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Lyrics & meaning

Solaikkulle Kuyilu Kunju

From Paanai Pidithaval Bhagyasaali · 1958

Lyricist
T. K. Sundara Vadhyar
Singer
P. Susheela
Music director
S. V. Venkatraman
Details
Paanai Pidithaval Bhagyasaali1958

Lyrics & meaning

Tanglish lyrics English translation
Female
Hmm hmmHmm hmm
Female
Ah ah ah ah ah ah ah ah ahAh ah ah ah ah ah ah ah ah
Ah ah ah ah ah ah ahAh ah ah ah ah ah ah
Female
Kuyilu kunju summaa summaa koovudhuThe young cuckoo chick calls out joyfully and aimlessly
Solaikkulae kuyilu kunju summaa summaa koovudhuInside the grove, the young cuckoo chick calls out joyfully and aimlessly
Sola thattil thaalam podudhu kannaalaeIt keeps time on the corn stalk with a gentle glance
Solaikkulae kuyilu kunju summaa summaa koovudhuInside the grove, the young cuckoo chick calls out joyfully and aimlessly
Male
Koovum kuyil dhaan un polaeThe singing cuckoo, unlike you
Konji konji paesaadhuDoes not speak with endearing sweet words
Koovum kuyil dhaan un polaeThe singing cuckoo, unlike you
Konji konji paesaadhuDoes not speak with endearing sweet words
Adhanaalae un kuralodu inimaiyaaiTherefore, to speak sweet words with a voice like yours
Mozhi paesi pazhagavaeAnd converse together joyfully
Solaikkulae kuyilu kunju summaa summaa koovudhuInside the grove, the young cuckoo chick calls out joyfully and aimlessly
Female
Vaanga vaanga perum pannaiyaaraeWelcome, welcome, respected landlord!
Neenga vandhaalae niraindhirukkum enga ooraeYour very presence makes our village feel prosperous and full
Female
Vaanga vaanga perum pannaiyaaraeWelcome, welcome, respected landlord!
Neenga vandhaalae niraindhirukkum enga ooraeYour very presence makes our village feel prosperous and full
Aiyaa nadai podum azhagilaeIn the majestic grace of the master's walk
Female
Aiyaa nadai podum azhagilaeIn the majestic grace of the master's walk
Adaiyaalam therinjidhaanRecognizing him by his distinct identity
Solaikkulae kuyilu kunju summaa summaa koovudhuInside the grove, the young cuckoo chick calls out joyfully and aimlessly
Male
Pannaiyaarkku kalyaana penA bride for the landlord
Paarthu vandhaachuHas been found and chosen
Indha pannayaarkku kalyaana penA bride for this landlord
Paarthu vandhaachuHas been found and chosen
Sammadham kaettu vandhaachuWe have returned after obtaining agreement
Endha naattilum paechu theriyumaaIs it spoken of across every land, do you know?
Sonnaal puriyumaaWill you understand if explained?
Pennin paeru meenaavaamThe girl's name is said to be Meena
Kaadhal jodhi enbaenI would call her the guiding light of love
Pennin paeru meenaavaamThe girl's name is said to be Meena
Kaadhal jodhi enbaenI would call her the guiding light of love
Solaikkulae kuyilu kunju summaa summaa koovudhuInside the grove, the young cuckoo chick calls out joyfully and aimlessly
Female
Kaadhalunnaa ennaangaWhat is love after all, sir?
Adhu kalyaanam dhaanaeIs it not marriage itself?
Kaadhalunnaa ennaanga adhu kalyaanam dhaanaeWhat is love after all, sir? Is it not marriage itself?
Sollunga selva cheemaanae ezhai pennunga naanaeTell me, wealthy gentleman, I am just a poor girl
Ennaa arumaiyo yennaal perumaiyoWhat delightful bliss, what a sense of immense pride!
Manam pol maalai soodavae yogam vandhadhinaalBecause good fortune has arrived to exchange garlands as the heart desired
Manam pol maalai soodavae yogam vandhadhinaalBecause good fortune has arrived to exchange garlands as the heart desired

Beyond the translation

Song interpretation

This delightful folk-style song from Paanai Pidithaval Bhagyasaali (1958) captures rural celebration, romance, and joyful banter. Set against the backdrop of a lush orchard and countryside, the lyrics draw parallels between the singing cuckoo bird and the sweetness of speech shared between lovers and villagers. The song heralds the arrival of a respected village landlord and celebrates the joyful news of a marriage match arranged with a girl named Meena, blending traditional values of matrimony with playful expressions of affection. The track reflects the classic aesthetic of 1950s Tamil cinema music, where natural imagery, rustic charm, and joyful romantic expectations intertw seamlessly. Through rhythmic sound words and folk poetry, it conveys the harmony of village life and the happiness surrounding love that culminates in marriage.

Writing craft

Poetic devices

Repetition (Adukkuthodar)

Solaikkulae kuyilu kunju summaa summaa koovudhu

Words like 'summaa summaa', 'konji konji', and 'vaanga vaanga' are repeated sequentially to emphasize playfulness, affection, and warm hospitality.

Metaphor (Uruvagam)

Pennin paeru meenaavaam Kaadhal jodhi enbaen

Describing the bride Meena as 'Kaadhal jodhi' (the flame/light of love) metaphorically equates her presence to illuminating love.

Refrain / Chorus

Solaikkulae kuyilu kunju summaa summaa koovudhu

The line 'Solaikkulae kuyilu kunju summaa summaa koovudhu' acts as the recurring central chorus motif connecting all stanzas of the song.

Did you know?

Trivia

'Paanai Pidithaval Bhagyasaali' (1958) is a classic black-and-white Tamil movie featuring lyrics written by T. K. Sundara Vathiyar. The song is memorable for its rhythmic folk structure that highlights rural Tamil dialect and cultural traditions surrounding courtship and marriage.

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