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Isaimozhi
Lyrics & meaning

Minsaara Poovae Pen Poovae

From Padaiyappa · 1999

Lyricist
Vairamuthu
Singers
Sreenivas, Sriram, Nithyashree Mahadevan
Music director
A. R. Rahman
Details
Padaiyappa1999

Lyrics & meaning

Tanglish lyrics English translation
Male
{Minsaara poovae pen poovae{Electric flower, female flower,
Mei theenda vendumMust touch my body,
Ennodu vaaraaiCome with me,
En aasai osaikelaai} (2)Listen to the sound of my desire}
Male
Maalaiyil pon maarbinilIn the evening, on my golden chest,
Naan thuyil kolla vendumI want to rest and sleep,
Kaalaiyil un kangalilIn the morning, in your eyes,
Naan veyil kaayavendumI want to bask in the sunlight,
Sakiyae.. sakiyae.. sakiyaeMy companion... my companion... my companion,
En meesaikum aasaikumFor my pride, my desire,
Poosaikum nee veendumAnd my devotion, I need you,
Female
Minsaaraa kannaaElectric beloved Krishna,
En mannaaMy king,
En aanai kettuListen to my command,
En pinnae vaaraaiFollow behind me,
En aasai osai kelaaiListen to the sound of my desire,
Koondhalil vizhum pookkalaiThe flowers falling from my hair,
Nee madhiyendha vendumYou must humbly catch in your hands,
Naan vidum perumoochilaeIn the deep sigh that I release,
Nee kulir kaaya vendumYou must warm yourself,
Madanaa..madanaa.. madanaaO Cupid... O Cupid... O Cupid,
En poovukkum thevaikkumFor my delicate self, for my desires,
Sevaikkum nee vendumAnd for my service, I need you,
Minsaaraa kannaa..aaaaaaahhh..Electric Krishna... aaaaaahhh..,
Female
Oru aanukku yezhudhiyaThe true ideal grammar written for a man,
Ilakkanam unniddhathil kandenI witnessed within you,
En paadhathil pallikollaTo rest at my feet,
Unakkoru anumadhi thandenI grant you permission,
Female
Oru aanukku yezhudhiyaThe true ideal grammar written for a man,
Ilakkanam unniddhathil kandenI witnessed within you,
En paadhathil pallikollaTo rest at my feet,
Unakkoru anumadhi thandenI grant you permission,
Female
En aadaithaangikollaTo hold my garments,
En koondhal yendhikollaTo lift and hold my hair,
Unakkoru vaaippallavaaaa…Is it not a rare privilege for you...?
Naan unda michapaalaiThe leftover milk that I consumed,
Nee undu vaazhdhu vandhaalIf you live by drinking it,
Mothchangal unakkallavaaaaahhh…Is ultimate salvation not yours...?
Vaanam vandhu valaikiradhaeEven the sky bends down,
Vanangida vaaSo come and bow before me,
Male
Minsaara poovae pen poovaeElectric flower, female flower,
Mei theenda vendumMust touch my body,
Ennodu vaaraaiCome with me,
En aasai osaikelaaiListen to the sound of my desire,
Female
Kanna aaaah aaah…kanna aaaah aaah…O Krishna... O Krishna...,
Male
Vennilavai thatithatiBy chiseling and shaping the white moon,
Seidhu vaitha sirpam ondrukandenI saw a delicate sculpture crafted,
Adan vizhigalil vazhivadhuBut flowing from its eyes,
Amudhalla visham endru kandenI realized it was not nectar, but deadly poison,
Adan nizhalaiyum thoduvadhuEven touching its shadow,
Pazhiyendru vilagivitten.. aaaahhhhh..aaaaaaahhhIs a sin, so I stepped away.. aaaahhhhh..aaaaaaahhh..
Male
Vaan vizhiyaal valai virithaaiYou cast a trap with your celestial eyes,
Vanjanai velaadhuYour deception will not prevail,
Valaigalilae meen sikkalaamA fish may get trapped in a net,
Thanneer endrum sikkaadhuBut water can never be trapped,
Vaa endraal naal varudhillaiIf you command me to come, I will not come,
Po endraal naan maraivadhillaiIf you command me to leave, I will not vanish,
Idhu nee naan endra potti allaThis is not a mere ego battle between you and me,
Nee aanaiyitu soodikollaFor you to command and wear like a flower,
Aangal yaarum pookkal allaMen are not flowers,
Female
Minsaaraa kannaaElectric Krishna,
En mannaaMy king,
En aanai kettuListen to my command,
En pinnae vaaraaiFollow behind me,
En aasai osai kelaaiListen to the sound of my desire,
Male
Thoomtha thakita thakida(Rhythmic percussion solkattu syllables)
Tha thathinna(Rhythmic percussion solkattu syllables)
Thathikidathom..thathikidathom..(Rhythmic percussion solkattu syllables)
Thathikidathom(Rhythmic percussion solkattu syllables)
Female :aaaaahaaaahhaaaaahhh….Female vocalization: aaaaahaaaahhaaaaahhh….
Male
Tha thakida thom(Rhythmic percussion solkattu syllables)
Tha thakida thom(Rhythmic percussion solkattu syllables)
Theem thakida thom(Rhythmic percussion solkattu syllables)
Theem thakida thom(Rhythmic percussion solkattu syllables)
Female :aaaaahaaaahhaaaaahhh….Female vocalization: aaaaahaaaahhaaaaahhh….
Male
Thomthathakita thathakita(Rhythmic percussion solkattu syllables)
Thathakita.. thathakita(Rhythmic percussion solkattu syllables)
Thakita thom ..thakita thom(Rhythmic percussion solkattu syllables)
Thakita(Rhythmic percussion solkattu syllables)
Female :aaaaahaaaahhaaaaahhh….Female vocalization: aaaaahaaaahhaaaaahhh….
Male
{Thagatheme thathathom{Rhythmic percussion solkattu syllables
Thagatheme thathathomRhythmic percussion solkattu syllables
Thagatheme thathathomRhythmic percussion solkattu syllables
Thagatheme thagathemeRhythmic percussion solkattu syllables
Thagatheme}(2)Rhythmic percussion solkattu syllables}
Female :aaaaahaaaahhaaaaahhh….Female vocalization: aaaaahaaaahhaaaaahhh….
Male
Thoomkita thakathina thommm…(Rhythmic percussion solkattu syllables)
Female : Minsara kannaa……..Female : Electric Krishna.......
Minsaara kannaaaa……Electric Krishna......

