- Lyricist
- Kannadasan
- Singer
- T. M. Soundararajan
- Music director
- M. S. Vishwanathan
- Movie name
- Engirundho Vandhaal
- Movie release year
- 1970
- Lyrics added on
- 27 Jul 2019
Lyrics & meaning
Beyond the translation
Overall song meaning
'Orae Paadal Unnai Azhaikkum' is a classic melancholic song from the 1970 Tamil film 'Engirundho Vandhaal', expressing deep longing, nostalgic memories, and unconditional love during painful separation. The singer uses music as a medium to reach out to the beloved, confident that hearing this familiar melody will evoke forgotten memories and stir their heart once again. Written by the legendary poet Kannadasan, the lyrics vividly contrast past happiness—likened to lovebirds soaring together—with the current anguish of heartbreak and tears. The protagonist reflects on total emotional surrender, stating that living without the beloved has caused them to lose their own identity. Through tender repetition, the song serves as an eternal beacon of hope to rekindle lost love.
Writing craft
Poetic devices
Metaphor (Uruvagam)
“Kaadhal kiligal parandha kaalam”
Compares the lovers in their joyful past to 'lovebirds' (Kaadhal kiligal) flying freely together.
Monai (Initial Assonance / Alliteration)
“Kanneer kalangi kannil erangi”
Repetition of the initial 'K' sound ('Ka', 'ka', 'ka') across words creates a rhythmic and melodic flow.
Iyaipu (End Rhyme)
“Unnai ninaithae ulagil irundhen / Unnai prindhen ennai marandhen”
The lines end with rhyming verbs ('irundhen' and 'marandhen'), emphasizing the emotional impact of separation.
Internal Rhyme (Ethugai)
“Unnai arindhen ennai koduthen”
Repetition of the 'nn' sound in the second syllable of 'Unnai' and 'ennai', producing a balanced lyrical cadence.
Did you know?
Trivia
'Engirundho Vandhaal' (1970), starring Sivaji Ganesan and Jayalalithaa, was directed by A. C. Tirulokchandar. The film's music was composed by M. S. Viswanathan (MSV) with lyrics by Kannadasan. This popular song 'Orae Paadal Unnai Azhaikkum' was rendered in iconic dual solo versions by T. M. Soundararajan and P. Susheela, serving as a crucial emotional motif in the movie's narrative.
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