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Isaimozhi
Lyrics & meaning

Otha Rooba

From Thudhu Po Chellakiliye · 1991

Lyricist
Kalidasan
Singer
K. S. Chithra
Music director
Deva
Details
Thudhu Po Chellakiliye1991

Lyrics & meaning

Tanglish lyrics English translation
Female
Chitira maasathu seergasambaThe Seeraga Samba rice of the month of Chithirai,
Chorus :Kuthunga kunthunga nellu kunthungaChorus: Pound it, sit down and pound the paddy!
Female :Atha maganukku virunthu vaikkanumFemale: I must prepare a grand feast for my maternal aunt's son!
Chorus :Arisi velukka amukki kuthungaChorus: Pound it down hard so the rice turns gleaming white!
Chorus
Namma ooru sosiyaruOur village astrologer,
Nallathu sollittaruHas foretold good tidings.
Aavani masathu dhavani chittukkkuFor the girl in a half-saree in the month of Aavani,
Azhagu kalyanamA beautiful wedding shall take place.
Female
Oththa rooba pottu vachaanHe placed a one-rupee bindi on my forehead,
Othayil vantha machaanMy maternal cousin who came all alone.
Oththa rooba pottu vachaanHe placed a one-rupee bindi on my forehead,
Othayil vantha machaanMy maternal cousin who came all alone.
Female
Odakara oram anthi neramBy the bank of the stream in the evening twilight,
Oru saada paesiSpeaking in secret signals,
Oththa rooba pottu vachaanHe placed a one-rupee bindi on my forehead,
Othaiyil vantha machaanMy maternal cousin who came all alone.
Female
Malli poo paayapottuSpreading out a mat woven with jasmine flowers,
Maaman yaengunaanMy beloved yearned for me.
Mallukattum thaagathoduWith a passionate, wrestling-like thirst,
Maaril thaanginaanHe held me tight against his chest.
Female
Mella mella nenjukullaSlowly and gently inside my heart,
Aasai aduppai yaethinaanHe lit up the stove of desire.
Mallakkathaan padukka solliAsking me to lie down on my back,
Mallakkathaan padukka solliAsking me to lie down on my back,
Maaman vaeliya thooginaanMy beloved swung on the outer fence.
Vidikaalam neram…thaana thanana naanaAt the break of dawn... thaana thanana naana.
Female
Oththa rooba pottu vachaanHe placed a one-rupee bindi on my forehead,
Othayil vantha machaanMy maternal cousin who came all alone.
Oththa rooba pottu vachaanHe placed a one-rupee bindi on my forehead,
Othayil vantha machaanMy maternal cousin who came all alone.
Female
Odakara oram anthi neramBy the bank of the stream in the evening twilight,
Oru saada paesiSpeaking in secret signals,
Oththa rooba pottu vachaanHe placed a one-rupee bindi on my forehead,
Othaiyil vantha machaanMy maternal cousin who came all alone.
Female
Geittimela maela thalathoduiTo the resounding beats of auspicious wedding drums,
Maalai maathuvomWe shall exchange garlands.
Chittu kuruvi pola naangaLike a pair of happy sparrows,
Saernthu aaduvomWe shall dance together.
Female
Etu ooru kannupadavaeMaking all the eight surrounding villages envious,
Otti urasi nadapaenaeI will walk holding onto him closely.
Munthaanayil purushan manasaiTying my husband's heart into the corner of my saree,
Mudinju vchu rasipaenI will treasure and adore it.
Dhinamthorum naangaEvery single day we...
thaana thanana naanathaana thanana naana.
Female
Odakara oram anthi neramBy the bank of the stream in the evening twilight,
Oru saada paesiSpeaking in secret signals,
Oththa rooba pottu vachaanHe placed a one-rupee bindi on my forehead,
Othaiyil vantha machaanMy maternal cousin who came all alone.
Female
Odakara oram anthi neramBy the bank of the stream in the evening twilight,
Oru saada paesiSpeaking in secret signals,
Oththa rooba pottu vachaanHe placed a one-rupee bindi on my forehead,
Othaiyil vantha machaanMy maternal cousin who came all alone.
Female
Oththa rooba pottu vachaanHe placed a one-rupee bindi on my forehead,
Othayil vantha machaanMy maternal cousin who came all alone.

Beyond the translation

Song interpretation

This energetic rural folk song from 'Thudhu Po Chellakiliye' captures the joyful romantic longing and wedding anticipation of a young village woman. The song opens with communal paddy-pounding activities, illustrating the vibrant culture of Tamil village life where women gather to prepare feasts. The astrologer’s prediction of an upcoming wedding in the month of Aavani sets a joyous narrative foundation. The heroine fondly recalls playful and intimate secret meetings with her maternal cousin (machaan) by the stream bank during dusk. She dreams of their upcoming marriage filled with grand music, exchanging garlands, and dancing like sparrows without a care for the world, expressing her deep emotional attachment and longing to keep her future husband close to her heart forever.

Writing craft

Poetic devices

Ethugai (Second Letter Rhyme)

Oththa rooba pottu vachaan / Othayil vantha machaan

The second letter 'th' ('த்') rhymes in 'Oththa' and 'Othayil', creating an authentic folk rhythm.

Monai (Initial Letter Rhyme)

Malli poo paayapottu / Maaman yaengunaan

The starting consonant 'M' ('ம'/'மா') is repeated in 'Malli' and 'Maaman'.

Simile (Uvamai Ani)

Chittu kuruvi pola naanga / Saernthu aaduvom

The couple compares their joyous union and dance to a pair of free sparrows ('Chittu kuruvi pola').

Metaphor (Uruvagak Ani)

Aasai aduppai yaethinaan

Desire is metaphorically visualised as a stove ('aduppu') being lit within her heart.

Did you know?

Trivia

Composed by Deva with lyrics penned by Kalidasan, 'Chitira maasathu seergasamba' highlights Deva's expertise in authentic Tamil village folk rhythm (Gramiya Isai). Sung by K. S. Chithra, the song beautifully blends playfulness, traditional wedding culture, and rustic romantic storytelling characteristic of early 1990s South Indian cinema music.

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