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Isaimozhi
Lyrics & meaning

Oraang Kiragamadi

From Guru Dhatchanai · 1969

Lyricist
Kannadasan
Singers
T. M. Soundararajan, P. Susheela
Music director
T. Pugazhenthi
Movie name
Guru Dhatchanai
Movie release year
1969
Lyrics added on
4 Apr 2023

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Hooo oo ooo oo oo
Female :Hooo oo ooo oo oo
Chorus :Hooo oo ooo oo oo
Haa.aaa.aaaa.aaa…
{Orangiragamadi kanni
Male Chorus :Ohoo
Female :Oruthiyaaga naan irundhen kanna
Female Chorus :Ahaa} (2)
Eeraang kirangamadi kanni..adi kanni
Female :Naam iruvaraaga serndhu vittom kanna
Moonamgiragamadi kanni
Female :Nee moonu mudichu poda venum kanna
Kanna
Nalangiragamadi kanni
Female :Nammai naalu peru madhikka venum kanna
Nalangiragamadi kanni
Female :Nammai naalu peru madhikka venum kanna
Anajangiragamadi kanni..adi kanni
Female :Naama anjeluthai saatchi veippom kanna
Arangiragamadi kanni
Female :Andha aarumugan thunai iruppaan kanna
kanna
Ezhangiragamadi kanni
Female :Naan ezhu jenmam serndhiruppon kanna
Ezhangiragamadi kanni
Female :Naan ezhu jenmam serndhiruppon kanna
Hooo oo ooo oo oo
Haa.aaa.aaaa.aaa…
Ettangiragamadi kanni..adi kanni
Female :Naam ettu dhisaiyum pereduppom kanna
Onbathamgiragamadi kanni
Female :Andha onbathaiyum manasukullae enni enni
{Pathamgiragamadi kanni
Male Chorus :Ohoo
Female :Un pathiniyaai naan iruppen kanna
Female Chorus :Ahoo} (2)
Hoo...
Female: Hoo...
Chorus: Hoo...
Haa...
{The first count, my girl!
Male Chorus: Oho!
Female: I used to be all alone, my Kanna!
Female Chorus: Aahaa!} (2)
The second count, my girl... hey girl!
Female: Now the two of us have come together, my Kanna!
The third count, my girl!
Female: You must tie the three marriage knots, my Kanna!
Kanna!
The fourth count, my girl!
Female: The world around us should respect us, my Kanna!
The fourth count, my girl!
Female: The world around us should respect us, my Kanna!
The fifth count, my girl... hey girl!
Female: We will make the sacred five-letter chant our witness, my Kanna!
The sixth count, my girl!
Female: The six-faced Lord Murugan will watch over us, my Kanna!
Kanna!
The seventh count, my girl!
Female: I will stay by your side for seven lifetimes, my Kanna!
The seventh count, my girl!
Female: I will stay by your side for seven lifetimes, my Kanna!
Hoo...
Haa...
The eighth count, my girl... hey girl!
Female: We will earn a good name in all eight directions, my Kanna!
The ninth count, my girl!
Female: Keeping all these nine thoughts close in my heart...
{The tenth count, my girl!
Male Chorus: Oho!
Female: I will live as your devoted wife, my Kanna!
Female Chorus: Aho!} (2)
Male
Male
Male
Male
Male
Male
Male
Male
Male
Male
Chorus
Male
Male
Male

Beyond the translation

Overall song meaning

This playful and rhythmic duet uses a numerical countdown/count-up concept from one to ten ('Orangiragam' to 'Pathamgiragam') to describe the stages of romantic love, commitment, and lifelong marital union. The lead female character sings to her beloved 'Kanna', correlating each number with a deeply rooted cultural aspect of Tamil matrimony and devotion. She progresses from being single (1) to uniting as a couple (2), asking him to tie the three knots of the mangalsutra (3), aspiring to earn respect from society/four people (4), taking the sacred five-lettered prayer as a witness (5), seeking protection from six-faced Lord Murugan (6), promising togetherness across seven births (7), earning renown in all eight directions (8), reflecting on these blessings (9), and finally promising to remain his devoted, faithful wife (10). Lyricist Kannadasan masterfully blends Tamil folk rhythm with traditional marriage lore.

Writing craft

Poetic devices

Ennummai / Numerical Sequence (எண்ணும்மை)

Orangiragamadi ... Pathamgiragamadi

The song is structured entirely on a numerical progression from 1 (Oru) to 10 (Pathu), anchoring every stanza with a specific count.

Iyaipu (இயைபு - End Rhyme)

Oruthiyaaga naan irundhen kanna / Nee moonu mudichu poda venum kanna

The repetition of the word 'kanna' at the end of each line sung by the female lead creates a soothing end-rhyme scheme.

Monai (மோனை - Initial Alliteration)

Nee moonu mudichu poda venum kanna

Alliteration of the 'M' sound ('Moonamgiragamadi', 'Moonu', 'Mudichu') reinforces the rhythm of the third verse.

Cultural Metaphor

Naama anjeluthai saatchi veippom kanna

'Anjeluthu' refers to the sacred five-syllable Panchakshara mantra (Na-Ma-Si-Va-Ya), used metaphorically here as a divine witness to their union.

Did you know?

Trivia

The song comes from the 1969 film 'Guru Dhatchanai', starring Sivaji Ganesan and Jayalalithaa. The music was composed by T. Pugazhenthi, who was a long-time associate and assistant to the legendary composer M. S. Viswanathan. Kannadasan's lyrical brilliance is highlighted by effortlessly integrating Tamil cultural tropes tied to numbers—such as 'Moonu Mudichu' (three knots), 'Naalu Peru' (society's four people), 'Aarumugan' (Lord Murugan), and 'Ezhu Jenmam' (seven reincarnations)—into a catchy counting song.

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