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Isaimozhi
Lyrics & meaning

Sorgathil Mayangum

From Kulama Gunama · 1971

Lyricist
Kannadasan
Singers
P. Susheela, T. M. Soundararajan
Music director
K. V. Mahadevan
Details
Kulama Gunama1971

Lyrics & meaning

Tanglish lyrics English translation
Male
Sorgathil mayangum mayakkamThe intoxication that swoons in heaven
Angu vetkathil vilangum vilakkamThe lamp that shines there in shyness
Female
Pakkatthil urangum urakkamThe sleep that slumbers nearby
Adhu bakthiyai polavum irukkumIt feels just like divine devotion
Male
Sorgathil mayangum mayakkamThe intoxication that swoons in heaven
Angu vetkathil vilangum vilakkamThe lamp that shines there in shyness
Female
Pakkatthil urangum urakkamThe sleep that slumbers nearby
Adhu bakthiyai polavum irukkumIt feels just like divine devotion
Male
Theriya theriya thaan kanavuA dream unfolds only as it becomes known
Adhu kaniya kaniya thaan uravuA relationship matures only as it deepens
Female
Puriya puriya thaan inimaiSweetness grows only as understanding deepens
Purindhu kolla thaan ilamaiYouth exists to understand and cherish love
Male
Theriya theriya thaan kanavuA dream unfolds only as it becomes known
Adhu kaniya kaniya thaan uravuA relationship matures only as it deepens
Female
Puriya puriya thaan inimaiSweetness grows only as understanding deepens
Purindhu kolla thaan ilamaiYouth exists to understand and cherish love
Male
Kannamaa thanga kinnamaaOh my Kannamma, my golden cup!
Female :Ullamaa amudha vellamaaFemale: Is that your heart, a rising tide of nectar?
Male :Kannamaa thanga kinnamaaMale: Oh my Kannamma, my golden cup!
Female :Ullamaa amudha vellamaaFemale: Is that your heart, a rising tide of nectar?
Male :Ennamma naanam innumaaMale: What is this, my dear, shyness even now?
Female :Illaiyael kaalgal pinnumaaFemale: Otherwise, why would my feet hesitate and entangle?
Illaiyael kaalgal pinnumaaOtherwise, why would my feet hesitate and entangle?
Male
Sorgathil mayangum mayakkamThe intoxication that swoons in heaven
Angu vetkathil vilangum vilakkamThe lamp that shines there in shyness
Female
Pakkatthil urangum urakkamThe sleep that slumbers nearby
Adhu bakthiyai polavum irukkum..mm…mm…mm..It feels just like divine devotion..mm...mm...mm..
Male
MullaiyoIs it a jasmine blossom?
Female
AahahaahaaAahahaahaa
Male
Malar kollaiyoIs it a grand plunder of flowers?
Female
AahahaahaaAahahaahaa
Male
Illaiyo idai illaiyoIs it non-existent, or is there a slender waist?
Female
Kambano kavi mannanoIs he Kamban, the king among poets?
Kaadhalin ilam kannanoIs he the youthful Krishna of love?
Male
Allavo vaari kollavoShall I gather and hold you tight?
Female
Sollavo urimai allavoShall I speak of it? Isn't it my rightful right?
Sollavo urimai allavoShall I speak of it? Isn't it my rightful right?
Male
Sorgathil mayangum mayakkamThe intoxication that swoons in heaven
Female :Angu vetkathil vilangum vilakkamFemale: The lamp that shines there in shyness
Male
Pakkatthil urangum urakkamThe sleep that slumbers nearby
Female :Adhu bakthiyai polavum irukkumFemale: It feels just like divine devotion

Beyond the translation

Song interpretation

This romantic duet, written by Kannadasan for the 1971 film Kulama Gunama, beautifully equates the ecstasy of conjugal love and intimacy between newlyweds to a sacred, heavenly devotion. The lovers engage in playful teasing, celebrating each other's physical charm, coy bashfulness, and emotional bond.

Writing craft

Poetic devices

Uvamai (Simile)

Adhu bakthiyai polavum irukkum

Compares peaceful sleep beside one's beloved to the pure serenity of spiritual devotion ('bakthiyai polavum irukkum').

Emonai / Monai (Alliteration)

Theriya theriya thaan kanavu

Repetition of initial consonants like 'Theriya', 'Kaniya', and 'Puriya' creating rhythmic symmetry.

Uruvagam (Metaphor)

Kannamaa thanga kinnamaa

Describing the heart as a flood of nectar ('ullamaa amudha vellamaa') and the lover as a golden vessel ('thanga kinnamaa').

Did you know?

Trivia

The music for Kulama Gunama (1971) was composed by K. V. Mahadevan, and this legendary romantic song was sung by T. M. Soundararajan and P. Susheela.

Keep listening

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