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Isaimozhi
Lyrics & meaning

Singara Roobane

From Thaai Paasam · 1988

Lyricist
Vaali
Singers
Malaysia Vasudevan, B. Sasirekha, Vanitha
Music director
Chandrabose
Movie name
Thaai Paasam
Movie release year
1988
Lyrics added on
6 Feb 2021

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Singaara roobanae deva …
Male :Sabash
Female :Rendu samsaaram ingundu kondaada
Vaa vaa
Singaara roobanae deva
Kaanathirupenoo
Kanni mayil un mugathai
Oodhathiruppeno
Ennudaiya naayanathai
Eppadimma
Naan paarthathilae
Indha naayanam thaan
Miga neelam enbaen rombha neelam enbaen
Naan kettadhilae adhan oosaiyai thaan
Nalla geetham enbaen sutha nadham enbaen
Manappara murukku pola
Thirunelveli alwa pola
Manappara murukku pola
Thirunelveli alwa pola
Maamavae naanirukken inga thaan
Male :Haiyoo
Female :Enna madhikkama konjuriyae
Angae thaan…
Unnai kaanadha kannum kannalla
Unnai killadha kaiyum kaiyalla
Unnai pidikkatha aanum aanalla
Nee adikkadha thavilum thavil alla
Nee adikkadha thavilum thavil alla
Vaanga machaan…
Haan vaanga machaan
Haei vaanga machaan vaanga
Ennai marandhadhum thaan yenga
Hai hai…hai hai hai
Vaanga machaan vaanga
Ennai marandhadhum thaan yenga
Avala pola thaanga enna anaichikkanum neenga
Vaanga machaan
Haan vaanga machaan
Haei vaanga machaan vaanga
Ennai marandhadhum thaan yenga
Irandu thavil vendum podu…
Irandu thavil vendum ..iraivanidam ketten
Adithu vaazha ondru …anaithu vazha ondru
Irandu thavil vendum
Anbae …Male :Haang …
Female :Inbam
Male :Ohoo …engae …Female :Ingae
Ravodu raavaaga uravaadalaam
Thoongaamal neengaamal
Sugam thedalaam
Male :Ennangadi
Female :Anbae inbamMale :Ohoo
Male :Engae…Female :Ingae
…………………..
Kuttram purinthavan vaazhkkaiyil nimmadhi
Kolvadhenbadhu yaedhu….
Kuttram purinthavan vaazhkkaiyil nimmadhi
Kolvadhenbadhu yaedhu….
Pendaatti irandu padaithavan vaazhkai
Uruppada mudiyathu ..mudiyathu
Kuttram purinthavan vaazhkkaiyil nimmadhi
Kolvadhenbadhu yaedhu….
Oh handsome, charming god...
Male: Bravo!
Female: You have two wives here to celebrate with,
Come, come!
Oh handsome, charming god!
Would I ever stay without seeing
the face of my peacock-like beauty?
Would I ever stay without playing
my naadaswaram (wind instrument)?
How was that, dear?
Of all the pipes I have seen,
this naadaswaram here
is the longest, so very long!
Of all the sounds I have heard, its music
is a sweet song, pure melody!
Crisp like Manapparai murukku,
sweet like Tirunelveli halwa,
Crisp like Manapparai murukku,
sweet like Tirunelveli halwa,
Darling, I am right here waiting!
Male: Oh dear!
Female: Ignoring me, you are romancing
over there!
An eye that hasn't seen you is no eye at all.
A hand that hasn't pinched you is no hand at all.
A man who doesn't desire you is no man at all.
A thavil (drum) you haven't played is no drum at all.
A thavil you haven't played is no drum at all.
Come on, darling...
Yes, come on, darling!
Hey, come on, darling, come!
Why did you forget me and leave me yearning?
Hai hai... hai hai hai!
Come on, darling, come!
Why did you forget me and leave me yearning?
Just like her, you must embrace me too!
Come on, darling...
Yes, come on, darling!
Hey, come on, darling, come!
Why did you forget me and leave me yearning?
I need two thavil drums, play the beat!
I asked God for two thavil drums...
One to beat and play, one to embrace and live with...
I need two thavil drums!
My love... Male: Haan...
Female: Sweet pleasure...
Male: Oho... where? Female: Right here!
All through the night we can be together,
without sleeping, never parting,
we can seek pleasure!
Male: What is it, girls?
Female: Love is bliss... Male: Oho!
Male: Where? Female: Right here!
...
In the life of a wrongdoer,
where is there any peace?
In the life of a wrongdoer,
where is there any peace?
The life of a man with two wives
can never end well... never!
In the life of a wrongdoer,
where is there any peace?
Female
Male
Male
Female
Female
Male
Female
Female
Male
Female
Female
Male
Male
Male

Beyond the translation

Overall song meaning

This playful and humorous song from the 1988 Tamil movie Thaai Paasam features a husband caught between two wives competing for his attention. Using double entendres, musical metaphors (such as the Nadaswaram and Thavil), and local culinary treats, both wives tease and demand love from him as he humorously attempts to balance the two. Towards the conclusion, the track shifts into a satirical moral lesson warning that a man who takes two wives will never find peace or prosperity, humorously framing bigamy as a self-inflicted crime.

Writing craft

Poetic devices

Simile (Upamai)

Manappara murukku pola / Thirunelveli alwa pola

Compares affection and female charm to famous regional delicacies like Manapparai Murukku and Thirunelveli Halwa.

Anaphora (Adukku Thodar)

Unnai kaanadha kannum kannalla / Unnai killadha kaiyum kaiyalla

Repetitive rhythmic structure emphasizing complete negation to stress devotion and playful possessiveness.

Extended Metaphor (Uruvagaim)

Irandu thavil vendum ..iraivanidam ketten / Adithu vaazha ondru …anaithu vazha ondru

Uses traditional instruments (Nadaswaram and Thavil) as metaphors for romantic relationship dynamics and co-wives.

Did you know?

Trivia

The song cleverly incorporates traditional South Indian musical instruments like the Nadaswaram and Thavil as double-entendre metaphors for romantic partnership, a signature style of lyricist Vaali in 1980s Tamil folk-comedic compositions.

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