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Lyrics & meaning

Naan Enna Solli

From Annan Ennada Thambi Ennada · 1992

Lyricist
Aabavanan
Singers
B. Sasirekha, K. R. Vijaya
Music director
Gyan Varma
Movie name
Annan Ennada Thambi Ennada
Movie release year
1992
Lyrics added on
15 Mar 2021

Lyrics & meaning

♫ Tanglish lyrics
↻ English translation
Yaendi muththamma
Enna innikki paattu keettu
Onnaiyum kaanom
Kalyaanamaagi purushan vantha
Aanthoshaththula paattu kooda maranthu pochchaa
Naan enna solli paattedukka
Yaedhu solli paattedukka
Paateduththu paadurappo
Pazhassa nenju nenaikkuthammaa
Ennadi kalyaanamaagi
Oru maasamkooda aavula
Athukulla ippadi polampuriyae
Manasukulla irukkuratha
Maraikkaama solludi
Kai pudichchu karai saeththa
Mamanoda manasu
Chorus :Ada mamanoda manasu
Female :Antha mamanoda manasuthaanae
Ponathu oru thinusu
Chorus :Ada ponathu oru thinusu
Malluvetti azhaga paaththu
Manasu kolanju pochchu
Chorus :Ada manasu kolanju pochchu
Female :Vetti madippu kalainju pogumunnae
Manasu tholainju pochchu
Chorus :Maman manasu tholainju pochu
Ennadi soldra
Un prushan unna maranthuttu
Vera oruththikku manasa koduththudaannu soldriyaa
Santhanamaa naanirukka
Saakkadaiyil vizhunthaa
Chorus :Verum saakkadaiyil vizhunthaa
Female :Ha saakkadaiyila vizhunthaalum
Santhanaththa nenachchaa
Chorus :Intha santhanaththa nenachchaa
Sakkalaththi sandaiyilae
Saranjaramaa vedichaen
Chorus :Nee saranjaramaa vedichae
Female :Naan saranjaramaa vedichchaalum
Anaikkaiyilae maranthaen
Chorus :Aamaam anaikkaiyilae maranthae
Sari ennathaan soldra nee
Female :Un purushan nallavangiraiyaa
Kettavangiraiyaa…..
Nallathumaa kettathumaa
Naalu gunam irukkum
Chorus: Ada naalu gunam irukkum
Female :Haan nallathunnu eduththukittaa
Namakku vaazhkkai nilaikkum
Chorus :Namakku vaazhkkai nilaikkum
Nallavano kettavano
Manasa poruththu irukku
Chorus :Namma manasa poruththu irukku
Female :En purushan nallavannu
Manasukkulla nenappu
En manasukulla nenappu…..
Hey Muthamma!
What is this, I heard singing today
but you were nowhere to be seen?
Ever since you got married and your husband arrived,
did you forget to sing in all that joy?
What words can I use to start a song?
How can I even begin to sing?
Whenever I start to sing,
my heart remembers the past.
What is this, girl? It hasn't even been
a month since your wedding,
and you are already lamenting like this?
Whatever is in your heart,
tell me without hiding anything!
He held my hand and settled my life,
yet that man's heart...
Chorus: Oh, that man's heart...
Female: Yes, that man's heart
took a strange turn.
Chorus: Oh, it took a strange turn!
Seeing the charm of a fine dhoti,
his heart got unsettled.
Chorus: Oh, his heart got unsettled!
Female: Even before the folds of the dhoti came undone,
his heart was lost.
Chorus: His heart was completely lost!
What are you saying, girl?
Are you saying your husband forgot you
and gave his heart to another woman?
While I was right here like sandalwood,
he fell into a gutter.
Chorus: He fell right into a gutter!
Female: Ah, even though he fell into a gutter,
he still thought of this sandalwood.
Chorus: He still thought of this sandalwood!
In the fight over that other woman,
I burst out like a string of firecrackers.
Chorus: You burst out like a string of firecrackers!
Female: Even though I burst out like firecrackers,
I forgot it all when he embraced me.
Chorus: Yes, you forgot it all in his embrace!
All right, what are you trying to say?
Female: Are you calling your husband a good man,
or a bad man...?
Both good and bad,
people have all kinds of qualities.
Chorus: Oh, people have all kinds of qualities!
Female: Ah, if we look at the good,
our life together will last.
Chorus: Our life together will last!
Whether he is good or bad,
it all depends on our mindset.
Chorus: It all depends on our mindset!
Female: That my husband is a good man,
is the belief in my heart.
That is the belief deep in my heart...
Female
Female
Female
Female
Female
Female
Female
Female
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Female

Beyond the translation

Overall song meaning

This song is structured as a folk conversational dialogue (villu-paattu / thematic folk style) between a young married woman and her village friends. Her companions tease her about her silence after marriage and question if her husband has abandoned her or strayed toward another woman. The woman candidly shares her inner turmoil, reflecting on marital conflicts, her husband's shortcomings, and her explosive anger during disputes. Ultimately, she arrives at a mature, pragmatic resolution regarding her marriage. She realizes that all human beings possess a blend of good and bad qualities. Choosing to focus on her husband's love and affection rather than his flaws, she concludes that marital stability depends on one's own mindset and perspective, firmly holding on to the belief that her husband is good deep inside.

Writing craft

Poetic devices

Metaphor (Uruvakamm / Metaphorical Contrast)

Santhanamaa naanirukka Saakkadaiyil vizhunthaa

The woman contrasts her pure devotion ('Santhanaththa' / Sandalwood) with her husband's moral lapse ('Saakkadai' / Gutter), using stark sensory metaphors to depict virtue versus flaw.

Simile / Imagery (Uvamai)

Sakkalaththi sandaiyilae Saranjaramaa vedichaen

The phrase 'Saranjaramaa vedichaen' compares her explosive temper during arguments to the rapid, loud bursting of a continuous string of firecrackers.

Call-and-Response Folk Rhythm (Ethukai / Antiphonal Chorus)

Chorus :Ada manasu kolanju pochchu

The song uses repetitive echo lines from the chorus ('Ada manasu kolanju pochchu', 'Intha santhanaththa nenachchaa') typical of traditional Tamil folk theater and working-class women's group songs.

Did you know?

Trivia

Lyricist Aabavanan frequently incorporated authentic village conversational idioms and rhythmic call-and-response patterns into his Tamil cinematic compositions, reflecting the traditional folk song structure of rural Tamil Nadu.

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