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Isaimozhi
Lyrics & meaning

Sollathan Ninaikkiren 2

From Engal Selvi · 1960

Lyricist
Kannadasan
Singers
P. Susheela, K. Jamunarani, Chorus
Music director
K. V. Mahadevan
Details
Engal Selvi1960

Lyrics & meaning

Tanglish lyrics English translation
Female
Sollaththaan ninaikkiraen mudiyavillaiI wish to speak, but I am unable to.
Sollaththaan ninaikkiraen mudiyavillaiI wish to speak, but I am unable to.
Adhai sonnaalum ketpavarukku puriyavillaiEven if I speak, those who listen do not understand.
Adhai sonnaalum ketpavarukku puriyavillaiEven if I speak, those who listen do not understand.
Female
Sollaththaan ninaikkiraen mudiyavillaiI wish to speak, but I am unable to.
Adhai sonnaalum ketpavarukku puriyavillaiEven if I speak, those who listen do not understand.
Female
Sollaththaan ninaikkiraen mudiyavillaiI wish to speak, but I am unable to.
Female
Ullaasa ulagamendru piranthu vittaenI was born thinking this was a joyous world,
Idhan unmai nilai ariyaamalWithout knowing its true reality,
Mayangugindraen naanI am swooning in bewilderment.
Female
Kann mayakkam theerththu vaippaaiDispel this haze from my eyes,
IyarkkaiyammaaOh Mother Nature!
Kadhal mudhal dharmam varai kaatta vaaraaiCome to guide me from love to righteousness.
Un magalukkuthavu seivaai iyarkkaiyammaaHelp your daughter, Oh Mother Nature!
Ulanganinthu vanthu vidu varuga thaayaeCome with a compassionate heart, welcome Mother!
Varuga thaayae varuga thaayae varuga thaayaeWelcome Mother, welcome Mother, welcome Mother!
Female
Kadhal kadhal kadhalLove, love, love.
Kavalaiyai theerppathu kadhalLove is that which dispels sorrow.
Paathi paathiyai aangalum pengalumShared equally in halves by men and women,
Pangu perum sugam kadhalThe joy they partake in is love.
Female
Aadhi mudhalilae ulagam piranthathumRight from the dawn when the world was born,
Aarambamaanathum kadhalThat which began everything is love.
Thagathagavena palapalavenaGlittering intensely and shining brightly,
Jolippathuthaan selvamThat alone is wealth.
Female
Thannai maranthae unnai arugilForgetting oneself and pulling you close,
Izhuppathuthaan selvamThat alone is wealth.
Pettra magalai thanthaiyai vittuSeparating a beloved daughter from her father,
Pirippathuthaan selvamThat alone is wealth.
Female
Pesum vaayai oomaiyaakkiTurning a speaking mouth into a mute one,
Madakkuvathe selvamAnd silencing it completely is wealth.
Kannirunthum kurudanaagaMaking one blind despite having eyes,
Maattruvathe selvamIs the doing of wealth.
Kalviyillaa moodaraiyumBowing down even before an uneducated fool,
Vananguvathe selavamIs forced by wealth.
Female
Engae dharmamWhere is righteousness?
Engae dharmam engae dharmamWhere is righteousness, where is righteousness?
Female
Mannavar mudiyum thennavar naadumIn the crowns of kings and across the southern land,
Valarntha dharmam engae engaeWhere is that righteousness that once flourished?
Kanniyar karpum annaiyar panbumIn the chastity of maidens and the virtue of mothers,
Kaattiya dharmam engae engaeWhere is that righteousness that was once displayed?
Female
Kaalgal thalarnthu kaigalum ointhuWith my legs failing and hands exhausted,
Kadhurugiraen en thaayaeI cry out to you, my mother!
Kanniyam valarkkum dharmaththin uravaiThe bond of righteousness that nurtures dignity,
Kaattiduvaai neeyaeShow it to me yourself!
Kanniyam valarkkum dharmaththin uravaiThe bond of righteousness that nurtures dignity,
Kaattiduvaai neeyaeShow it to me yourself!

Beyond the translation

Song interpretation

This song from Engal Selvi (1960) serves as a poignant philosophical reflection on human suffering, worldly illusions, and societal corruptions. The protagonist cries out to Mother Nature, feeling helpless and misunderstood in a world that she initially believed was filled with joy. Through contrast, the lyrics explore the noble essence of love versus the corrupting influence of wealth, which blinds people, silences truth, and subverts moral values. Ultimately, the singer desperately seeks the lost path of righteousness (dharmam) that once sustained society, honor, and human relationships.

Writing craft

Poetic devices

Sol Pinvarunilai Ani (Anaphora / Epistrophe)

Jolippathuthaan selvam... Izhuppathuthaan selvam... Pirippathuthaan selvam

The repetitive ending of lines with the word 'selvam' (wealth) emphasizes the ironic and corrupting power of money in various human situations.

Irattai Kilavi (Onomatopoeia)

Thagathagavena palapalavena

The paired rhythmic words 'Thagathagavena' and 'palapalavena' vividly imitate the dazzling, shiny allure of material riches.

Ethukai (Second-letter Rhyme)

Mannavar mudiyum thennavar naadum / Kanniyar karpum annaiyar panbum

The second letter harmony 'nn' in 'Mannavar', 'Kanniyar', and 'Kanniyam' creates lyrical rhythm across verses.

Moonaik Chollal (Initial Alliteration)

Kaalgal thalarnthu kaigalum ointhu

Matching starting sounds in adjacent words such as 'Kaalgal' and 'Kaigalum' reinforces the musicality of the distress expressed.

Did you know?

Trivia

Engal Selvi (1960), directed by D. Yoganand and starring Sowcar Janaki and M. R. Radha, featured a rich soundtrack composed by K. V. Mahadevan. Lyricist Kannadasan used this stage-song format in the film to deliver a sharp socio-philosophical commentary contrasting pure love and righteousness against the corrupting influence of wealth, a recurring theme in his classic mid-20th-century Tamil film poetry.

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