- Lyricist
- Kannadasan
- Singers
- S. P. Balasubrahmanyam, L. R. Anjali
- Music director
- Vijaya Bhaskar
- Movie name
- Aadu Puli Aattam
- Movie release year
- 1977
- Lyrics added on
- 15 Jul 2019
Lyrics & meaning
Beyond the translation
Overall song meaning
This song is a profound expression of spiritual unity, religious harmony, and divine solace composed by lyricist Kannadasan. It reflects on the omnipotence and oneness of God, highlighting that God is the ultimate origin and parent of all creation, leaving no human being an orphan. The lyrics remind listeners that human trials are minor compared to the legendary hardships endured by spiritual leaders like Prophet Muhammad during his historic journey from Mecca to Medina. Furthermore, the song advocates universal secularism and devotion by integrating elements from Hinduism (temple/kovil), Christianity (cross/siluvai), and Islam (crescent moon and holy Quran). It reassures humanity that seeking solace through any faithful spiritual path brings comfort to the mind, as everyone is ultimately a child of the same Supreme Creator.
Writing craft
Poetic devices
Ettugai (Second-letter Assonance)
“Vaanukku thandhai yevano / Mannukku moolam yevano”
The second letter 'n' (ன) matches across consecutive lines, creating acoustic harmony.
Metaphor
“Avanukku munnaal ingu ellorum mandhai”
Humanity is compared to a single flock ('mandhai') before the Supreme Creator.
Interfaith Symbolism / Syncretism
“Kovil kandu sollu undhan kavalai / Pogindra vazhi engum / Kaathu nirkkum siluvai / Vaanil moondraam pirai varum podhu”
The lyricist weaves symbols of Hinduism, Christianity, and Islam into consecutive verses to convey universal religious unity.
Iyaibu (End Rhyme)
“Anaadhi yaarum illai / Avanae thaan thandhai”
Lines end with matching sounds ('yevano', 'illai', 'thandhai').
Did you know?
Trivia
Although the movie 'Aadu Puli Aattam' (1977) stars Rajinikanth and Kamal Haasan as a action-thriller directed by S. P. Muthuraman with music composed by Vijaya Bhaskar, Kannadasan incorporated the Islamic creed (Shahada) directly into the Tamil lyrics. It remains a classic example of secular and inclusive songwriting in Tamil film music history.
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