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Isaimozhi
Lyrics & meaning

Senthamarai Malar

From Vazhi Piranthathu · 1964

Lyricist
A. Maruthakasi
Singer
T. M. Soundararajan
Music director
T. Chalapathi Rao
Details
Vazhi Piranthathu1964

Lyrics & meaning

Tanglish lyrics English translation
Male
Senthamarai malar polLike a red lotus flower,
Sekka sivandha mugamA deep red, glowing face,
Adhil saelthaano vel thaanoAre those carp fish or spears?
Ennum iru vizhigalSuch are her two eyes,
Kandoor manangavarumCaptivating the hearts of all who behold,
Kovvai kani idhazhgalLips red like the ripe scarlet gourd,
Kaatril asaindhadumSwaying gently in the breeze,
Poongodi pol chinna idaiA slender waist like a flowering vine.
Male
Senthamarai malar polLike a red lotus flower,
Sekka sivandha mugamA deep red, glowing face,
Adhil saelthaano vel thaanoAre those carp fish or spears?
Ennum iru vizhigalSuch are her two eyes.
Male
Anna nadaiyudaiyalShe walks with the grace of a swan,
Azhagin uruvamavalShe is the very embodiment of beauty,
Kannal mozhiyudaiyalHer speech is sweet as sugarcane,
Kanni paruva mayilShe is a young peacock in her maidenhood.
Vanna kiliyavalaiIf one keeps describing this colorful parrot-like maiden,
Varnithu kondirundhaalAnd continues praising her beauty,
Vayirum pasikkaadhuOne will not even feel hunger in the stomach,
Neram povadhum theriyadhuNor realize how time slips away.
Male
Senthamarai malar polLike a red lotus flower,
Sekka sivandha mugamA deep red, glowing face,
Adhil saelthaano vel thaanoAre those carp fish or spears?
Ennum iru vizhigalSuch are her two eyes.

Beyond the translation

Song interpretation

This song is a classic romantic portrait penned by lyricist A. Maruthakasi, praising the mesmerizing beauty and grace of a young woman. Using traditional Tamil literary imagery, her face is likened to a blooming red lotus, her eyes to sharp spears or darting carp fish, her lips to ripe red gourd fruits, her waist to a delicate flowering vine, and her gait to that of a majestic swan. The speaker expresses such deep enchantment that admiring her beauty makes him forget basic human needs like hunger and renders him completely unaware of the passage of time.

Writing craft

Poetic devices

Upamai (Simile)

Senthamarai malar pol / Poongodi pol chinna idai

Explicit comparison using 'pol' (like) comparing her glowing face to a red lotus flower and her waist to a slender flowering vine.

Uruvagam (Metaphor)

Kovvai kani idhazhgal / Kannal mozhiyudaiyal

Directly metaphorizing her lips as ripe scarlet gourd fruit and her speech as sugarcane sweetness.

Monai (Initial Alliteration)

Vanna kiliyavalai / Varnithu kondirundhaal / Vayirum pasikkaadhu

Repetition of initial consonants/vowel sounds in consecutive words such as 'Vanna', 'Varnithu', and 'Vayirum'.

Edhukai (Second Letter Rhyme)

Anna nadaiyudaiyal / Kannal mozhiyudaiyal / Vanna kiliyavalai

Matching second consonants across lines: 'An-na', 'Kan-nal', and 'Van-na'.

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Trivia

Vazhi Piranthathu (1964) features music composed by T. Chalapathi Rao with lyrics by the legendary A. Maruthakasi. Sung by T. M. Soundararajan, the track showcases classical Sangam-inspired literary imagery adapted seamlessly into mid-20th-century Tamil cinema romance.

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