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Isaimozhi
Lyrics & meaning

Sindhaikkinbame

From Maruthanad Elavarasee · 1950

Lyricist
K. P. Kamatchisundaram
Singer
M. M. Mariyappa
Music director
M. S. Gnanamani
Movie name
Maruthanad Elavarasee
Movie release year
1950
Lyrics added on
3 Feb 2026

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Sinthakkinbamae thantha
Painkili jeevanallavo
Sinthakkinbamae thantha
Painkili jeevanallavo
Gangai pondra vaazhvinilae…aa..aa…
Kaama devathaa rathi pol
Gangai pondra vaazhvinilae…
Kaama devathaa rathi pol
Kaanalaanathor maniyai
Kaattu paathai mel izhanthaen
Kaanalaanathor maniyai
Kaattu paathai mel izhanthaen
Sinthakkinbamae thantha
Painkili jeevanallavo
Kaar mazhaiyaar soozhum
Puyal kaattril panjaanaen
Karunaaga kaadhagaraal
Kaana vaaniyai pirinthaen
Karunaaga kaadhagaraal
Kaana vaaniyai pirinthaen
Kaanuveno naan puvimael
Kadhalindrael saathal nandrae
Kaanuveno naan puvimael
Kadhalindrael saathal nandrae
Sinthakkinbamae thantha
Painkili jeevanallavo
The one who brought joy to my heart,
isn't that sweet parrot my very life?
The one who brought joy to my heart,
isn't that sweet parrot my very life?...
In this life, flowing like the river Ganga... ah... ah...
She who was like Rathi, the goddess of love,
In this life, flowing like the river Ganga...
She who was like Rathi, the goddess of love,
A precious gem that I once found,
I lost upon a forest path.
A precious gem that I once found,
I lost upon a forest path.
The one who brought joy to my heart,
isn't that sweet parrot my very life?
Surrounded by dark rain clouds,
I was tossed like cotton in the stormy wind.
Because of cruel villains like venomous black serpents,
I was separated from my sweet-singing love....
Because of cruel villains like venomous black serpents,
I was separated from my sweet-singing love....
Will I ever see her again on this earth?...
Without love, it is better to die.
Will I ever see her again on this earth?...
Without love, it is better to die...
The one who brought joy to my heart,
isn't that sweet parrot my very life?
Male
Male
Male
Male
Male
Male

Beyond the translation

Overall song meaning

This classic lamentation song captures the profound grief of a protagonist separated from his beloved. He compares his lover to a precious green parrot that brought joy to his mind and formed the essence of his life. Once serene and sacred like the river Ganges, his life was elevated by her beauty—which rivaled that of the goddess Rati. However, like losing a rare gem in a dark forest, he lost her due to the evil actions of ruthless villains, whom he compares to lethal black cobras.\n\nSwept away like light cotton in a ferocious storm, the protagonist feels utterly helpless and lost. He despairs over whether he will ever see his love again on this earth, ultimately declaring that living without love is unbearable and that death would be a far better fate.

Writing craft

Poetic devices

Metaphor (Uruvagamm)

Painkili jeevanallavo

Compares the beloved to a green parrot ('Painkili') that embodies the narrator's life energy.

Simile (Upamai)

Gangai pondra vaazhvinilae…aa..aa…

Compares the narrator's pure life to the holy River Ganges ('Gangai pondra vaazhvinilae').

Simile (Upamai)

Kaama devathaa rathi pol

Compares the beauty of the beloved to Goddess Rati ('Kaama devathaa rathi pol').

Metaphor (Uruvagamm)

Kaanalaanathor maniyai

Refers to the beloved as a priceless, rare jewel ('Kaanalaanathor maniyai') lost on a forest path.

Metaphor (Uruvagamm)

Karunaaga kaadhagaraal

Compares the antagonist villains to treacherous black cobras ('Karunaaga kaadhagaraal').

Simile / Hyperbole

Puyal kaattril panjaanaen

Expresses helpless distress by describing oneself as cotton blown away by a storm ('Puyal kaattril panjaanaen').

Did you know?

Trivia

'Maruthanad Elavarasee' (1950) was an early Tamil historical drama starring M. G. Ramachandran (MGR) and V. N. Janaki, directed by A. Kasilingam. The soundtrack was composed by M. S. Gnanamani, and the lyrics penned by K. P. Kamatchisundaram reflect traditional, literary Tamil poetic tropes popular in 1950s cinema.

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