- Lyricist
- Muthulingam
- Singers
- S. P. Balasubrahmanyam, P. Susheela
- Music director
- M. S. Vishwanathan
- Movie name
- Oorukku Oru Pillai
- Movie release year
- 1982
- Lyrics added on
- 23 Jul 2022
Lyrics & meaning
Beyond the translation
Overall song meaning
This romantic track expresses deep mutual admiration between two lovers through rich poetic imagery. The hero praises the heroine's natural allure, comparing her smile to pearls, her lips to red coral, and her skin to pure gold, claiming that her innate beauty renders gold ornaments unnecessary. The heroine affectionately counters that the true ornament she treasures most is the constant, loving admiration in his eyes. As the song progresses, classical Tamil poetic references—such as invoking the legendary poet Kamban—elevate their intimacy into a timeless art form, emphasizing how sweet words can touch the soul deeper than rain.
Writing craft
Poetic devices
Uvamaani (Metaphor)
“Muththumani siripirukka / Sempavala mogavanna idhazhirukka”
Compares the brightness and perfection of her teeth/smile to pearls ('Muththumani') and her lips to coral ('Sempavala').
Edhukai (Second-letter Rhyming)
“Thanga niram unakkirukka chiththiramae / Thanga nagai unakkedharkku”
Repetition of 'nga' sound in 'Thanga niram' and 'Thanga nagai' creates a melodic rhythm.
Uyarvu Navortchi (Hyperbole)
“Tamizh kamban paadaatha paattu / En kangal paadum kaalai unai paarththu”
Claims that the lover's beauty inspires a melody grander than any song written by the legendary epic poet Kamban.
Muraan (Contrast/Paradox)
“Mazhaiyaalae nanaiyaatha ullam / Unthan mozhiyaalae nanainthaadi thullum”
Contrasts physical rain that fails to touch the inner heart with tender words that thoroughly drench and delight the soul.
Did you know?
Trivia
'Oorukku Oru Pillai' (1982) features music by the popular composer duo Shankar–Ganesh. Lyricist Muthulingam incorporated traditional Tamil literary hyperbole, comparing romantic gaze to the grandeur of Kamban's poetry, making it a classic duet rendered seamlessly by S. P. Balasubrahmanyam and P. Susheela.
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