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Isaimozhi
Lyrics & meaning

Singara Roobane

From Thaai Paasam · 1988

Lyricist
Vaali
Singers
Malaysia Vasudevan, B. Sasirekha, Vanitha
Music director
Chandrabose
Details
Thaai Paasam1988

Lyrics & meaning

Tanglish lyrics English translation
Female
Singaara roobanae deva …Oh lord of handsome form...
Male :SabashMale: Bravo!
Female :Rendu samsaaram ingundu kondaadaFemale: Here are two wives to celebrate with you,
Vaa vaaCome, come,
Singaara roobanae devaOh lord of handsome form,
Male
KaanathirupenooWill I remain without seeing...
Kanni mayil un mugathai...your face, like a maiden peacock?
OodhathiruppenoWill I remain without playing...
Ennudaiya naayanathai...my Nadaswaram pipe?
Male
EppadimmaHow is that, dear?
Female
Naan paarthathilaeAmong everything I have seen,
Indha naayanam thaanit is this pipe
Miga neelam enbaen rombha neelam enbaenthat I would call very long, extremely long.
Naan kettadhilae adhan oosaiyai thaanAmong everything I have heard, its sound
Nalla geetham enbaen sutha nadham enbaenI would call a fine melody, pure musical sound.
Female
Manappara murukku polaLike the crisp snack of Manapparai,
Thirunelveli alwa polaLike the rich halwa of Thirunelveli,
Manappara murukku polaLike the crisp snack of Manapparai,
Thirunelveli alwa polaLike the rich halwa of Thirunelveli,
Maamavae naanirukken inga thaanUncle, I am right here!
Male :HaiyooMale: Oh dear!
Female :Enna madhikkama konjuriyaeFemale: You are flirting without even respecting me...
Angae thaan…...over there!
Male
Unnai kaanadha kannum kannallaAn eye that doesn't see you is not an eye at all,
Unnai killadha kaiyum kaiyallaA hand that doesn't pinch you is not a hand at all,
Unnai pidikkatha aanum aanallaA man who doesn't like you is not a man at all,
Nee adikkadha thavilum thavil allaA thavil drum you don't beat is not a thavil at all,
Nee adikkadha thavilum thavil allaA thavil drum you don't beat is not a thavil at all.
Female
Vaanga machaan…Come, brother-in-law...
Haan vaanga machaanYes, come brother-in-law!
Haei vaanga machaan vaangaHey, come brother-in-law, come!
Ennai marandhadhum thaan yengaWhy long after forgetting me?
Hai hai…hai hai haiHai hai... hai hai hai!
Vaanga machaan vaangaCome brother-in-law, come!
Ennai marandhadhum thaan yengaWhy long after forgetting me?
Avala pola thaanga enna anaichikkanum neengaYou should embrace me tenderly just like her!
Female
Vaanga machaanCome, brother-in-law,
Haan vaanga machaanYes, come brother-in-law,
Haei vaanga machaan vaangaHey, come brother-in-law, come,
Ennai marandhadhum thaan yengaWhy long after forgetting me?
Male
Irandu thavil vendum podu…I need two thavil drums, play on...
Irandu thavil vendum ..iraivanidam kettenI need two thavil drums... I asked of God,
Adithu vaazha ondru …anaithu vazha ondruOne to play and live with, one to embrace and live with.
Irandu thavil vendumI need two thavil drums.
Female
Anbae …Male :Haang …Female: Love... Male: Yes?
Female :InbamFemale: Bliss!
Male :Ohoo …engae …Female :IngaeMale: Oho... where? Female: Right here!
Female
Ravodu raavaaga uravaadalaamWe can romance throughout the night,
Thoongaamal neengaamalWithout sleeping, without parting,
Sugam thedalaamWe can seek pleasure.
Male :EnnangadiMale: What is this, woman?
Female :Anbae inbamMale :OhooFemale: Love is bliss! Male: Oho!
Male :Engae…Female :IngaeMale: Where? Female: Right here!
Male
………………….....
Male
Kuttram purinthavan vaazhkkaiyil nimmadhiIn the life of one who has committed a crime, peace
Kolvadhenbadhu yaedhu….is something that can never be found...
Kuttram purinthavan vaazhkkaiyil nimmadhiIn the life of one who has committed a crime, peace
Kolvadhenbadhu yaedhu….is something that can never be found...
Male
Pendaatti irandu padaithavan vaazhkaiThe life of a man who has two wives
Uruppada mudiyathu ..mudiyathucan never prosper... never!
Kuttram purinthavan vaazhkkaiyil nimmadhiIn the life of one who has committed a crime, peace
Kolvadhenbadhu yaedhu….is something that can never be found...

Beyond the translation

Song interpretation

This playful and humorous song from the 1988 Tamil movie Thaai Paasam features a husband caught between two wives competing for his attention. Using double entendres, musical metaphors (such as the Nadaswaram and Thavil), and local culinary treats, both wives tease and demand love from him as he humorously attempts to balance the two. Towards the conclusion, the track shifts into a satirical moral lesson warning that a man who takes two wives will never find peace or prosperity, humorously framing bigamy as a self-inflicted crime.

Writing craft

Poetic devices

Simile (Upamai)

Manappara murukku pola / Thirunelveli alwa pola

Compares affection and female charm to famous regional delicacies like Manapparai Murukku and Thirunelveli Halwa.

Anaphora (Adukku Thodar)

Unnai kaanadha kannum kannalla / Unnai killadha kaiyum kaiyalla

Repetitive rhythmic structure emphasizing complete negation to stress devotion and playful possessiveness.

Extended Metaphor (Uruvagaim)

Irandu thavil vendum ..iraivanidam ketten / Adithu vaazha ondru …anaithu vazha ondru

Uses traditional instruments (Nadaswaram and Thavil) as metaphors for romantic relationship dynamics and co-wives.

Did you know?

Trivia

The song cleverly incorporates traditional South Indian musical instruments like the Nadaswaram and Thavil as double-entendre metaphors for romantic partnership, a signature style of lyricist Vaali in 1980s Tamil folk-comedic compositions.

Keep listening

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