Beyond the translation

Song interpretation

Minsaara Poove is a dramatic, high-energy classical musical duel from the film Padaiyappa (1999), composed by A.R. Rahman with lyrics by Vairamuthu. The song represents an intense clash of egos between the arrogant antagonist Neelambari (who demands absolute submission from the man she desires) and the hero Padaiyappa (who rejects her arrogance and asserts his self-respect).

Writing craft

Poetic devices

Metaphor (Uruvagaim)

Minsaara poovae pen poovae

Neelambari compares herself to an electric flower ('Minsaara Poove') and Padaiyappa compares her eyes to a trap ('Valai') and himself to untamable water ('Thanneer').

Contrast / Antithesis

Amudhalla visham endru kanden

Padaiyappa contrasts sweet ambrosia ('Amudhu') with poison ('Visham') to reveal the destructive nature behind Neelambari's beauty.

Emoni / Rhyme (Monai and Ethirai)

Vaanam vandhu valaikiradhae / Vanangida vaa

Use of second-letter rhyming (Ethirai) across lines such as 'Vaanam' and 'Vanangida', creating rhythmic flow in classic Tamil poetic meters.

Did you know?

Trivia

Composed by A.R. Rahman, 'Minsaara Poove' is sung in the classical Carnatic raga Hamsadhwani, blended with dynamic Western orchestration. Nithyasree Mahadevan provided the powerful lead classical vocals for Neelambari (played by Ramya Krishnan), while Srinivas sang for Rajinikanth's character.

Keep listening

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