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Isaimozhi
Lyrics & meaning

Namo Re

From Nagabandham · 2026

Lyricist
Soundara Rajan
Singer
Haripriya
Music director
Junaid Kumar – Abhe
Details
Nagabandham2026

Lyrics & meaning

Tanglish lyrics English translation
Female
Sriyah kaantaya kalyanaAuspiciousness unto Him who is the beloved of Lakshmi,
Nidhaye nidhaye arthinaamThe treasure house for those who seek spiritual and material wealth,
Sri venkata nivasayaWho resides on the sacred Venkata hill,
Srinivasaya mangalamAuspiciousness unto Lord Srinivasa.
Female
Lakshmi savibhrama alokaTo the One whose alluring gaze brings joy to Lakshmi,
Subhru vibhrama chakshusheWhose beautiful eyebrows and captivating eyes,
Chakshushe sarva lokanaamServe as the guiding eyes for all the worlds,
Venkateshaya mangalamAuspiciousness unto Lord Venkatesha.
Chorus
Namo re namo reSalutations, salutations,
Namo re namo namo reSalutations, endless salutations,
Namo re namo reSalutations, salutations,
Namo re namo namo reSalutations, endless salutations,
Female
Ho namo re namo namo reOh, salutations, endless salutations,
Namo namo narayanaSalutations to Lord Narayana,
Female and Chorus :Ho namo re namo namo re[Female and Chorus]: Oh, salutations, endless salutations,
Namo namo narayanaSalutations to Lord Narayana,
Female
Namo re namo namo reSalutations, endless salutations,
Sagalamum narayanaLord Narayana is everything,
Female
Ninaithaal subheekshamJust thinking of Him brings prosperity,
Unarnthaal undu motchamRealizing Him grants ultimate liberation,
Navakragam poojikkumWorshipped by the nine planets,
Engal narayanayaraiOur Lord Narayana,
Asura kulam thannai azhithoneThe conqueror of the demon lineage,
Arul konde emmai kaapayeProtect us with your divine grace,
Female
En mana kshetra nivasaO Dweller in the sacred temple of my heart,
Kaliyuga palaka srinivasaSrinivasa, the protector of the Kaliyuga,
Sharanam sharanamRefuge, I seek ultimate refuge,
Vaikuntha pura vasaO Dweller of the holy abode Vaikuntha,
Female
Namo padmanabhamSalutations to the lotus-navel Lord Padmanabha,
Namo vishva bhaavamSalutations to the universal cosmic thought,
Namo shaiva poojyamSalutations to the One revered even by Shiva,
Bhaje hum bhaje humI worship You, I worship You,
Female
Namo padmanabhamSalutations to Padmanabha,
Namo vishva bhaavamSalutations to the universal cosmic thought,
Namo shaiva poojyamSalutations to the One revered even by Shiva,
Bhaje hum bhaje humI worship You, I worship You,
Female
En mana kshetra nivasaO Dweller in the sacred temple of my heart,
Kaliyuga palaka srinivasaSrinivasa, the protector of the Kaliyuga,
Sharanam sharanamRefuge, I seek ultimate refuge,
Vaikuntha pura vasaO Dweller of the holy abode Vaikuntha,
Female
Namo padmanabhamSalutations to Padmanabha,
Namo vishva bhaavamSalutations to the universal cosmic thought,
Namo shaiva poojyamSalutations to the One revered even by Shiva,
Bhaje hum bhaje humI worship You, I worship You,
Female
Namo padmanabhamSalutations to Padmanabha,
Namo vishva bhaavamSalutations to the universal cosmic thought,
Namo shaiva poojyamSalutations to the One revered even by Shiva,
Bhaje hum bhaje humI worship You, I worship You,
Female
Namo narayanaSalutations to Narayana,
Namo hari namoSalutations to Hari, salutations,
Narayanaaa hari namoNarayana, salutations to Hari.

Beyond the translation

Song interpretation

This devotional track is a deeply spiritual chant celebrating the supreme attributes of Lord Vishnu (Srinivasa / Narayana). The song commences with classical Sanskrit Mangalasasanam verses dedicated to Sri Venkateswara, wishing divine auspiciousness to the Lord who grants shelter to all beings and is the consort of Goddess Lakshmi. It transitions seamlessly into Tamil verses that glorify Narayana as the cosmic embodiment of all existence.

Writing craft

Poetic devices

Stotra Adaptation / Mangalasasanam

Sriyah kaantaya kalyana

Incorporation of classical Sanskrit slokas derived from traditional Venkatesha Mangala Stotram to establish a solemn, ancient chant atmosphere.

Anaphora / Repetition

Namo re namo re / Namo re namo namo re

Rhythmic repetition of 'Namo re' and 'Sharanam' to build emotional devotion and rhythmic momentum typical of Bhakti tradition.

Metaphor

En mana kshetra nivasa

Describing the devotee's mind/heart as a 'kshetra' (sacred altar/land) where the Lord resides.

Emonai (Second-letter Rhyme / Alliteration)

Ninaithaal subheeksham / Unarnthaal undu motcham

Use of internal rhythm and rhyming structure between 'Ninaithaal' and 'Unarnthaal' to create musical symmetry.

Did you know?

Trivia

The opening lines 'Sriyah kaantaya kalyana...' are directly adapted from Sri Venkatesha Mangalasasanam composed by Manavala Mamunigal in the 14th century, which is traditionally chanted at Tirumala Tirupati Devasthanam.

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