writing craft

Poetic devices

Edhukai (Second Letter Rhyming)

Vanji kodi / Manja kodi

The second letter 'n' (ன/ஞ்) rhymes across lines, creating a rhythmic folk bounce.

Metaphor (Uvamai)

Adi thaanaa pazhutha thakkaaliyae / Nee moonaa odanja mukkaaliyae

The speaker uses comical metaphors like 'thaanaa pazhutha thakkaali' (naturally ripened tomato) and 'moonaa odanja mukkaali' (a broken three-legged stool) to mock the girl's plump appearance and stubborn behavior.

Iyaibu (End Rhyme)

Pera edukkanum vaari kodukkanum / Oora madhikkanum uruppadanum

Repetition of rhyming verbal endings like '-ukkanum' builds an emphatic, advice-giving rhythm.

Did you know?

Trivia

Written by veteran lyricist Gangai Amaran, this track showcases classic 1990s Tamil folk-pop humor, relying heavily on hyper-local idioms, rhythmic alliterations, and comedic insults common in village dance-off sequences.

Keep listening

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